P1VKO - LoopDiggerz - Sunday Roulette 141

Family Funk - 4

Created with Cubase 12 on PC, Spectres by Slate+Ash, Sequis and Piano Colors by Native Instruments

Inspired by Naviar Haiku 522:
https://www.naviarrecords.com/naviarhaiku522-lightning/

Photo by zenbytes (2023, near Lake Creek on Beartooth Highway, Wyoming, USA)

two day lightning - Naviarhaiku 522

Jamnuary Day 1 - Glitchy FM Techno with Fors Opal

Jamnuary 2024 (Day 8) - Leave that Elk Alone

Jamnuary 2024 (Day 11) - Little Hideaway

artwork by https://www.istockphoto.com/portfolio/Coffeatus

#320 frog's day off

Had a LOOOONG day today! But I still got my JAMN, damn it! This one is a little retro, a little house music, a little whatever. More serious than Jamn #4, but still a bit different than everything else! 

ONLY...9 MORE! LET'S GOOOOO

Check out everything else: linkr.ee/thassodar

JAMN # 5 - Don't Move A JAMN Finger

This week’s podcast features music made by Naviar’s community inspired by
Kobayashi Issa’s poem “Basking / in the New Year's sun... / my trashy hut”

Tracklist:

jamesbrynildsen - Basking in the Sun
zenbytes - my trashy hut
Night Note – Basking
LazenbeeIndustries – basking
FlownBlue - New Year's Sun
Jesús Lastra - My Trashy Hut
mikey_a - Basking in the New

https://www.naviarrecords.com/naviarhaiku521-basking/ 

Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Jonathan M. Hethey
voice reciting the poem: Marco Sebastiano Alessi

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #301 – Basking – Wednesday 10th January 2024

reworked a recording from last year (amplitude modulation sketch) - sliced 'horizontally' by cutting up the frequency spectrum low-mids-high. picked a point near the middle of the recording, and grabbed one segment from each frequency slice, ending at this point, but of different lengths (3/5/7 relative). copied backwards so the piece starts with the least common multiple of these segments (=105) but at the start only the high frequency is present. then go forward, adding in the other frequency elements, phasing against each other, until once again in phase and the original recording continues

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More on this 629th weekly Disquiet Junto project, Jigsaw Logic — The Assignment: Break a piece of your music and put it back together again — at: https://disquiet.com/0629/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0629-jigsaw-logic/

disquiet0629 - frequency split (least common multiple)

The Master Of Electronix

Lyrics - Jonathan Brown, original from https://soundcloud.com/jonathanbrownmusic/the-full-moon-follows-you
Guitar, synths, drums, music composition and production, and mastering by Nebulae.
Chorus sample by George Baldwin from his Dream Vocals pack, bought from http://www.producerloops.com/Download-Loopmasters-Dream-Vocals.html

When You Know, You Know (by Jonathan Brown & Nebulae)

Music Maker and Ableton Certified Trainer http://nebulae.com

When You Know, You Know (by Jonathan Brown & Nebulae)

Nebulae

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George MacCleave

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