Experimental electronic beats 1

taken from the EP "BASEMENTS" available on hymen-records. October 4th 

////a new LP "Castles" which will be released on October 29 th

Purchase

Itunes
https://itunes.apple.com/de/album/basements-ep/id700383711

Bandcamp:
http://hymen-records.bandcamp.com/album/basements

Junodownload:
http://www.junodownload.com/products/nebulo-basements/2292327-02/

artistic advancement combined with a logical stylistic continuation is an important aspect of nebulo's work. the 'basements' ep is the first part of thomas pujols' new conceptual idea which is completed by the full length release 'castles'. the visible emphasis of nebulo's new works lies in the addition of as yet unheard sound aesthetics developed during the last two years. the atmospheres transferred with these sounds range from dreamy and mesmerizing to abruptly irritating and even menacingly forceful. like a sonic architect, nebulo successfully explores new territories and strikes a new path, where 'basements' can be allegorized as the foundation 

Basements

Final 15 - A Ghostly 15 Playlist Curated by Michael Cina

"Anyone that knows me, knows that my main passion is music. I spend all day listening to music at work and my vinyl collection of 16k pieces greets me when I get home. I knew about Ghostly International before they contacted me in the early 2000’s and we would write off and on. They used to send me big packages of white labeled vinyl, it was decadent.

Late 2007 I got a call from Ghostly asking if I was up for designing a new single for Dabrye. It was a dream come true and I feel like I found a friend who really understood me. I have had the distinct privilege to design over 100 covers for Ghostly, and that is only the half of it.

When they asked me to do a compilation, I was all about it. I wanted to do three or more compilations because I wanted to segment it up into different sections (Ghostly, SMM and Spectral). It is impossible to reduce the entire label to 15 tracks. Ghostly is dynamic, they don’t fit one sound, genre or idea.

So I approached it as a mixtape of sorts. I tried to find a common thread that spoke to me and create a mood around that idea. Some of my favorite tracks are not on here. JDSY 'Horizon Line' makes my head spin. Choir of Young Believers 'Paralyse' takes me to another place. There are so many more.

What you are hearing some songs that have spoken to me over the years in a distinct way. I don’t feel like they are obvious choices but they all are nothing short of amazing. I hope this compilation helps you see a different side of one of the best labels to ever do it." - Michael Cina

The Sight Below - At First Touch

Andrea Belfi - "Natura Morta" out november 7th on Miasmah.

Natura Morta, "dead nature" or "still life". This album can be understood as a powerful study of the minute details of the art of electro-acoustic composition, as much as the Renaissance "nature morte" were a masterful display of the artist’s skill in portraying the glow of a ripe fruit, or capturing the light beaming on a vacant chair.

Six tracks, to be listened to as two long explorations in the art of variation and repetition. Layers of drums and percussions intertwine with synth waves making the portrait come to life, detail after detail, until a complex figure emerges from the white canvas. The constant, unsteady sounds, wavering noise, swirling cymbals, and distant feedback gently pull the listener into the picture, letting them enjoy every detail of this beautifully staged compositions.

Recorded at EMS studio, Stockholm, ZKM in Karlsruhe and at the legendary Funkhaus in Berlin, this album mixes influences from both Italian minimalism and the electro-acoustic contemporary scene. Somewhere in between the electronics of Keith Fullerton Whitman, the percussive repetitions of Jon Mueller, and the atmospheric sensibility of Pan-American.

Andrea Belfi - Roteano

"Starcloud" by Anna Caragnano and Donato Dozzy from "Sintetrizzatrice" due out this spring on Spectrum Spools

"Starcloud" by Anna Caragnano and Donato Dozzy

In my work, I explore the transmission of music, particularly folk traditions. This is why I aim to delve into a specific realm of atmosphere and pan-mediterranean structure. In doing so, I seek to both counterbalance and transgress dominant occidental tuning systems, moving away from rigid tonal frameworks toward a more modal approach, freer, more organic, and rooted in alternative systems of resonance and listening.

Tramonti

Sequência da Dz7 (EXTRA SLOWED & REVERB)

from 'Electric Stutter' [CD|2xLP|Digital]
Denovali Records · den281
available on all formats at [http://denovali.com/orsonhentschel]

Almost one year after his debut LP Feed The Tape, Orson Hentschel enters new musical terrain wearing old shoes. His second LP Electric Stutter, which is almost 55 minutes long, is only loosely connected to his debut. Whereas Feed The Tape was strongly shaped by Classical Minimal Music, Hentschel now incorporates influences of Trip-Hop and Electronic Pop Music. Since his childhood, he considers artists like Massive Attack, Portishead and Björk as some of his most important sources of inspiration. The influence of this kind of popular music is clearly audible. Hentschel’s new tracks are shorter, more shaped and reduced in the density of their sound material. Pattern-oriented repetitions, which where in the focus of Feed The Tape, now fulfil the function of sophisticated sub-components of the overall composition and are subordinate to the melodic forms or merge with them. Also the amount of sample-based material has decreased in order to create space for synthetically produced sounds with melodic character. Electric Stutter is more complex and more detailed than Feed The Tape. At the same time the reduced density of sound material and the higher amount of melodies form a kind of music that is more easily accessible.

