This is great! Thanks for posting. Is there by any chance a tracklist?

Queue

Last December Dublin Digital Radio celebrated their 4th birthday. As part of a weekend of celebrations myself and Declan Synnott recorded a long conversation. Declan Synnott is not only a gentleman, he’s also scholar – with an actual PhD in Punk. I know I’ve talked about my own perceived parallels between Punk and Traditional Irish music many times in the past, but I think this is the most in depth and articulate it has ever come out. Featuring tracks by Cock Sparrer, Christopher Lee, Crass, Jimmy Crowley, Christy Moore, Extravision, Frank Harte, Rudimentary Peni, Los Crudos and the Pecker Dunne.

Track List:
Cock Sparrer – Working 
Cock Sparrer – I Fit Central Heating (Working Part II)
Christopher Lee and Diane Cilento – The Tinker of Rye
Crass – Do they Owe us a Living?
Jimmy Crowley and Stoker’s Lodge – Salonika
Christy Moore – Hey Ronnie Regan!
Extravision – Our City
Frank Harte – Gough’s Immortal Statue
Crass – Securicor
Crass – Berketex Bride
Rudimentary Peni – Mercy of Slumber
Los Crudos – That’s Right We’re that Spic Band
Pecker Dunne - Wexford

https://campsite.bio/firedrawnear

Interview with Declan Synnott

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Fire Draw Near Episode XXIX features songs by the Watersons, songs from the north of England, a song by Lingua Ignota, songs from Scotland, songs and tunes from Ireland as well as some puerile nonsense from the 1940s.

Tracklist:

Cormac Begley – The Flogging Reel
Lick the Tins – Can’t Help Falling in Love
The Watersons – North Country Maid
The Watersons – The Broom of the Cowdeknowes
The Watersons – Rap Her to Bank
Vin Garbutt – The Hartlepool Monkey
The Wilson Family – I Am Coal
Lainey Dempsey – Haiku
Arun Sood – The Old Dictaphone
Lingua Ignota – Katie Cruel
Pádriac Keane – Old Hang You Have Killed Me / Garrett Barry’s Jig
Al O’Donnell – Lord Abore and Mary Flynn
Unidentified Singers – The Lucan Dairy
Packie Dolan – A Drink in the Morning
Packie Dolan – Saddle the Pony / The Rakes of Kildare
Unidentified – I Came in My Best Sunday Suit

https://campsite.bio/firedrawnear

Fire Draw Near Episode XXIX

Ziggy Devriendt is the DJ behind Nosedrip. Tune in once a month for an expert selection of any or all of the following: new age, new wave, French psych, minimal synth, post-punk and a whole lot else...

https://www.nts.live/shows/nosedrip/episodes/nosedrip-13th-july-2023

Nosedrip 130723

https://www.nts.live/shows/adab/episodes/adab-15th-july-2023

Heaven is in You w/ ADAB 140723

https://www.nts.live/shows/dreamcast/episodes/dreamcast-22nd-july-2023

Dreamcastmoe w/ Sami 210723

The intention behind this mix is to provide travelers with an energy-giving soundtrack filled with tender, joyful, exciting, and surprising moments. The mix takes a global orientation in its track selection, inviting reflection on the multitudes of experiences living beings can enjoy, cultivate, and grow from.

https://www.nts.live/shows/on-the-road-2023/episodes/on-the-road-2023-infinite-connections-w-tabasheer-10th-august-2023

Infinite Connections W Tabasheer 100823

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Further Back and Faster with Amelia Holt and Second Contact @ The Lot Radio 08-10-2023

Jayman & Your Flower shoot the shit on this installment of our monthly on @radio-relativa. Monthly transmisshes will resume promptly in october.

@jon_deneu @jon_deneu @myflower1 @myflower1

TSR_July

Jayman & My Flower | July '23

An hour a month from LA label Total Stasis, responsible for releases by Ramzi, Aquarian Foundation, Anom Vitruv, Elysia Crampton, Bobo Eyes & Plush Throw, CS + Kreme, Fmvee, Second Language, Regularfantasy, Private Lesson, Alexi Baris, Laila Sakini, and Sebastiano Carghini.
 
https://www.nts.live/shows/total-stasis/episodes/total-stasis-3rd-october-2023

Total Stasis 031023

Bergsonist is a musician originally from Morocco based in NYC.
Genre-free sonic explorations with occasional conversations/guest mixes featuring inspiring artists. 
https://www.nts.live/shows/bergsonist/episodes/bergsonist-7th-october-2023

Bergsonist - 100% Unreleased & Self-Released Material  071023

Timeless jazz and classical piano sounds from Trinidadian-born Hazel Scott. Scott was a regular performer on US variety and music television shows in the 1930s and 1940s, including being the first Black American to host their own TV show, "The Hazel Scott Show". During this period she was a renowned talent and household name, famed for her ability to play two pianos simultaneously, and her penchant for "swinging the classics".

