classic

Verdi -opera Aida

The New York Philharmonic is joined by the New York Choral Artists (Joseph Flummerfelt, Director) for Giuseppe Verdi's Messa da Requiem.  The recording was made in January, 2015 and features an all-star quartet of soloists: Soprano Angela Meade; Mezzo-Soprano Lilli Paasikivi; Tenor Russell Thomas, and Bass-Baritone Eric Owens (the Philharmonic's 2015/16 Artist-in-Residence.) Music Director Alan Gilbert conducts. The broadcast host is Alec Baldwin. 

00:00:00 Billboard & intro to Verdi Requiem
00:06:56 No. 1 Requiem et Kyrie
00:15:59 No. 2 Dies irae
00:52:26 No. 3 Domine Jesu
01:01:55 No. 4 Sanctus
01:04:33 No. 5 Agnus Dei
01:09:33 No. 6 Lux aeterna
01:15:45 No. 7 Libera me
01:29:47 Back-announcement & Credits
TRT: ~01:31:25

Alan Gilbert conducts the Verdi Requiem

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Deezer

Requiem in D Minor K. 626: Dies Irae (Instrumental)

Spotify

Requiem in D Minor K. 626: Rex Tremendae (Instrumental)

Amazon

Requiem in D Minor K. 626: Recordare (Instrumental)

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The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a Requiem Mass to commemorate the February 14 anniversary of his wife's death.

The Süssmayr completion of the Requiem is divided into fourteen movements, with the following structure:

I. Introitus
Requiem (choir and soprano solo) (D minor)
Kyrie, Bruno Walter, 1956.
II. Kyrie (choir) (D minor)
III. Sequentia (text based on sections of the Dies Irae)
Dies irae (choir) (D minor)
Tuba mirum (soprano, contralto, tenor and bass solo) (B-flat major)
Rex tremendae (choir) (G minor–D minor)
Recordare (soprano, contralto, tenor and bass solo) (F major)
Confutatis (choir) (A minor–F major, last chord V of D minor)
Lacrimosa (choir) (D minor)
IV. Offertorium
Domine Jesu (choir with solo quartet) (G minor)
Hostias (choir) (E-flat major–G minor)
V. Sanctus (choir) (D major)
VI. Benedictus (solo quartet and choir) (B-flat major)
VII. Agnus Dei (choir) (D minor–B-flat major)
VIII. Communio
Lux aeterna (soprano solo and choir) (B-flat major–D minor)

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Spotify:
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Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - The Essential Collection

Twitter

Requiem in D Minor K. 626: Hostias (Instrumental)

Napster

Requiem in D Minor K. 626: VII. Agnus Dei, VIII. Communio, Lux Aeterna (Instrumental)

YouTube

Requiem in D Minor K. 626: VI. Benedictus (Instrumental)

Requiem in D Minor K. 626: IV.Offertorio, Domine Jesu (Instrumental)

Requiem in D Minor K. 626: VII. Confutatis (Instrumental)

Audius

Quartet No. 15 in D-Minor, K. 421: II. Andante

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Wolfgang Amadeus Mozart's Piano Sonata No. 4 in E-flat major, K 282 (189g) (1774) is a sonata in three movements:

Adagio
Menuetto I-II
Allegro

A typical performance takes about 12 minutes.

Mozart wrote the work down during a visit paid to Munich for the production of La finta giardiniera from late 1774 to the beginning of the following March.

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MediaNet
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Piano Sonata No.4 in E-Flat Major, K. 282: III. Allegro

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Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. It was the last symphony that he composed, and also the longest.

The work is nicknamed the Jupiter Symphony. This name stems not from Mozart but rather was likely coined by the impresario Johann Peter Salomon in an early arrangement for piano.

The four movements are arranged in the traditional symphonic form of the Classical era:

Allegro vivace, 4/4
Andante cantabile, 3/4 in F major
Menuetto: Allegretto - Trio, 3/4
Molto allegro, 2/2

The symphony typically has a duration of about 33 minutes.

Finally, a remarkable characteristic of this symphony is the five-voice fugato (representing the five major themes) at the end of the fourth movement. But there are fugal sections throughout the movement either by developing one specific theme or by combining two or more themes together, as seen in the interplay between the woodwinds. 

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Amazon
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Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - Symphonies, Sonatas, Serenades, Concertos & Overtures

Symphony No. 41 in C-Major, K. 551: ‘Jupiter’ IV. Molto Allegro

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Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788.[1] It was the last symphony that he composed, and also the longest.

The work is nicknamed the Jupiter Symphony. This name stems not from Mozart but rather was likely coined by the impresario Johann Peter Salomon in an early arrangement for piano.

The four movements are arranged in the traditional symphonic form of the Classical era:

Allegro vivace, 4/4
Andante cantabile, 3/4 in F major
Menuetto: Allegretto - Trio, 3/4
Molto allegro, 2/2

The symphony typically has a duration of about 33 minutes.
The sonata form first movement's main theme begins with contrasting motifs: a threefold tutti outburst on the fundamental tone (respectively, by an ascending motion leading in a triplet from the dominant tone underneath to the fundamental one), followed by a more lyrical response.

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Napster
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Amazon
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Orchestral samples included in this recording from the Vienna Symphonic Library.

Symphony No. 41 in C-Major, K. 551: ‘Jupiter’ I. Allegro vivace

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Wolfgang Amadeus Mozart wrote his Symphony No. 40 in G minor, KV. 550, in 1788. It is sometimes referred to as the "Great G minor symphony," to distinguish it from the "Little G minor symphony," No. 25. The two are the only extant minor key symphonies Mozart wrote.

The work is in four movements, in the usual arrangement for a classical-style symphony (fast movement, slow movement, minuet, fast movement):

Molto allegro, 2/2
Andante in E-flat major, 6/8
Menuetto. Allegretto – Trio, 3/4
Finale. Allegro assai, 2/2

The fourth movement opens with a series of rapidly ascending notes outlining the tonic triad illustrating what is commonly referred to as the Mannheim rocket.

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Orchestral samples included in this recording from the Vienna Symphonic Library.

Symphony No.40 in G-Minor, K. 550: ‘Great’  IV. Finale, Allegro Assai

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Elvira Madigan, byname of Piano Concerto No. 21 in C Major, K 467,  three-movement concerto for piano and orchestra by Wolfgang Amadeus Mozart, the best known of his many piano concerti. It was completed on March 9, 1785. Its wide recognition is in large part due to the Swedish film Elvira Madigan (1967), in which its lyrical second movement was featured and from which it derives its byname.

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Amazon
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Orchestral samples included in this recording from the Vienna Symphonic Library.

Piano Concerto No. 21 in C-Major, K. 467 "Elvira Madigan": II. Allegro maestoso

Excerpted from a complete performance in collaboration with the Amherst College Choral Society, the exciting second movement of the Requiem by Giuseppe Verdi as performed by the Amherst Symphony Orchestra.

Verdi Requiem: "Dies Irae"

Performed on tour at Stanford University, the first movement of Tchaikovsky's Fourth Symphony.

Tchaikovsky Symphony #4: movement I: Andante sost./moderato con anima (In movimento di Valse)

Tamara Brooks conducts the New England Conservatory Chorus and Orchestra in a performance of Verdi's Requiem that The Boston Globe called "an unusually searching, indeed, sublime, spiritual experience." Recorded live March 5, 1992 in NEC's Jordan Hall, Boston.
For more information: http://necmusic.edu/tamara-brooks-1941-2012

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