The Beatles recorded 25 takes of "Hey Jude" at Abbey Road Studios in two nights, 29 and 30 July 1968. These were mostly rehearsals, however, because they planned to record the master track at Trident Studios to utilise their eight-track recording machine (Abbey Road was still limited to four-tracks).One take from 29 July is available on the Anthology 3 CD.The master rhythm track was recorded on 31 July at Trident. Before recording took place, Mal Evans, the Beatles' assistant and pal, arrived with a truck full of marijuana plants and a large tea chest. He was met by Trident founder Norman Sheffield. Sheffield looked in the chest and found that it was full of corn flakes and steaks. Sheffield told Mal that they had a full kitchen upstairs and that the food wouldn't be necessary. Evans insisted on the pot plants, however, and said that "the boys" wanted the plants in the studio to make the place "soft." Four takes were recorded; take one was selected. The song was completed on 1 August with additional overdubs, including a 36-piece orchestra for the song's long coda, scored by George Martin. The orchestra consisted of ten violins, three violas, three cellos, two flutes, one contra bassoon, one bassoon, two clarinets, one contra bass clarinet, four trumpets, four trombones, two horns, percussion and two string basses.

According to Norman Sheffield, there was a lot of dissention to start with. "Some of the musicians were looking down their noses at the Beatles, I think. Paul picked up on this and confronted them straight away: 'Do you guys want to get fucking paid or not?' he said. That concentrated their minds pretty well...they soon fell into line." During the first few takes, McCartney was unhappy with the energy and passion the orchestra was putting into it. So he stood up on the grand piano and started conducting the orchestra from there. While adding backing vocals, the Beatles asked the orchestra members if they would clap their hands and sing along to the refrain in the song's coda. Most complied (for a double fee), but one declined, reportedly saying, "I'm not going to clap my hands and sing Paul McCartney's bloody song!"

Ringo Starr almost missed his drum cue. He left for a toilet break—unnoticed by the other Beatles—and the band started recording. In 1994, McCartney said, "Ringo walked out to go to the toilet and I hadn't noticed. The toilet was only a few yards from his drum booth, but he'd gone past my back and I still thought he was in his drum booth. I started what was the actual take, and 'Hey Jude' goes on for hours before the drums come in and while I was doing it I suddenly felt Ringo tiptoeing past my back rather quickly, trying to get to his drums. And just as he got to his drums, boom boom boom, his timing was absolutely impeccable."

At 2:57 of the song, someone can allegedly be heard to say, "Fucking hell!" There is some dispute as to who said this, and whether it was really exclaimed at all. Sound engineers Ken Scott and Geoff Emerick claim the exclamation came from McCartney and that it was Lennon's idea to leave the mistake in the final mix. "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in, buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'] However, in the Kevin Ryan and Brian Kehew book Recording the Beatles, discussing the recording processes behind the Beatles' sessions, engineer Malcolm Toft recalls, "Barry Sheffield engineered 'Hey Jude', but I mixed it ... John Lennon says a very rude word about halfway through the song. At 2:59 you will hear a 'Whoa!' from him in the background. About two seconds later you will hear, 'Fucking hell!' This was because when he was doing a vocal backing, Barry sent him the foldback level [headphone volume] too loud and he threw the cans on the ground and uttered the expletive. But, because it had been bounced down [mixed] with the main vocal, it could not be removed. I just managed to bring the fader down for a split second on the mix to try to lessen the effect." Others argue that the voice is Ringo Starr's.

George Harrison and McCartney had a disagreement over this song. According to McCartney, during a rehearsal Harrison played an answer to every line of the vocal. This did not fit with McCartney's idea of the song's arrangement, and he vetoed it.In a 1994 interview, McCartney said, "We were joking when we made the Anthology: I was saying: 'I realise I was a bossy git.' And George said, 'Oh no, Paul, you never did anything like that!'... But it was essential for me and looking back on it, I think, Okay. Well, it was bossy, but it was ballsy of me, because I could have bowed to the pressure."[19] Ron Richards, who worked for George Martin at both Parlophone at AIR Studios, and who discovered the Hollies,] was present for many Beatles' recording sessions. He said McCartney was "oblivious to anyone else's feelings in the studio," and that he was driven to make the best possible record, at almost any cost.Trident was paid £25 per hour by EMI for the "Hey Jude" sessions. Sheffield says his studio earned about £1,000 total, but by having the Beatles record there, and in turn raving about the facility, the value was incalculable.