Whereas the Düsseldorf-based composer started off with classical piano, he by now concentrates on electronic and experimental music and film compositions. Even though Hentschel has experienced a classical education, his composition techniques are anything but traditional. His creative starting point is rarely rooted in musical ideas, but consists of finding appropriate sound material. His sources are diverse: sounds and samples like soundtracks, film sounds, music albums or internet findings encounter polyphonic vocal-music from the 14th century and composition techniques of Minimal Music such as Steve Reich. In his compositions Hentschel draws a cross-section through the history of music and its genres in order to form his own musical expression. Considering his studies of music science in Düsseldorf and previously in Vienna and Dresden, his musical time-jumps appear less surprising.    

Describing Orson Hentschel only as a composer of contemporary music does not do him justice. In his self-conception as an audio-visual artist he creates his own live show, combining lights, visuals and fog to a stunning atmosphere, which cannot be eluded. Supported by live-drummer Lukas Baumgart, Hentschel delivers a sound, whose energy is physically palpable and electrifies the audience. A live-show generating an intense experience, going to the limit and erasing any sense of time. Orson Hentschel moves perceptions not merely through sheer volume, but with driving repetitions and extensive tension.

Electric Stutter

Orson Hentschel - Fade In, Fade Out

VINYL, DIGITAL, CD: http://bit.ly/N45-NOTON-SHOP

N-45 - ALVA NOTO - UNIEQAV
RELEASE DATE: MARCH 16TH, 2018

The Uni series began when Alva Noto was booked to play live at the club UNIT in Tokyo, and had to adapt his sound accordingly for that environment.

‘UNIEQAV’ follows-on from and develops the concept of Alva Noto’s ‘Unitxt’ and ‘Univrs’ albums, and completes the third part in the trilogy, whereby each record is both unique and part of the bigger picture. This is also mirrored in the artwork for each release, which when combined form a triptych spelling ‘Uni’.

Described by Carsten as “sonically representing an underwater dive”, the gleaming ‘UNIEQAV’ brings as usual an inherent artistic, conceptual and scientific depth. Mathematics, data, unit systems, grids, rhythms, codes, text, language, spoken word, DNA, science technology and nature are all utilised, for both inspiration and execution.  

As with the last two Uni releases, the French sound poet Anne-James Chaton collaborates here, on ‘Uni Dna’. Where on previous records Chaton first provided a vocal track to which Nicolai composed, this time the duo flipped it; the poet wrote for an existing track, adding his unique vocal approach to recite amino acids that constitute the DNA molecule.

Regarding Carsten’s interest in 3D sound design and building sonic spaces, ‘UNIEQAV’ transports the listener to a modern, spacious and zen-like place for meditative movement. But conversely the album works equally well in a dark club - as for every glistening digital spark and simple, emotive melody - there’s a stealthy bassline, frenetic drum pattern and colossal low-end thump.

@alvanoto

http://noton.info/

UNIEQAV

Alva Noto - Uni Blue

Today's exclusive comes from Hungarian producer Ghost Warrior who serves up a deliciously atmospheric new EP for re:st next month. Redrum channels the likes of Photek and Source Direct, recalling vintage 90s Metalheadz releases with an emphasis on atmosphere and precise, intricate percussion. Can't get enough of this one! As always with re:st releases it'll be available on vinyl and digital; pre-orders are up now at their store.

Buy → http://relationreset.com/shop/ghostwarrior-from-beyond-ep

Ghost Warrior:
Facebook → http://facebook.com/ghostwarriormusic
SoundCloud → http://soundcloud.com/ghostwarrior

re:st:
Facebook → http://facebook.com/relationreset
Soundcloud → http://soundcloud.com/relationreset
Twitter → http://twitter.com/relationreset

Ghost Warrior - Redrum [Premiere]

from "Gave In Rest," Sarah Davachi's new album out September 14th, 2018, from Ba Da Bing Records, Preorder here:https://tinyurl.com/y93h4zbl

Gave In Rest

Pre-order

Sarah Davachi - Evensong

Premiering on the Ransom Note: https://bit.ly/2MyJojX

"An enchanting new album." - The Ransom Note 

Heinali is the alias of self-taught composer and sound-designer Oleg Shpudeiko from Ukraine. Now well established under the name he brings along his latest full length ‘Iridescent’ due for release on October 12th on Injazero Records. 

