🔥🔥🔥 svaka čast,pozdravljam 💪

Le sous-sol

Utip - Sisyphos Wintergarden 28.09.2024

soundcloud : https://soundcloud.com/dawngab
instagram : https://www.instagram.com/dawngab_/

Perception from Dawn Gab @ GIMIC - 30 January 2025

A subtle and introspective deep house cut from Domolazov, built on restrained groove and emotional undercurrents. “Whisper” moves with patience — steady, elegant, and wrapped in a slightly tense, serious atmosphere.

@taktrec
@domolazov-music

Premiere: Domolazov – Whisper [TKTVA003]

💿Buy Link:
• https://spclnch.bandcamp.com/album/diatonic-constellations

⬛️Artist:
• https://soundcloud.com/root-cesar
• https://linktr.ee/root_approx

⬛️Label:
• https://soundcloud.com/spclnch
• https://www.facebook.com/spclnch/
• https://www.instagram.com/spclnch/

Contact: afteerrave@gmail.com

PREMIERE: Root - Madrigal [SL81]

This opportunity we invited a loved friend Vinyan, from Zurich. 
We wanted to ask him some questions:

1. What do you think digging and musical curation have in common — whether it's building a set or choosing an artist for your label, Intersub?

Discovering old records hidden in shelves, that are almost some sort of a relict or a timestamp, is quite different than getting to know most of the artists we feature in real life after hearing them play or discovering them on various platforms.
This being said, it is still a similar process but instead of records, I find it’s interactions I have with artists we discover mostly in or around Zurich.

I like to push unknown artists whether it’s on a turntable or a compilation of our own imprint.
Zurich is small, so it isn’t uncommon to get to know each other at concerts, cultural events or at after parties in a basement if you’re down for it. I’m quite a social animal so it kinda comes easy and it gives me a lot of joy.

2. As someone who plays both live and DJ sets, what would you say is essential when developing a performance, whether it's live, played or recorded?

 If time allows, which mostly is the case, preparation is key - but a healthy amount of improvisation is what I like as well whether it’s live or djing. In the live context, maybe my drums and some basslines are pre planned to have a foundation and on top of this, melodies, chords and effects can be improvised.

In the club it’s similar. I might plan half the set to kinda have this foundation as well and to somewhat settle in to my surroundings. Depending the crowd and time I play, I let loose from those constructs earlier than expected.
But then as well, DJ sets with zero planning are nice. I like challenges!

3. How did you first get into music? Are there any particular influences that stand out for you and that you’d like to share?

When I was around 8 or 10 years old, my neighbour’s dad had these techno tapes he recorded from radio shows and we would sit in-front of the stereo system, hypnotised by those sounds coming out of the speakers, listening to them for hours.

After that, I got my hands on the cds and records from my dad as well, which had quite a wide range from trance, minimal, chill out to funk and disco.

After playing shortly in school and punk bands as a guitarist/bassist, it’s electronic music that stayed with me. For about 10 years now I’ve been DJing and producing - a place I still feel very at home in. Having my first proper studio in an air raid shelter allows me to keep following my passion for music and focussing on new projects as much as I can.

4. Could you tell us a bit about the electronic music scene in Zurich? And what did you take back with you from our city BA?

From my experience, we have a really supportive and vibrant underground scene for the size of our city.
People engage in each others projects, exchange knowledge, and are fierce for trying out new things.
Seeing the younger generation coming with fresh energy, motivation and the same ethos is great and therefore you see both young and old starting or part-taking in things like illegal clubs, offspaces, outdoor parties in the forests, or new labels - you name it.
 
Being able to visit Buenos Aires back in 2023 in the context of music. Getting to know Jeremy Flagelo in person, who I was connected to via Mati Espina a few years back. I was grateful having him and his D.I.Y approach in the mastering context on board for intersub. It’s this punk attitude I adore.spending time in Cyberwax, visiting a Pryma party. Closing this time with a little gathering celebrating the 2nd VA of Intersub with a listening session and all the people I met on a roof terrace was heartwarming.

Taking this energy back to Zurich helped me to continue having this motivation to connect people, share and make music together. Don’t forget to never stop doing what you love, ever.

Thanks for having me, I’ll definitely come back one day!

Pryma Podcast #24 | Vinyan

Same one

Techno House x Salvatore Ganacci Type Beat Anti _ Minimal House Dark Instrumental 2024

https://archivesandmore.com/2025/07/16/from-backyard-parties-to-clubs-heidelberger-gem-jan-golly/

What did you have in mind for the mix?

First of all: as always when I am about to record something for public streaming I get super nervous. Especially if it’s for a person I know for such a long time and have much respect. I wanted to show how I evolved since the last talk and what happened to my style. It‘s been a while since the last recording for allalone / archives. Basically I would say I wanted to record something special to surprise the listener. At least that is what I always expect from a podcast :)

ARCHIVES0016: Jan Golly

Paul Boychev - 1992 [Superordinate Music]

Due to bandcamp waiving their fees tomorrow for 24 hours (starting at midnight), I’ve decided to release the grainy 40k mix early with a full track list and links to purchase attached.