THE BEATLES / HEY JUDE / REHEARSAL TAKE / WHITE ALBUM SESSIONS

백예린 - Gravity

Until yesterday

All credits go to 'Across the Universe' and 'The Beatles' 

2008 

Strawberry Fields Forever

spotify link

https://open.spotify.com/track/58P2fkeaUfMQ3nEGNTiUJY?si=cw980sUiRhaCw6MFrLExZA

no such thing as too old!  a cute compilation!

heart shaped

Much love and have a good winter soul this year! ⛄️❤️


All produced by Summer soul
Lyrics by Summer soul
Composed by Summer soul
Special Thanks to Charming Lips
MV LINK <from the short film called 'The Snowman'> 
:https://youtu.be/Q6PohZ4YHYs


If you want a Christmas Day
I can give you a cup of cocoa
Even if it was cold bae
don’t worry I’ll be there for you

Every night I see you falling down there
Baby you might feel like hurt and hiding down there
and so much worries you were holding inside of you
The scars and tears will dry

You'll be fine 
Don't worry bae
I'll light up the candles for you
I will say that My Christmas Day's for you

내가 항상 네 곁에 있어 줄 순 없지만
늘 내 생각을 해 주길 바래
눈을 감고 잘 들어 봐 
약속해
늘 여기 있을게

널 위한 선물 하날 준비했어
비록 남들처럼 근사한 건 아니지만
서툴지만 빼곡한 편지와 스노우볼   
이 크리스마스를 기억해 줘

You'll be fine 
Don't worry bae
I'll light up the candles for you
I will say that My Christmas Day's for you

Christmas

My Christmas Day Is For You

Opener - 8mm

Radiohead - Creep (Blue.D Cover)

better days

MAYBE (acoustic)Titan radio session

empty house next door

Song about getting heartbroken at a party. Thanks @urbanation for singing this song with me !

Will u be there for tonight?
Will u be getting drunk?
Or getting high?
We don’t have to stay if u
Don’t want to stay it’s cool 
We’ll share our night 

Did u really cry my name 
Did u even feel the same 
Before u came 
I’m too numb to feel the pain 
Who else am I to blame 
U left me drained

Will u be there for tonight?
Will u be getting drunk?
Or getting high?
We don’t have to stay if u
Don’t want to stay it’s cool 
We’ll share our night

After Party

My twin brothers girlfriend is as cute as can be
So I pretended to be him because she looks just like me
While he was at work I took her on a date
She got shrimp and lobster so I got a small salad plate 

My twin brothers girlfriends boyfriend’s girlfriend is for me
I stole her away because I love her more than he
I can’t wait for the day that they get married
Cause I’ll have her for eternity

My brothers got a truck 
So I went to her pick her up
Told her it was in the shop but she can hop on my bike if she really wants
She said “oh Danny you’re such a charm”
Even though my name is Marsandaras

We ran into her friend when we were walking down the street
Her friend said “hello Anne” even though her names Elise
And then she sobbed and cried, because it turns out she lied 
Turns out it was her twin the whole time

My twin brothers girlfriends twin is the girl for me
I thought I stole her sister but it really was she
I can’t wait for the day that we get married
Cause I’ll have her for eternity

My (Twin Brother's) Girl

I GOT SOME NEWS FOR YOU 
YOU'RE OUTTA MY MIND 
YOU'RE OUTTA MY HEART 
SO LONG AND GOODBYE 
NO MORE PRECIOUS TIME 
WASTED ON YOUR LIES 
I GOT BETTER THINGS TO DO 
LIKE LIVE MY LIFE 
MONEY IN MY HAND SO YOU KNOW ILL BE FINE 
I KNOW YOU'LL BE FINE 
SO DONT LET ME 
CATCH YOU HITTING UP MY LINE 
LIKE YOU'RE DOING ALL THE FUCKING TIME 
JUST TO PLAY GAMES WITH MY OLE' MIND 
NO SORRY BABY, NOT THIS TIME 


YOU NEED 
TO KNOW 
IM NEVER GONNA LET YOU GO 
SO PLEASE 
COME HOME 
IM TIRED OF WAITING BY THE PHONE 


I DONT GOT NOTHING LEFT TO SAY 
EXCEPT IM SORRY 
THAT I ACT THIS WAY 
YOU DONT GOT NOTHING YOU NEED TO SAY 
JUST SAVE YOUR BREATH 
I DUG MY OWN GRAVE

Candy Hearts

CANDY HEARTS

Love On Top - 백예린

Hem Santa's Christmas

Dogs in Lonely Beach

우리는 사랑을 말해요
시끄러운 음악을 틀고선
집에 가고 싶을 때가 많아도
그러기엔 여기가 내 집인걸
​
내게 다가오는 손짓들
덧없는 걸 알지만 받아 주지요
나만 빼고 빙빙 돌아가는 세상이
무슨 뜻인지는 이해할 수 없어도
​
나는 시간 맞춰 잠이 들어요
춤을 추고 불을 켠다 해도 상관 없어
무슨 생각인지 읽을 수가 없어도
일단 당신 곁에 나는 돌아 누워요

이 밤이 지나고 고요한 아침이 오면
저 파도 소리가 들리는 곳으로 걸어
잠시 생각에 잠겼다가 낮잠을 자고는
다시 집으로 돌아가네

우리는 사랑을 말해요
시끄러운 음악을 틀고선

JEN

김은지