Name: Antiquo by caordico suave
Duration: 3 min 15 s
Description: mixed from Buen Clima's personal instruments sampled set.

BALLES REBONDISSANTES
Découvrez un match de sons en Ping Pong par Musique Chienne et Sainte Rita.
Épisode bonus, consacré aux balles rebondissantes et aux sports de raquette.
On y découvre que la musique électronique adore les bruits de baballes et qu'elle en joue avec plaisir. 
Cette émission est pleine de rebondissements, ça enchaîne les frappes et c'est de la balle !

IL Y A QQE CHOSE KI CLOCHE w/ Sainte Rita & Musique Chienne (01/07/22)

Multi Culti Japan

Xanga - Mi Gusta Mi Cuica

TRACKLISTING / INTERVIEW:
https://www.self-titledmag.com/caural-holograms-mixtape/

NE352: Caural - "Holograms" Mixtape

Brazilian-Australian Rapoeira wizard XANGA is back on Multi Culti with a 3-tracker, backed by a sparkly remix from Ecuador’s Nicola Cruz.

Multi Culti throws down a kitschy pop manifesto with Get Outta My Dreams, a Tarzan-sampling call to the wild that implores us to leave the city and align with nature. Xanga gives overt voice to what we’re all feeling, stuck in urban existence, longing to dance among jungle spirits. 

This is the Way it Starts continues with mad-cap percussion, taking things far off the rails of conventional dance music with live-pulsing rhythms and fast paced arrangement. La Luz rounds off the EP with a hypnotic, shaker-driven groove and trippy, delay-soaked tuned percussion layers. Xanga moving with confident steps towards a distinctly individual sound. 

Nicola Cruz, hot off his latest releases on Multi Culti and ZZK, chimes in with his remix of Get Outta My Dreams, reinforcing the beats, adding his chugging South American tribalism while preserving the feel of the original.

Xanga - This Is The Way It Starts

LR084 - Cool Maritime - Some Sort of Wave Portal
WW release date 01.29.2016

Cool Maritime is the New Age synth wizardry of Sean Hellfritsch - named after the coastal region between San Francisco and Vancouver. "Coast Quest" was recorded in real-time to cassette using mini-modular synthesizer, re-201 space echo, and t.e. op-1. 

cover illustration by: Jesse Balmer 
jessebalmer.com/

Cool Maritime - Coast Quest

A1. Alma Negra - Safari

mixed from Buen Clima's personal instruments sampled set.

Antiquo

First single "Nzala Urugu" taken from the forthcoming album "Uhamiaji" on Soundway Records, to be released on 2LP | CD | Digital on 1 September 2017

Uhamiaji

Stream & Buy

Msafiri Zawose - Nzala Urugu (Single)

Re-edit from Cabana Disco vol.06 12", which will be released in Spring 2012.

Ritual Dance

From the album Anne.  Available November 16, 2018 from Western Vinyl.

Bandcamp https://josephshabason.bandcamp.com/album/anne
iTunes https://itunes.apple.com/us/album/anne/1427808233?ls=1&app=itunes
Spotify https://open.spotify.com/album/19FD6RN5K3xYFThAHM4fGy?si=0hUO0rFVQAigvSPTvJL_4w
WV http://westernvinyl.com/shop/wv182

Joseph Shabason
Twitter https://twitter.com/JosephShabason
Instagram https://www.instagram.com/josephshabason/
Facebook https://www.facebook.com/josephshabason

Anne, the second album By Toronto saxophonist and composer Joseph Shabason, is a tonal essay on degenerative illness. Delicately and compassionately woven with interviews of Shabason’s mother from whom the album takes its name, Anne finds its creator navigating a labyrinth of subtle and tragic emotions arising from his mother's struggle with Parkinson’s disease. Across the nine vivid postcards of jazz-laden ambience that comprise the album, Shabason unwraps these difficult themes with great care and focus revealing the unseen aspects of degenerative diseases that force us to re-examine common notions of self, identity, and mortality. 

Shabason’s uncanny ability to manoeuvre through such microscopic feelings is mirrored by his capacity to execute a similar tightrope-walk through musical genres. His music occupies a specific space that is as palpable as it is difficult to pin labels to. On Anne’s second track “Deep Dark Divide” rays of effected saxophone shine behind clouds of digital synthesizer that echoes the sound of jazz in the late 80s, but with a Jon Hassell-esque depth of sensibility that consciously subverts the stylistic inoffensiveness of that era. There is detail and idiosyncrasy beneath Shabason’s dawn-of-the-CD-era sheen that elevates the album far beyond a mere aesthetic exercise.

Still, the sounds on Anne are not so experimentally opaque as to stand in the way of the album’s through-line of sincerity and emotionality. When dissonance is employed it is punctual and meaningful, like on album-middler “Fred and Lil” where a six-minute cascade of breathy textures builds suddenly to an agitated growl, only to abruptly give way to Anne Shabason speaking intimately about her relationship to her own parents. Snippets of such conversations see her taking on something like a narrator role across Anne while the sound of her voice itself is sometimes effected to become a musical texture entwined into the fabric of the songs without always being present or audible.  The subsequent piece “Toh Koh” then drifts into playful disorientation as a lone female voice echoes the two syllables of the title, recalling the vocal techniques of composer Joan La Barbara, or even the light-hearted mantras of Lucky Dragons. From here the album veers back onto its aesthetic thoroughfare with “November” where Shabason lays muted brass textures atop a wavepool of electric chords provided by none other than the ambient cult-hero Gigi Masin, one of Anne’s many integral collaborators.

The serene tragedy of the album distils itself gracefully into the ironically titled album closer “Treat it Like a Wine Bar” wherein flutters of piano and mournfully whispered woodwinds seem to evaporate particle by delicate particle, leaving the listener with a faint emotional afterglow like a dream upon waking. There is a corollary to be drawn here with what it must be like to feel one’s own mind and body drift away slowly until nothing remains, while the collection of memories and abilities that we use to denote the “self” softens into eternity. On Anne, it is precisely this fragile exchange of tranquillity and anguish that Joseph Shabason has proven his singular ability to articulate.

Antiquo

caordico suave

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