Lovely pop ballad that combines sweet tones and powerful verse. Music and vocals alike really blend perfectly! One of your best and a great effort from all!

Play On 140 BPM--lyrics
It’s a vibe—-just a vibe
Come on and follow me
Float with me—— soar with me 
Surely you will see
Flying high ——oh so high
Come on fly with me
To the ultimate level
Easy as could be

I find moments when the music isn’t inside of me
But I’m inside of the music floating around free
Relaxing and moving—-come on follow me 
Step inside—-Feel the vibe—it’s almost heavenly 
Warm and deep—-take the leap—a total odyssey 
Free your mind —-let’s unwind——and find the frequency
Free your mind —-let’s unwind——and find the frequency
find the frequency

now vibe with me
come on vibe with me 
come on fly with me
come on vibe with me —come on

Come on where you been—— the challenge is within 
Again it all like ——letting go and floating in the wind
Sunshine and rain—-can’t stop its happenings 
The power and strength —-all ——-so——ravishing 
No heights——depth—- or lengths—-never limiting
Day or night——anytime ——nothing is more certain 
It’s what you hear and how you feel —-that—- interpreting
Close your eyes and free your mind—-what are you picturing
Harmony as we evolve —-and that is —-everything 
that is —-everything

I find moments when the music isn’t inside of me
But I’m inside of the music floating around free
Relaxing and moving—-come on follow me 
Step inside—-Feel the vibe—it’s almost heavenly 
Warm and deep—-take the leap—a total odyssey 
Free your mind —-let’s unwind——and find the frequency
Free your mind —-let’s unwind——and find the frequency

Come on where you been—— the challenge is within 
Again it all like ——letting go and floating in the wind
Sunshine and rain—-can’t stop its happenings 
The power and strength —-all ——-so——ravishing 
No heights——depth—- or lengths—-never limiting
Day or night——anytime ——nothing is more certain 
It’s what you hear and how you feel —-that—- interpreting
Close your eyes and free your mind—-what are you picturing
Harmony as we evolve —-and that is —-everything 
that is —-everything

find the frequency
now vibe with me
come on vibe with me 
come on fly with me
come on vibe with me —come on

Play On 1

This song is rather long. After all, it's also about a very long journey. We know that not everybody like long songs. We have an excerpt of this song in a completely different version with only guitar accompaniment. That would be the short alternative. But we would be happy if some listeners would make the complete musical journey with us and listen to the full version of the song to the end. Here we go:
Enceladus
Part I: Journey in space:
When we left the earth last year, without any sign of fear
No clue how it would be here

Travelling through the lonely night
Drifting in the milky light
Far away from human sight 

Far away from human life, our mission feels so right
Flying to the icy moon, a journey to the unknown
Enceladus calling us, with the rocket travelling fast
Human dreams we cannot hide, human spirit is our guide
Watch a different cosmic side, all around us the starlight
Travel through eternal night, travel through eternal night

Instrumental Part

Part II: Approaching Enceladus, Landing:
Enceladus’ coming near, Saturn is so huge and clear
Time to change the running gear
Approaching Saturn’s mystical face
After that journey through infinite space
Landing on this moon, foreign stars above
Enceladus as beautiful as love
We’ll explore the ocean under the deep ice
We wonder whether we’ll find traces of life

Travelling through the lonely night
Drifting in the milky light
Far away from human sight

Behind the rings the moon awaits
We’ll explore it’s icy gates
Instruments raised to explore
What’s under the ice and more
Secrets of the inner sea
Cannot wait what we will see, cannot wait what we will see

Instrumental Part

Part III: The scientific mission, getting the results:
(Unfortunately, we are not authorized to present the research results here; this will be done officially. That's why we had to remove this part from our song. Unfortunately, it will take a very, very long time, before the research results are published so we have to ask you to be very patient. )
…
Part IV: Dismantling the camp and heading home:
Enceladus was our home on this mission so alone
Time to leave this icy stone
Packing the instruments with care and grace
We’ll bring our finding through the distant space
In the frozen world under the star’s dome
We gather ‘cause it’s time to go home
Enceladus we will never come back
But about you we’ll create a soundtrack (you have it tight here, the soundtrack)

Camp dismantled and our probes in the crates
Every one ready the countdown awaits
We’ll bring Enceladus’ portrait, 
Destination home, we are on our way

Wait for us ‘cause we bring home amazing research data
And to earth we bring Enceladus’ water

We missed our earth and our people so much
Oh, how we want to feel again the earth’s living touch
Our family faces we long to greet
We will be so happy when we finally can meet
We’ve learned nothing is more important than protecting the earth
Every fight, every sacrifice, every effort it is worth – it!

