what holds them together (2020), for portative organ. Performed by Ryszard Lubieniecki (https://soundcloud.com/ryszard-lubieniecki).

what holds them together

follow the well-worn path in the grass, for flute, clarinet, violin, viola, cello, and piano (2021)

Performed by the Explore Ensemble at the City Summer Sounds festival. Performance Space, City, University of London, 09.06.2021.

Explore Ensemble
https://soundcloud.com/explore-ensemble
http://explore-ensemble.com/

Edited by Jonathan Higgins
https://jphiggins.co.uk/

follow the well-worn path in the grass

Cartography #11, for solo piano (2018)

Performed by Ben Smith (@bensmithkeys1991).
Recorded at the Performance Space at City, University of London (12.12.2021).

Cartography #11

BUY IT ON BANDCAMP AS FUCK/ SUPPORT YOUR TRANS PRODUCERS!!
@deftones_official love u so fucking much...

Deftones - Change (Reggeton Edit)

These recordings were made with deep respect in the country of the Ngarrindjeri peoples.

With respect, with sadness, with hope. Everything here has changed; except for the sound of the ocean. Where the waters meet, is where the sounds merge. The sound of the ocean, permeating all, remains the same.

Unprocessed excerpts from original recordings. (Listening with good quality headphones - preferably open-backed - with a flat frequency response is recommended.)

An Afterword: I am deeply pleased and honoured that the original recordings from which this piece was composed have found a perfect home in Megan Spencer's important and heartfelt podcast, 'Bringing His Spirit Home: Private Arthur Thomas Walker, Ngarrindjeri ANZAC', as immersive field recordings made in, and expressing the natural spirit of, Arthur Thomas Walker's home country. This educational podcast is one of four produced by Megan, commissioned by the Virtual War Memorial Australia, and can be heard here: https://vwma.org.au/education/bringing-his-spirit-home-private-arthur-thomas-walker-ngarrindjeri-anzac.

Some of my earlier Kurangk/Coorong recordings have also been happily woven into Megan's related podcast, 'Walking in Two Worlds: The WW1 Story of Ngarrindjeri ANZACs Cryril & Rufus Rigney', which can be heard here: https://vwma.org.au/education/podcast--walking-in-two-worlds--the-ww1-story-of-ngarrindjeri-anzacs-cyril-rufus-rigney.

@Bandcamp

2022.10.09 From the Mouth of Murrundi to Goolwa Beach. Kumerangk, Kurangk. Night to Dawn. Spring.

Jeph Jerman/Ted Byrnes, Passenger

“The less meaning there is to discourse, the closer it is to power. Behind the mouth, the largest, all-swallowing mouth, there is nothing but the immense noise of the ocean. Chaos, noise, disorder. The base of existence. This parasite chases out all the others. Behind power, behind the ultimate power, behind the universal appetite, in their vicinity, on their edge, noise spills out into space. The bottom of the well is black; the back of the cave is dark; the pure wave is bitter.”

-Michelle Serres, The Parasite

Appetite

Swipe From My Garden (feat. MIKE)

Necessary Moods Vol. 1
https://nahstuff.bandcamp.com/album/necessary-moods-vol-1

MENTHOL SPLIFF

CENO MIX VOL. 55 - EARTHEATER

-Composer of works for electronics, objects, and arrays of people.

Appetite

Nathan Corder

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