Name: Hello Mr. Jarman | Acid Mental Sentimental #19 by H A T A I I I A Г А Н Е Л И Н А
Duration: 2 h

Можно пожалуйста название 52 минуты?

Living Room n°75 ~ @edenaurelius

q. pls introduce yourself
a. Hi my name is Eden Aurelius, I am a dj / musician currently based in Brooklyn, New York. 

q. is there a story behind the mix?
a. There is a balance of rhythmic and delicate sounds that I wanted to be cohesive across the recording. It illustrates spatial energy and rhythm forming between each other - kind of like a path forming in front of you. 

q. what’s the best way to enjoy your mix?
a. By a body of water 

q. describe a favorite object in your living room...
a. A plant that an old family member gave me, or a photo of a volcano that my girlfriend took while we were traveling together. 

q. are you working on any projects right now (music or not music)?
a. I am currently trying to read more often and trying to keep a journal haha. Musically I have a few different projects floating around that I believe will turn into a full body of work sometime next year.

Living Room n°75 ~ Eden Aurelius

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elektrofelina @ KURS radio 07.05.25

Brussels-based artist and musician smittness takes over this episode of Daydreaming, chasing the feeling of warm wind, soft stillness, and books forgotten mid-sentence.


Daydreaming w/ smittness @ Kiosk Radio 10.06.2025

NTS 28.07.2025

Living Room n°87 - @wieloroman @ushenkosasha

q. please introduce yourselves:

a. My name is Sasha Ushenko, and I'm an artist from Kyiv. Together with my close friend and collaborator WiELOROMAN aka Roma Pivnenko, we’ve built a deep connection through our shared taste in music and vision.

We co-create a project called Practices of Conscious Listening @pup.listening.club — a series of events where we invite people and artists into the world of deep listening, meditative states, and alternative soundscapes. Our goal is to explore how sound can be used as a tool for presence, awareness, and inner exploration.


q. is there a story behind the mix?

a. There’s definitely a story behind this mix. It was born naturally from a live B2B session we played at the Stricka Festival in Kyiv, in the summer of 2024. The setting was beautiful — a lush garden surrounded by greenery, and the vibe was incredibly present, almost timeless.

The mix captured that moment of deep connection - with the music, the space, and the people around us. For a long time, it just sat quietly, waiting to be heard again. 

When we play together, it feels intense and super-spiritual because we hold this depth together with our double intention.


q. what’s the best way to enjoy your mix?

a. I think the best way to enjoy this mix is to simply gather your friends, put the music on, boil some water, pour some tea — and just be. Whether it’s shared conversations in nature or quiet moments of presence together, this mix was made to hold space for that kind of connection. It’s not about listening with intensity — it’s about letting the sound gently accompany a real, grounded moment in life.


q. describe a favourite object in your living room (individually)...

a. Sasha - I really love my table in the living room. There’s just so much happening around it — it feels like a digital workspace, but also a creative sanctuary. I draw there, drink tea, read, write… everything kind of flows through that table. It’s simple, but it holds a lot of energy. It’s just… the table, you know?

Roma - probably my favorite object is a whole wall consisting of memories, important trinkets, bookshelves with favorite material, a place for a vinyl collection and a sound system. This corner has become for me a kind of mirror that can remind you of the important things on the path of this character, through which all life breathes


q. are you working on any projects right now (music or not music, together or individually)?

a. Musically, I want to finish a special release for Gasoline Records — it’s a vinyl postcard project that brings together five musicians, five photographers, and two organizations: our label and the Kyiv Biennial. It’s a cross-disciplinary collaboration that merges sound and visual art in a very tactile, analog format.

Alongside that, WiELOROMAN and I are continuing our journey with Practices of Conscious Listening. We’re motivated to keep creating offline events, and we’re also planning to launch a podcast series to deepen the conversation around attentive listening and sound as a meditative practice.

On a more personal level, I’m diving deeper into healing sound — exploring voice, vibration, and the yoga of sound as tools for body-mind connection and inner transformation.

Roma, in turn, works extensively in the field of online education, creating courses for his clients and helping teachers develop transformational programs to support the growth of their students. He is also a "guide". It seems that this is his lifetask, to combine people, ideas, and tracks with each other, so that something divinely beautiful comes out of it.

Living Room n°87 ~ WiELOROMAN & Sasha Ushenko

Mixed by low808 and recorded live on November 14, 2024, at the Gost Zvuk showcase during the Madpia event at Spread, Tokyo.

