interviews

Composer Nathalie Joachim sees her childhood memories in May Flowers. The photograph also evokes the uniquely spiritual experience of recording a church choir in her family’s Haitian village. Joachim has lovingly woven their song into her composition. 

Find full transcripts and more information about this episode at https://www.nga.gov/music-programs/podcasts/nathalie-joachim-carrie-mae-weems-may-flowers.html

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Nathalie Joachim and Carrie Mae Weems’s “May Flowers”

Visionary and pioneering Icelandic pianist Víkingur Ólafsson performed for us recently and talked about Bach, Chopin and his rare condition called synesthesia which means he associates colours with pitch.

"I have this thing from when I was like five or six… I have perfect pitch or absolute hearing so when I would you know think about F minor that would be blue for me, I mean A major would be yellow, B major is purple."
VÍKINGUR ÓLAFSSON

If you missed our Vikingur Olafsson pre-concert talk watch here and to hear more from great pianists see our International Piano Series - https://www.southbankcentre.co.uk/whats-on/festivals-series/classical-season/international-piano-series

Vikingur Olafsson

Inspired by the forthcoming Soundstate festival, Harriet Fitch Little is joined by Southbank Centre's Music Director, Gillian Moore; Susanna Eastburn, CEO of Sound & Music; and Dai Fujikura, composer of contemporary classical music. 

They discuss the trouble with genres, how writing music will never be the same and why they don't use the word 'classical'.

Think Aloud: Modern music – composing, curating and cl***ical

In this episode, Harriet Fitch Little is joined by paralympian, TV presenter and children’s author Ade Adepitan, and children’s book critic Imogen Russell Williams to talk about the lack of diversity in children’s literature.

“I suddenly started to get a perception that certain people did certain things, that main protagonists, that strong characters, that hero characters were all white, middle class.”
ADE ADEPITAN

They discussed why children’s literature is so behind, why we can’t eliminate the past and who should be dealing with this - the authors, the publishers or the parents?

Also, children's author and illustrator Nadine Kaadan answered the burning question: how do you create a character for children?

To see all the events at Imagine Children's Festival and to buy tickets, go to https://www.southbankcentre.co.uk/whats-on/festivals-series/imagine-childrens-festival

Think Aloud: Children's books – why literature for the future is stuck in the past

Malala Yousafzai's activist work championing the educational rights of girls led to her being shot by a Taliban gunman in 2012, when she was just 15 – but she refused to be silenced.

She came to the Southbank Centre to launch her memoir I Am Malala on Sunday 20 October 2013, appearing in conversation with former Southbank Centre Artistic Director Jude Kelly. The following year, Yousafzai became the youngest ever Nobel laureate. 

In our recording of that talk, hear Yousafzai speak about sibling rivalry, her love for the landscape of her home in Pakistan's Swat Valley, and, of course, her belief in the power of education.

'We need to change the ideology. We need to tell people what the real power is. You are not powerful if you have a gun, because through guns you can only kill. You are powerful when you have a book, when you have a pen, because through pens you can save lives. And that's the change that we want to bring in our society.'

Malala Yousafzai In Conversation with Jude Kelly

In 2019, Jean Paul Gaultier brought his Fashion Freak Show – called a 'fabulous fiesta of fabric and flesh' by The Guardian – to the Southbank Centre. 

But before his extravaganza exploded onto the stage at Royal Festival Hall, the designer himself appeared here in conversation with TV presenter Anita Rani, reflecting on his decades in fashion.

Born in a Paris suburb in 1952, Gaultier started his career at Pierre Cardin at the age of just 18. He has gone on to rise to the top of the fashion world with his own label, ruffling industry feathers and dressing huge stars – including Madonna in the now-infamous bustier – along the way. 

Hear him discuss his childhood inspirations, his love of British eccentricity and his vision for the future of the fashion industry in our podcast.

