Missing Time (Again)

The Secret

A Haunted Forest

A Beautifull Day

The Last Of Us

We Have No Reason

In the beginning

VIDEO: https://youtu.be/5-oDKF7b6OM

Titania is the largest of Uranus' moons and, with a diameter of 1,578 km, the eighth in the solar system. Discovered by William Herschel in 1787, Titania is named after the Queen of the Fairies in Shakespeare's A Midsummer Night's Dream. 

Radius: 788.4 km
Date of discovery: January 11, 1787
Orbits: Uranus
Gravity: 0.367 m/s²
Distance from Earth: 2.723 × 10^9 km
Discoverer: William Herschel

Titania

The Origin

Dead Line

Unrecognized File

In The End Of Time

Roses

Your Secret is Not Safe

Deep Dark Mind

The Journey

I Robot

Brutal Reaction

The Man Without a Past

Uncowered Information

The Last Opportunity

Black Mirror

LIVE IMPROVVISATION - ALL SYNTH - "Closer" (ASM Hydrasynth, Korg Wavestate Module, Modal CobaltM).
VIDEO: https://youtu.be/uM4SYj1vKzA

Closer

LIVE IMPROVVISATION 
(ASM Hydrasynth, Korg Wavestate Module, Modal CobaltM).

VIDEO: https://youtu.be/Mz4YKu8MQtM

Desolated Land

Alert Condition

Atmosphere

Abandoned Space Station

Atmosphere (No Drums)

Alien Files

Crime Scene

The Portal

Before The Dawn

In Fire

Behind a Story

Thinking Of Yesterday

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

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Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

Native Sound

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