Having garnered rapturous responses to his earlier output and last year’s ‘Anthem’ Oleg continues to push the boundaries and experiment with altering mood and atmospheres of any space - with abstract yet deeply personal transmissions of ambient synthesiser work and subaqueous, minimal techno contortions. 

‘Iridescent’ consists of fragments of studio improvisation sessions recorded in 2016 and 2017, some of them recorded in one unedited take on a modular system and some layered and later morphed into compositions. As the title suggests Heinali crafts shimmering, incandescent portraits, rich in his unique characteristics and compositional liberty. 

Apart from the “musical sculptures,” that represent the bulk of this LP, Oleg was interested in the exploration of polyphonic capabilities of the modular system. ‘Rainbow Folding’, a loose homage to Terry Riley’s 'A Rainbow In Curved Air,' features an interplay of several independent, but distinct voices and their processed shadows — ‘ghost voices’. In 'Shadow Invention’ eerie atmospherics steal the spotlight and dominate the composition, ending in a cacophony of the ‘ghost voices’. 

Oleg says of the album, “it’s a kind of studio dairy. A reflection on the development of my relations with the hardware instruments and exploration of them as channelling vessels for my experiences and ideas.” 

“One can think of Iridescent’ as ‘musical sculpture’ analogy — when the body of music stays the same, but its surface is flickering with various colours over time — sometimes in a subtle manner, sometimes loud and clear. Or it can be understood in the context of various colours of polyphony, or as a liminal condition of the colour as if it’s being ‘stuck’ in the mist of twilight zone between neighbouring colour-states, so it can’t become a particular colour and is in a flickering kaleidoscopic state.” 

‘Iridescent’ bares Oleg’s style of sonic storytelling and austere, otherworldly textural embellishments that bring to mind Ben Frost, Akira Yamaoka, and Oneohtrix Point Never but also plants the seed for much more club ready electro. ‘Starling Reprise I’ is a scorching piece of ambient techno that conjures Four Tet, LTO and Susumu Yokota’s blissful, kaleidoscopic synth work whilst ‘Starling Reprise II’ retains the frosty, steely ambience that has become Heinali’s calling card. 

Cover artwork by Olga Gaidash.
Mastered by Taylor Deupree at 12k Mastering.

Heinali - Rainbow Folding

From the album Entanglement by Jessica Moss

Jessica Moss
Entanglement
180gLP/CD/DL
CST138

cstrecords.com/cst138

Entanglement

Jessica Moss • "Particles (Edit)"

V/A ‘Two Spirits’ EP UVB76-011

Exhibiting an almost timeless quality, the latest EP from UVB-76 Music is a four track, various artists endeavour into the most solid of fundamentals. A four-man hit squad of label newcomers assembles in the form of Entire, Nekyia, Forest Drive West and DB1. Going against the grain of contemporary production fad, each track is a reduction to core sonic ideals. Unapologetically raw and refined in a directly contradictory manner.

Explore more:

UVB-76 Music
SC: https://soundcloud.com/uvb76music
FB: https://facebook.com/uvb76music/

Entire
SC: https://soundcloud.com/entiremusic
FB: https://facebook.com/entirepl/

Lost In Ether |  P R E M I E R E | Entire - Two Spirits (UVB-76 Music)

STONETAPES001 : Overlook AA1.  Purr

Treachery

Release date (vinyl & digital): 24th of June

Ø [Phase] returns.

Reasons for the small break since last year’s seminal ‘Behind The Sun / The Chasedown’? A lot of remix work – which will see the light of day in the following months - and more importantly: finishing his long awaited debut album. The LP is called ‘Frames Of Reference’ and will be released this autumn. The 2 tracks on this single – a double a-side - are both featured on the album and should give you a taste of what flavours to expect.

‘On The Edge’ & ‘Perplexed’ complement each other perfectly. The first is a raw peak time cut, while the latter is a more atmospheric & hypnotic piece for the afterhours.
Both pieces bring display strong & intense techno with an incredible sense for depth & detail. Few seem to master these qualities like Ø [Phase] does.

TRACKLIST
A. Ø Phase - On The Edge
AA. Ø Phase - Perplexed

www.tokenrecords.com
www.facebook.com/tokenrecords 

Frames Of Reference

Ø [Phase] - Perplexed

Experimental music looking for therapeutic practices and the endless repetition of sacred rituals.
https://linktr.ee/loop_olim

https://nebulo.bandcamp.com/

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nebulomusic (at) gmail (dot) com
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Phinery
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