Jean Paul Gaultier in conversation

Teju Cole, artist, curator, novelist, photography critic for New York Times Magazine (2015–2019), and Gore Vidal Professor of the Practice of Creative Writing, Harvard University, in conversation with Fazal Sheikh, artist and Artist-in-Residence at the Princeton Environmental Institute, Princeton University Teju Cole was born in the United States in 1975. The son of Nigerian parents, he was raised in Lagos. He returned to the US to complete a BA at Kalamazoo College in Michigan followed by studies in art history at the School of Oriental and African Studies at the University of London as well as at Columbia University. Cole’s work examines race, gender, migration, culture, and privilege. Born in New York City in 1965, Fazal Sheikh earned his BA from Princeton University in 1987 and has since worked as a photographer documenting the lives of individuals in displaced and marginalized communities. Upon witnessing an increase in xenophobia and authoritarian politics on a global scale, Sheikh turned to Cole for a collaboration that would reinforce their commitment to a compassionate global community and to the importance of individual courage. Through Cole’s words and Sheikh’s photos in the resulting book, Human Archipelago (Steidl, 2018), we are confronted with fundamental and pressing questions of coexistence. Their work asks us to consider, “Who is my neighbor? Who is kin to me?” 

In 2020 Cole and Sheikh created a free, online version of Human Archipelago. Amidst a devastating pandemic and uprisings against racial injustice, its questions are more relevant than ever. In this conversation, recorded on January 19, 2021, Cole and Sheikh discuss their collaborative efforts “to find a new way of speaking to the startling reappearance of some very old problems.”

The National Gallery has been honored to present The Arnold Newman Lecture Series on Photography since 2016 with the support of the Arnold and Augusta Newman Foundation. The National Gallery is thrilled to share that the Newman Foundation, which has funded the series annually since its inaugural offering, endowed it with a major gift in 2020 in order to make such conversations available to the public for years to come. We are deeply grateful for the Arnold and Augusta Newman Foundation’s generosity.

Arnold Newman Lecture Series on Photography: Teju Cole and Fazal Sheikh

The National Gallery of Art was created in 1937 for the people of the United States of America by a joint resolution of Congress, accepting the gift of financier and art collector Andrew W. Mellon. During the 1920s, Mr. Mellon began collecting with the intention of forming a gallery of art for the nation in Washington. In 1937, the year of his death, he promised his collection to the United States. Funds for the construction of the West Building were provided by The A. W. Mellon Educational and Charitable Trust. On March 17, 1941, President Franklin D. Roosevelt accepted the completed building and the collections on behalf of the people of the United States of America.

The paintings and works of sculpture given by Andrew Mellon have formed a nucleus of high quality around which the collections have grown. Mr. Mellon's hope that the newly created National Gallery would attract gifts from other collectors was soon realized in the form of major donations of art from Samuel H. Kress, Rush H. Kress, Joseph Widener, Chester Dale, Ailsa Mellon Bruce, Lessing J. Rosenwald, and Edgar William and Bernice Chrysler Garbisch as well as individual gifts from hundreds of other donors.

The Gallery's East Building, located on land set aside in the original Congressional resolution, was opened in 1978. It accommodates the Gallery's growing collections and expanded exhibition schedule and houses an advanced research center, administrative offices, a great library, and a burgeoning collection of drawings and prints. The building was accepted for the nation on June 1, 1978, by President Jimmy Carter. Funds for construction were given by Paul Mellon and the late Ailsa Mellon Bruce, the son and daughter of the founder, and by The Andrew W. Mellon Foundation.

On May 23, 1999 the Gallery opened an outdoor sculpture garden designed to offer year-round enjoyment to the public. Located in the 6.1-acre block adjacent to the West Building at 7th Street and Constitution Avenue, N.W., the garden provides an informal, yet elegant setting for works of modern and contemporary sculpture.

The Collectors Committee, an advisory group of private citizens, has made it possible to acquire paintings and sculpture of the twentieth century. Key works of art have also come to the Gallery through the Patrons' Permanent Fund. In addition, members of the Circle of the National Gallery of Art have provided funds for many special programs and projects. The Sculpture Garden is a gift to the nation from The Morris and Gwendolyn Cafritz Foundation.

Nathalie Joachim and Carrie Mae Weems’s “May Flowers”

National Gallery of Art

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