This 2 hour journey features music from a wide selection of very talented artists who are in many of the grainy episodes. Throughout this 40k special, subtle grooves and both dreamy, dark tracks are unleashed as the alias presents a vast spectrum of sounds from start to finish. 

Big love to everyone that’s supporting the page and the mix series, it’s such a great feeling to see how far things have come.

Stay safe, enjoy the adventure and try to support the wonderful artists where possible.

Tracklist:

1.	Cosmjn – Icy Owl - https://cosmjn.bandcamp.com/track/icy-owl

2.	Zgaav – Phaexana - https://zgaav.bandcamp.com/track/zgaav-phaexana

3.	Teluric - Spiritual Guidance - https://eatingrecords.bandcamp.com/track/spiritual-guidance

4.	Barut – Venicse - https://barut.bandcamp.com/track/venicse

5.	Imbue – Noon - https://imbuemusicus.bandcamp.com/track/noon

6.	Lizz - Ovr the night - https://lizz1.bandcamp.com/track/lizz-ovr-the-night

7.	ck - lost & found - https://ckckck.bandcamp.com/track/lost-found

8.	Christopher Ledger – Afterglow - https://amphiarecords.bandcamp.com/track/afterglow

9.	Alexandar Kyosev – Confused - https://alexandarkyosev.bandcamp.com/track/confused

10.	Jamie Leather - Voice of Reason - https://arcadiasounds.bandcamp.com/track/b2-jamie-leather-voice-of-reason

11.	Martinez - Pocket-Shrimp - https://martinez-official.bandcamp.com/track/pocket-shrimp

12.	Florian Meffert - Somebody is mad - https://florianmeffert.bandcamp.com/track/somebody-is-mad

13.	James Andrew - Thinking Backwards - https://nothingbutnicerecords.bandcamp.com/album/james-andrew-thinking-backwards-ep

14.	Youandewan – Loophole - https://smallhoursberlin.bandcamp.com/track/youandewan-loophole

15.	Two Right Wrongans - System Error - https://silverlining-dubs.bandcamp.com/album/two-right-wrongans-system-error

16.	Pîrvu - Ding dong - https://prvu.bandcamp.com/track/ding-dong

17.	Zambiancki – Blu - https://sblmusic.bandcamp.com/track/zambiancki-blu

18.	Mihigh – Kinky - https://mihigh.bandcamp.com/track/mihigh-kinky

19.	Mrsch - Looking for - https://mrsch.bandcamp.com/track/mrsch-looking-for 

20.	Afriqua – Moonspa - https://www.deejay.de/Afriqua_FOUR_FLEURS_MTRZ013_Vinyl__949980

21.	Vadim oslov - Mystery X037 - https://vadimoslov.bandcamp.com/track/mystery-x037

22.	Lizz - Deep In Modulation - https://lizz1.bandcamp.com/track/lizz-deep-in-modulation

23.	Mihai Pol – Oasis - https://mihaipol.bandcamp.com/track/oasis

24.	Dixia Sirong – Ortanss - https://www.beatport.com/track/ortanss-original-mix/13041281

25.	Stoilku – Divergence - https://stoilku.bandcamp.com/track/stoilku-divergence-2

26.	Cosmjn - Smooth Side - https://cosmjn.bandcamp.com/track/smooth-side

27.	incolor - Flirt in Birt - https://dbh-music.bandcamp.com/track/flirt-in-birt

28.	Efdemin - Parallaxis (Traumprinz Over 2 The End Remix) - https://efdemindial.bandcamp.com/track/parallaxis-traumprinzs-over-2-the-end-version

unknown artist // grainy 40k

• This player is youngest founder of VojvoDJans - also he is youngest member of well known FunPro4 crew - one of originators of underground music in Serbia, especially in Vojvodina. 
• Nebojša is characterized by the "Vojvodjans" deep and defined baselines which leaves no one on dancefloor indifferent. 
• As youngest member of FunPro4 crew, he continues the tradition of minimal, house, deep and groovy melodies, spiced with a pinch of progressive, techno, electro breaks and acid elements.

• Ovaj igrač je najmlađi osnivač VojvoDJans-a - takođe i najmlađi član poznate "FunPro4" ekipe koji su jedni od začetnika andergraund muzike u Srbiji, pogotovo u Vojvodini.
• Nebojšu karakteriše vojvođanski duboki i definisani "bejzlajn" koji nikoga na podijumu ne ostavlja ravnodušnim. 
• Kao najmlađi član FunPro4 ekipe, nastavlja tradiciju hausične, minimalne, duboke i gruvi melodije začinjene progresivnim, tehno, elektro brejk i esid elementima.

Le sous-sol

Nebojša Stojšić (FunPro4, VojvoDJans)

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