Her renown was unfairly stained in 1950, being blacklisted under McCarthyism, and forced to testify to the House of Representatives. Scott fled to Paris and didn't return to the US until the late 1960s.  
https://www.nts.live/shows/in-focus/episodes/in-focus-hazel-scott-1st-december-2023

In Focus: Hazel Scott 011223

Ambient soundscapes inspired by the Blade runner Universe for your pleasure. Relax, chillout and enjoy.

NEXUS - THE POWER THAT CORRUPTS

We speak to journalist Daniel De Simone about how a militant occult order from the UK has begun influencing far-right terrorist groups all over the world.

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71. O9A Rising: The Spread of Britain’s Occultist Militant Group

An introductory overview of the printed ballad in Ireland, this episode looks at the people who sang them, the people who sold them, the people who bought them and the people who hated them. Anyone wishing to investigate this topic further is strongly advised to take a look at Dr. John Moulden's authoritative thesis on the subject - 'The printed ballad in Ireland: a guide to the popular printing of songs in Ireland 1760-1920', which served as the basis for my own understanding of the subject.

Many thanks to all the performer's who gave their time to this project, namely; Seán Fitzgerald, Lugh Dias Santiago Ó Loinsigh, Cormac Mac Diarmada, Fergus Russell, Andreas Schulz, Thomas McCarthy, Ray Cuddihy, Conor  MacAdams, John Ahern, Graham Patterson, Alan Woods and Liam Crill.  

https://campsite.bio/firedrawnear

Ballads and Ballad Singers - the Culture of the Printed Ballad in Ireland

Musician and composer Nathaniel Braddock tours internationally and performs an array of different musical styles in venues as disparate as underground arts spaces and Lincoln Center.  Based for years in Chicago and Sydney, he has relocated to Cambridge, MA in 2016.l.

Nathaniel leads the acclaimed Central African soukous group the Occidental Brothers Dance Band International, a collaboration between American, Ghanaian, Zambian, and Congolese musicians including the great Samba Mapangala.  Nathaniel has performed and recorded with a number of indie rock bands, including Jenny Gillespie, Tobin Summerfield’s gigantic band “Never Enough Hope”,  The Zincs (Thrill Jockey), Ancientgreeks (Flameshovel), and others. He also played for years in the Butcher Shop Quartet, performing electric guitar arrangements of Igor Stravinsky’s Rite of Spring and other 20th centurty classical works.  Braddock leads an eight-piece electric guitar ensemble that plays his original compositions.  He has twice been featured in Guitar Player Magazine. Nathaniel teaches privately, at the Old Town School of Folk Music, and was head of the Chicago Waldorf School’s guitar program from 2005-12.   OTS classes include African Guitar Styles, Fingerpicking Around The World, Fingerboard Theory, and British Folk Revival.  He periodically offers more specialized fingerstyle guitar classes such as The Songs Of Leonard Cohen, Nick Drake, Iron & Wine, Sufjan Stevens, Davy Graham, John Fahey and Bert Jansch.  His ensembles include Reggae, Afropop, Instrumental Rock, and “Kill Yr Idols”–a survey of influential punk and underground rock. Nathaniel also teaches fingerstyle, theory, songwriting, jazz, classical, and rock guitar privately.  Braddock also offers workshops and masterclasses in Europe and N. America on African  popular guitar styles and is a guest lecturer at Northwestern University.  Braddock has co-presented workshops with Ghanaian Palm Wine guitarist Koo Nimo, and Tinariwen guitarist Ibrahim Ag Alhabib, and Malian sensation Sidi Toure. Other non-guitar musics that Nathaniel has studied include church bell music, Javanese and Balinese gamelan.  He has presented many new works for dance in collaboration with Khecari, Hedwig Dance and choreographer Asimina Chremos, and with Julie Atlas Muz at the 2004 Whitney Biennial in New York. He is also the recipient of 2002, 2004, and 2005 CAAP grants from the City of Chicago to fund the development of new work, and a 2013 DCASE granting funding music research in Ghana, West Africa. - See more at: http://nathanielbraddock.com/bio/#sthash.PJyBE0ti.dpuf

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Nathaniel Braddock

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