Track 1 was produced in Ableton without the use of audio sample with the exception of scattered generic gunshot sounds, etc. 

Tracks 1 and 2 were published here as part of my original project, a parody Bob Saget Soundcloud account that produced trap music. I ran out of Saget jokes so I changed names from Bob Swaget to NCHH. 

Track 1

Remix of "Backstabbers" by the O'Jays; see my update with the addition of vocals from Future's "Move that Dope."

Backstabbers

Instrumentals were sampled from Body and Soul, which was jointly performed by Tony Bennett and Amy Winehouse. Sinatra's vocals were sampled from "Chicago," his second best-known song dedicated to the city. Rapped lyrics were sampled from The Notorious BIG's Dangerous MCs. 

Chicago Blues feat. Frank Sinatra,  The Notorious B.I.G., Snoop Dogg, and Amy Winehouse

Lady Gaga's vocals were sampled from an acoustic performance of Poker Face; the accompanying piano was extensively modified in Ableton. Verses by Drake and West first appear in the former's song Forever. The drum loop is taken from the first few seconds of the Red Hot Chili Peppers' Dani California (Stadium Arcadium). Ad libs by DJ Paul are taken from the Three 6 Mafia discography. 

Poker Face feat. Lady Gaga, Drake, and Kanye West

The original boss ass bitches are PTAF; their song of the same name is sampled in the intro. Instrumentals were made exclusively with Ableton and are not derived from sampled music. Juicy J's verse is from Dorrough's "Drugz in Da Club"; Wacka Flocka Flame's verse originally appears in "Hard in Da Paint" from his album Flockaveli. The final boss ass bitch sampled is Megan Fox. When told that her interview would be recorded, she responded with, "you're going to have to bleep me a lot." 

Boss Ass Bitch feat. Juicy J and Wacka Flocka Flame

Rapped segments were all sampled from the popular contemporary single by Future. All instrumentals were sampled from "Backstabbers" as made popular by the O'Jays in their 1972 album named after the single.

Move That Dope/Backstabbers

Instrumentals were produced in Ableton without the use of audio sampling. Biggie Small's lyrics originally appear in his song of the same name. "North coast" samples were taken from news segments regarding northern Australia. The Trump quotes could honestly be from anywhere. 

Dead Wrong feat. The Notorious B. I. G.

Remix of Rodrigo Amarante's "Tuyo," as made popular by the Netflix series Narcos. Jay-Z's verses were taken from the Black Album, and Mr. Escobar's words were taken from a TV interview following his dismissal from the Colombian congressional body. Ableton MIDI accounts for tabla and bongos (both ropped something like 14 half steps), shaker (dropped a few full steps, 808s), accordion, and organs. Amarante's pieces were slowed significantly and dropped 1 full step; Jay-Z's were raised a half step. Lead melody of the guitar was chopped significantly for other voices. All tracks have a ton of reverb and delay. Some "buildups" were made by reversing guitar tracts with heavy reverb/delay.

Percussion and chopped guitar were layered over the original work, which was not filtered. Vocals were rudimentarily isolated by filter, copied, and repitched to give the quality of backup vocalist harmonization. This was rather clumsy; there is likely a better way to do this.

I'm not sure if the sudden transition between vocalists is the best, but we don't have all day. Since I can't speak Spanish, I'm not sure if my production has obfuscated some of the lyrics or Escobar's statement at the beginning. Some of Escobar's syllables seem a little prolonged, but I can't say for sure. 

Notably, snare/clap is on the 2 and 4 rather than the 3, which is more indicative of trap. The gunshots were already in the rap a capella. 

Season 2 comes out in like 2 weeks!

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