Next Gig

ГОСТМИКС 042: low808

Organic soundscapes, field recordings and melodic ambience from composer Sophia Zhuravkova. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/sophia-zhuravkova/episodes/sophia-zhuravkova-10th-august-2025

SOPHIA ZHURAVKOVA 100825

Living Room n°88 ~ @user-195275547

q. pls introduce yourself…
Hello, we are forest.exe (Sven and Silvan). We run a label that focuses on ambient, avant-garde and experimental music. It is called Jurassic Ambient Records. The name is inspired by the Jura forests in Switzerland, where we live and grew up. We create our own mixes and also release guest mixes as well as music from friends and anyone interested. We started about four years ago. Over time, we gradually moved away from technoid sounds and club culture, and began experimenting and mixing together within the genres of ambient, experimental and drone, where we felt more at home. For us, it is essential to connect music with the wellbeing in nature, which is also the origin of everything.

q. is there a story behind the mix?
This time we created the mix with Ableton in Sven’s home studio, nestled near the Jurassic forest — not, as we usually do, in a rehearsal room with a Pioneer setup. It was a warm and luminous day at the very beginning of summer. Surrounded by nature, we let the atmosphere guide us, working spontaneously and intuitively. Instead of CDJs, we wanted to explore a new approach, giving ourselves more time and space to shape the flow. This allowed us to engage more deeply with each track and to sculpt the transitions with greater precision.
The result is a mix that feels reduced and calming, almost dreamlike, yet still carries a quiet strength. It mirrors the uncertainties and concerns we feel about the world, and the question of how we might navigate through them. We dedicated an entire day to the process, with pauses, a few beers, and long conversations about the value of music and the character we wanted this mix to embody.

q. what’s the best way to enjoy your mix?
Step into the forest, put on your headphones, leave the world behind and sink into natural, calming sounds. You might wander along the paths and lose yourself in the embrace of nature, or sit quietly on a tree stump, listening to the mix while observing the subtle life unfolding around you. This is, in essence, what our name forest.exe is meant to evoke.

q. describe a favourite object in your living room...
Silvan: My favourite object in my living room is a handmade ceramic piece with an organic, natural design. I discovered it in Krakow last year during my visit to the Unsound Festival.
Sven: Hehe… epic indeed. My favorite object in my living room is a triptych of three Japanese woodblock prints. In the first, several farmers brandishing katanas burst forth with fierce cries. In the second, a lone farmer leaps dramatically over a waterfall, sword in hand. And in the third, a bear flees from the oncoming attackers. The imagery is raw and powerful, yet strangely inspiring. I don’t know the artist or when the pieces were created — but stumbling upon them in an antique shop felt like a stroke of fortune, as if they had been waiting there for me.

q. are you working on any projects right now (music or not music)?
We are both working on new music, though it often takes a lot of time — which can be challenging, since we both work more or less full-time as social workers, and Sven also has children. Still, we meet regularly to create ambient mixes, discuss musical developments, and continue shaping our vision for the label. Through it, we keep releasing new mixes as well as music (EPs) from ourselves and from other artists.
What we love is that this project has been with us for quite some time, and we can move at our own pace — deciding how much energy to put in, or when to slow things down. That way, it never becomes stressful, because we are not chasing success, but rather sharing our musical principles and offering others a fresh listening experience. We are also searching for a spot in the forest where we can record outdoor mixes, letting nature inspire our music even more directly.

Living Room n°88 ~ forest.exe

https://www.rovr.live/show/ftx0vwgme5zcoksaa87t25pw
This mix is dedicated to the English filmmaker, writer, artist, and music video director Derek Jarman, and his iconic Prospect Cottage in Dungeness, Kent.

This mix is very special to me — it turned out mystical and occult, very much in the spirit of Jarman’s art and the atmosphere of my late-night show Acid Mental Sentimental. It carries Jarman’s sense of decadence, baroque beauty, and dreamlike imagery. The mix immerses you in a hypnotic world that escapes rational analysis and can only be perceived through feelings and intuition.

Hello Mr. Jarman | Acid Mental Sentimental #19

BioWave Purifier is an AI-generated ambient journey built on bio-inspired frequency structures and deep rhythmic pulses designed to evoke a sense of cleansing, renewal, and inner clarity.
The album uses harmonic waves, resonant drones, and frequency-layered sound design to create an atmosphere that symbolically mirrors the idea of clearing out what does not belong — physically, mentally, or energetically.

Warm drones, pulsing sublayers, and vibrating overtones blend into a meditative soundscape that feels both primal and futuristic. Inspired by Rife-style frequency concepts, each track explores different tonal fields associated with purification, balance, and rhythmic release.

This is not medical audio — it is an experiential sound ritual, crafted to give listeners the sensation of cleansing, clearing, and energetic realignment.

Let the frequencies move through you.
Let the pulse refresh your inner space.

Hello Mr. Jarman | Acid Mental Sentimental #19

H A T A I I I A Г А Н Е Л И Н А

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