Klaus Mäkelä, conductor
Chicago Symphony Orchestra

Mäkelä Conducts Shostakovich - Broadcast

Forbidden love is in the air as Andrés Orozco-Estrada takes listeners from the streets of Bernstein’s New York to Tchaikovsky’s fantasy on Shakespearean Verona. The Argentine Pampas region is the setting of Ginastera’s vibrant ballet about a city boy who wins the heart of a rancher’s daughter.

Barber’s lush and virtuosic Violin Concerto features Benjamin Beilman, whose “rich sound conveys both dreamy lyricism and heated intensity” (The New York Times).

Please note: Hilary Hahn must regrettably withdraw from her planned September 19 and 20 performances with the Chicago Symphony Orchestra. Earlier this summer, Hahn suffered from a double pinched nerve; as part of her treatment, her medical team advised her to abstain from performing. While Hahn is expected to recover in time for the majority of her fall engagements and is improving steadily, she is not yet cleared to perform.

Original ticket orders for this concert remain valid; no additional action is needed. For order adjustments, please contact Patron Services.

Learn more: cso.org/performances/24-25/cso-classical/orozco-estrada-conducts-romeo-juliet

CSO Program Notes: Orozco-Estrada Conducts Romeo and Juliet

Starting with a ferocious fanfare representing fate, Tchaikovsky pours his soul into his Fourth Symphony, a fearless musical autobiography packed with surging melodies and dazzling colors. Antoine Tamestit brings his “gorgeous smoky sound” (The Guardian) to Walton’s Viola Concerto, a work of wistful beauty and quicksilver energy.

Learn more: cso.org/performances/24-25/cso-classical/tchaikovsky-4

CSO Program Notes: Tchaikovsky 4

Lose yourself in the idyllic landscapes of Beethoven’s Pastoral Symphony. Inspired by the composer’s country hikes, the piece summons rippling streams, a raging thunderstorm and plenty of warmth. Mozart’s double piano concerto showcases the deft teamwork of Dutch brothers Lucas and Arthur Jussen, who make two pianos “sound for all the world like a single instrument” (Gramophone).

Learn more: cso.org/performances/24-25/cso-classical/eschenbach-jussen

CSO Program Notes: Eschenbach with Lucas & Arthur Jussen

Composer: Navid Bargrizan
Composed: 2014
Flute: Emily Theobald
Piano: Anastasia Naplekova
Recorded at the University of Florida, Gainesville
March 2018

Tuning Exercise 0 - Duo for flute and piano (2014) - Emily Theobald & Anastasia Naplekova

Nearly all of Navid Bargrizan’s compositions explore intonational and tuning concepts. Since 2014, his experiments with microtonality have resulted in ca. 20 premieres and more than 70 performances of his works in the Europe and North America, for instance at New York City Electroacoustic Festival, Toronto Electroacoustic Symposium, Eastern Music Festival, Florida Contemporary Festival, North American Saxophone Alliance, and Conferences of the Society of Composers, Inc., as well as in Lübeck, Salzburg, and Copenhagen. Virtuoso musicians and ensembles such as Galan Trio, Boston String Quartet, Bold City Contemporary Ensemble, Manfred Stahnke, Katharina Uhde, Susan Fancher, Steve Stusek, and Jonas Frølund have performed and recorded his works. For his woodwind quintet Tuning Exercise No. 1, Navid was a finalist in the 2017 American Prize for Composition. Same prize also selected him as a finalist for Se-Chahar-Gah, his piece for solo microtonal adjustable guitar in its 2020 edition, as well as for his solo viola piece Kupferteich in 2023. As a 2018 Composer-in-Residence of Harn Museum of Art, Gainesville, Florida, he composed a saxophone piece based on Japanese artworks by Watanabe Schötei from the Harn’s collection. Saxophonist and Multimedia Artist Laurent Estoppey premiered and recorded this work, entitled Pictures at the Micro-Exhibition. Navid’s 10 Aphorisms for saxophone duo (recorded by Stacks Duo) and Se-Chahar-Gah for microtonal guitar (recorded by Tolgahan Cogulu) have appeared on Figments vol. II: Contemporary Solo and Chamber Ensemble Works (Navona, 2019). Lava Ilogica, his fixed-media composition based on Ludwig Wittgenstein’s Tractatus Logico-Philosophicus, is released on Mind & Machine vol. III: Organic and Electronic Works (Ravello, 2020). In 2021, Mahour Institute  released a collection of Navid’s music titled Six Chamber Pieces, and Edition Zalzal published his scores. 

Navid’s research on the music of Harry Partch, Manfred Stahnke, Roger Waters, and Mozart has led to several published articles, book chapter, reviews, and proceeding papers (see https://www.navidbargrizan.com/). He has presented aspects of his research projects—supported by awards such as three DAAD Scholarships and Doctoral Fellowship of the Center for the Humanities and the Public Sphere of the University of Florida—at approximately 40 international conferences in the North America and Europe. Navid worked as a Visiting Assistant Professor of Music Composition, as well as Adjunct Lecturer of General Humanities and German Language, at the University of Florida. At this institution and Universität Hamburg, Germany, he earned M.A. and Ph.D. degrees in Music History and Literature; Music Composition, Theory and Technology; Systematic Musicology; and Art History. Navid served as an Adjunct Professor of Music (Theory/History) at Texas A&M University-Commerce and Instructor of German Language at Dallas Goethe Center. From 2021 to 2023, he was a Visiting Assistant Professor of Composition, Musicianship, and Music History at Valparaiso University, where he directed the New Music Ensemble, collaborated with the Laptop Ensemble, led the Electronic Music Lab, and coordinated the music composition program. Navid is currently an Assistant Professor of Musicology at East Carolina University.

Tuning Exercise 0 - Duo for flute and piano (2014) - Emily Theobald & Anastasia Naplekova

Navid Bargrizan

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