Journey To Enceladus

This came to me the day after the 11/5/24 election and really captures how I felt - disappointed, sad and worried.

Crestfallen

Once again I am thrilled to work with Gaz Brownie and Andy "Noobly" Hall.. Andy composed a beautiful track and Gaz wrote the words and melody into it, and when Gaz & Andy invited to me to sing along I was beyond super excited to work with them again..   What a great song! Thanks for inviting me along fellas xxx

Copyright 2025 Concience of Kings
Female Vocal Copyright 2025 Nat Daniels
Composed and Mixed by Andy Hall
Written and Performed by Gaz Brownie
Backing Harmonies Performed by Nat Daniels

Lyrics:

We made this to be broken 
after every word, we’ve spoken
Now we feed every  line 
Trying to make it rhyme 

And now were somewhere in between 
Prose and poetry it seems 
We gotta let it go 
Our Prose and poetry 
you know …. (repeat)

The party is no longer fun 
wallflowers we’ve become 
What happened to our desire 
Our flame only  flickers on the fire 

We drop shade into our light
prose & poetry tonight 
The novel has come to the end
 the lyrics now condescend 
Shadows falls all over us
nothing left to discuss 
amplifier that bleeds out noise
Prose & poetry’s Destroyed

And now were somewhere in between 
Prose and poetry it seems 
We gotta let it go 
Our Prose and poetry 
you know …. (repeat)

Prose And Poetry - Conscience of Kings with Nat Daniels

Bright Stars In The Haze

Work for Woodwinds and Percussion

My Method of Composing and Producing

I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Suite for Woodwinds and Percussion No. 1

Suite For Woodwinds and Percussion No. 1

Sjung och var glad

Så en dag. 894 ( 1987 ) Margareta Theorin ( Margareta )

Ready For Liftoff (2025)

your way

Eternity

Tu rentres le soir sans un mot
Ton regard passe à côté de moi
Je cherche encore l’écho
De l’amour qu’on avait autrefois

J’ai crié des appels muets
Dans nos silences trop parfaits
Chaque larme effacée d’avance
Ne t’a jamais brisé la défense

Dix ans de bonheur, puis le néant
Ton indifférence m’a tuée lentement
J’aurais donné ma vie pour nous deux
Mais je pars avant de mourir un peu

Nos rires s’éteignent dans les murs
Les photos jaunies me rassurent
Je revois nos promesses d’antan
Je ne reconnais plus l’amant

J’ai tendu la main tant de fois
Ton cœur fermé ne la voyait pas
Je suis lasse d’attendre en silence
Qu’un jour tu reviennes à la danse

Dix ans de bonheur, puis le néant
Ton indifférence m’a tuée lentement
J’aurais donné ma vie pour nous deux
Mais je pars avant de mourir un peu

Je n’emporte que ma liberté
Et les cendres de nos vérités
Ton absence aura tout brûlé
Je choisis enfin d’exister

Tu ne verras peut-être jamais
Les morceaux d’âme que j’ai laissés
À force d’alerter dans le vide
J’ai compris que l’amour se décide

Dix ans de bonheur, puis le néant
Ton indifférence m’a poussée au tournant
J’aurais voulu vieillir à tes côtés
Mais je pars avant de m’effacer

Adieu nos rêves, adieu nos serments
J’écris ma vie loin de ton présent
Et si un jour tu tends la main
Tu ne trouveras plus la mienne.

10 ans de silence

Need help with your Backing Vocals, Time Alignment, Pitch Correction, Production or Mixing?   Message me.   I'm Singer/Songwriter/Instrumentalist and Producer focused on many Genres.  Co Owner of Gentle Rain Records and Part of the Duo https://soundcloud.com/DanielsDurgy

Prose And Poetry - Conscience of Kings with Nat Daniels

Nat Daniels

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