Upon testing the power of the Korg NTS-1's reverb I directed the TB-303 clone/knock off the TD-3 at it and opened fire. The notes that went out the wires eventually revealed the acid line from classic Scottish techno duo Ultra-Sonic. Then the MC-101 suddenly started up with some pure cheese for the beats but this only served to remind me that I would never hear Ultra-Sonic's music without the MC blabbering constantly over the top of it in a fake american accent like it was 1988 so I had to pull the plug. Somewhere on a hard disk those tracks are sitting with no fake crowd noise or shouting over the top, the drives will eventually fail, the data will be gone and nobody will remember how to recreate the patches, like tears in rain or something.

Transmission Combat Mode

A test track to see what Ozone would do if I fired a load of drums through it, I only used 6 tracks though which is rubbish. Next up is seeing what the automated machines make of the machine gun cacophony of kicks Renoise will blast out, that'll be great.

Bang Bang Melodrinker Drag And Drop

I didn't know the Juno was that loud, personally I blame iZotope Ozone because it definitely was put into Ableton properly I think.

Wax or something JUNO 106 ULTRABLAST

Testing live recording through Ableton to see if a Max device that constantly records would be worth trying, mistakes and wonky 303 tuning included free of charge but to be fair I was putting the drum programming in as it played and it's only using one pattern on the sequencer (or just 7 steps for Richie Hawtin's amazing 303 line). Just whacked through iZotope Ozone on the master track because I have no clue about actual mastering.  The original's bassline would probably be easy to do with a wavetable machine and some formant shapes but the Korg NTS-1 drivers decided I wasn't allowed to use the librarian software today, maybe tomorrow..

Alpha Wave - System 7(Just Whack Record NickyDrinks Blast Off The Plastikman Mixatron Hello)

It wasn't going to go on this long but why not. It's only the Yamaha Reface and the 101, I would have used the Volca Sample and NTS-1 but THE WIRES JESUS (Korg and Teenage Engineering wires aimed at mugs like me, to be fair they are nice wires). I have removed the SH-101 and put it in the spare room so I can't use it until I actually move everything in there, the Yamaha has to be next or I'll never do it. 
I was going to upload my Is There Anybody Out There "cover" that I finally finished but I used the samples that they couldn't get cleared in the 90s, I'm sure if I just say I emailed David Gilmour and took his silence as like a wink and a nod then it'll be ok.

Heliosphan (NickyDrinks Ultra Triple Combo Finisher Mix I Done)

Think of it as a demo of what a song might sound like if I had not forgotten to actually use the Access Virus, it's technically still on there despite being very quiet. Towards the end you can almost tell the point where I got distracted by the sampler and just rendered it out before something crashed.

Robby And The Robots - Wired To The Mains

I didn't realise my beeper had helpfully decided to switch to INIT until a few minutes in, it's basically what happens if you try to play the 101 in keytar mode I suppose, that and the crippling back pain you will be left with.  I didn't intend for it to be quite as extended as it is, the mic to be so damn loud or for several tracks not to even be recording. Having an open mic picking up the monitors was a bad idea in hindsight.