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qwqwqwqwa  - Fashion Music For Scammers

Mix from @yakayaka & @farfarawaydj

originally aired on August 4th, 2022 @internetpublicradio
https://radionopal.com/programas/inner-most/

Tag Voice: Hellène Héctor

𝒴𝒶𝓀𝒶
Oklou - Samuel
Teqmun - Seeding
Splice Loop
bdstf - Blossoming Anthem
you’re always with me - innerinnerlife
Amor Fati - @un autre monde
Yaka - Just a ship on your sea (demo)
DJ Healer - Untitled

𝐹𝒶𝓇 𝐹𝒶𝓇 𝒜𝓌𝒶𝓎
duwap kaine - sunkenplace (rihanna remix)
elbis rever - TEEN YEARS OF POP 111111
henry mosto -  left behind
jaydime - ven
alp-p - night swell
//SpaceGhostPurrp - Money Power Respect//
0comeups - taré
adios adios - aguadulce
unreleaseddd
marlon dubois - grog
dj hexscrew - merry go partially round
monker178 - perfumed path veil & gate
Yabujin - FANTASY AND MANA
laplace - confessions (penance edit)

Tag Voice: Hellène Héctor

An imprint in the pollen 🍂 with Yaka & Far Far Away

èvia's "cold" is out Thursday 1/19 on cassette/digi via Lillerne

@ev-ia

èvia - "downpour"

Moving On Moving On (Prod. Squu)

900songs

Amnesia Scanner & Freeka Tet - HOAX (PAN 148)
Label: PAN
Cat.No.: PAN 148
Release Date: 04 October 2024
Purchase: pan.lnk.to/HOAX

Mutating out of the collaborative practice established on STROBE.RIP, Amnesia Scanner and Freeka Tet are so back with a new dual record project that explores and explodes norms of music production, songwriting and sonic aesthetics. HOAX is *not* an album and remix released together, but rather, a singular experience unfolding as two mirroring, mutually-reinforcing (or perhaps deconstructing) records.

The Amnesia Scanner “AS HOAX” record administers the liquid drip of devastating ballads, wandering mosh-ups and industrial flood lights that we fiend for. But, as with every AS record it is impossible to mistake the grunged-out doom for nihilism: there is simply too much raw emotion, vulnerable narrative and playful experimentation. With drums and chaos from Freeka on four “ASFT” tracks, AS has delivered perhaps their most prescient, hopeful and soon-to-be-seminal record of their genre-defining career.

Against this belligerent crispness emerges the sublime obelisk of noise in Freeka Tet’s “FT HOAX”. This is the debut full-length record released under the Freeka Tet moniker. It is a conceptual art piece that is unapologetically immediate. Using custom bashed scripts the AS record is negated, inverted and buffed down to reveal underlying rhythms and textures.

Freeka has taken the ubiquitous technology of noise-canceling headphones as a point of departure for this experiment in music-denial. The desire for eliminating environmental sounds is turned inwards to undermine the music itself. A variety of original techniques are used for ambient AS cancellation including creating a virtual space simulation and adding noise to spectrogram images.

While Freeka’s gesture is extreme, the result brings you to a serene contemplative plateau. The dual mirrored records are meant to be unlocked together: listening to the drone-ification opens up patterns and movements previously hidden, your newly trained ear will go deeper into the layers of subliminal encoding on HOAX leaving you reprogrammed.

The lyrics are a sticker suspended above reflective abyss: labeled ingredients are anchors that pull a connection out of the crashing shores of Oracle’s baritone sax croning and operatic countertenor samples from latent space. The resulting They Live glasses that are ripped from your eyes makes this dual record project a scathing polemic on state of music and creativity, thus raising the stakes of what it means to be an artist in the post-post-post-digital-crypto-AI-utopia-anthropocene.

Written and produced by Amnesia Scanner
ASFT RUFF, ASFT TAZZIE, ASFT ISSOK, ASFT ICAROS, written and produced by Freeka Tet & Amnesia Scanner
Drums on ASTF TAZZIE & ASFT ISSOK by Freeka Tet
Mixed by Amnesia Scanner
Additional mixing on AS OVER by Enyang Urbiks
Mastered by Enyang Urbiks

FT HOAX

Freeka Tet - FT Ruff (Active noise cancelling script)

A1
Caos y quietud en una misma sintonía convergen en maximalistas desgarros y caricias auditivas.

Imaabs - Cero

In a world where violence cloaks itself in speed, hyper-individualism parades as strength, and the superficial is endlessly magnified, Safe Places, Pt. 1 embraces quiet defiance. This is not music for quick consumption but a relationship—unfolding with each listen, revealing new textures and hidden specters over time.

Two years in the making, Safe Places, Pt. 1 is a slow-simmered sonic tapestry, featuring twenty-four acts from across Europe and the UK. This release is a collision of minds, geographies, and imaginations that defy easy categorisation. Some tracks are born from singular, unrepeatable encounters—spontaneous collaborations that resist replication. It stands as a testament to a slow-curated process, where unpredictability and communal creativity reign.

Gritty blends of electronic dirt pop and deconstructed soundscapes, where rhythmic lurches and fragile melodies intertwine in unexpected ways / Vocals dissolve language, and pop elements are warped by loop pedals, creating a unique sonic experience that disorients and captivates / The tracks embody a raw, near-ugly beauty, teetering on the edge of collapse yet unified by a confident melancholic undertone.
At its heart is Natasja Mabesoone’s Leaky Vessel, a white UV print on the cassette case, drawn from Anne Carson’s The Gender of Sound.

“The girl with no door on her mouth” defies patriarchal efforts to silence women—an ancient belief that women’s two mouths (speech and sexuality) must be locked away. Mabesoone’s raw lines channel sirens and Ursula, letting words, paint, or protest spill forth and challenge constraints on the minoritised voice.

Much like these soundscapes, her imagery elevates the overlooked, recasting it as powerful and transformative. Through her art, Mabesoone invites us to reconsider the boundaries between personal and political, ephemeral and enduring.

This double cassette release embodies Swallowing Helmets’ philosophy of music as a vessel for discovery, dialogue, and risk. Safe Places, Pt. 1 favours slow, deep engagement over instant gratification—embracing the leaky, unpredictable paths where things seep, spill, and transform.

We are deeply grateful to all the artists for placing their trust in us and for their incredible patience throughout this journey.
A heartfelt thank you to Natasja Mabesoone for contributing her powerful artwork, which encapsulates the spirit of this release.

Concept and Design: Maarten Raskin
Artwork: Natasja Mabesoone
Mastering: A.P. Mastering and Post
Duplication: Headless Duplicated Tapes
Catalogue Number: SH18
Release Date: 13 February 2025 

Rébecca Bonté feat. PPP - aeiou

trck5

LUW - Tides

A Crystal is on the Very Limit of Being

kolya — Fake Rock Anthems
https://lnk.to/NPL0010

qwqwqwqwa — Fashion Music For Scammers
https://lnk.to/NPL0009

V/A - Lorelei
"Lorelei" item — 10 Handmade Planters
https://lnk.to/NPL0008

Mori Mori — Aurora
https://lnk.to/NPL0007
Premiere of "healer" video on @AQNB
https://youtu.be/K4-DV0sDchM

qwqwqwqwa - Fashion Music For Scammers

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