ihaefoihefmiqusfgqsugfosqhf ..................

je m'en remets toujours pas de ce morceau... c'est tellement fin

Following two duo releases on Le Cabanon Records (Crypto Tropic & Othello Aubern), French composer and producer Nebulo (Thomas Pujols) now presents his album ​Parallaxes​, the second installment of our Albe series.


Parallaxes was written for the most part in the spring of 2018. Acting as a prequel to the ep ​Ascii Snake released in June 2019 on Conditional, it is a consequence of ​Zellige​, released three years earlier on Phinery. These records are collections of polyrhythms and ritornellos of dramatic efficiency as much as they are an exploration of electronic tones. The phrase “music written for synthesizers” makes a lot of sense here.

This new chapter takes a final step in confirming an aesthetic turning point in Nebulo’s career, in which his polyphonic style, entirely concentrated on synthesised timbres (​Parallaxes’ only sound sources), reaches maturity.

By blowing life into these coarse and glittering materials, Nebulo reveals with great ease both their emotional potential and their profound tranquility. The composer expresses himself within the slightest shades and accents of the inner life of...  afficher plus
crédits
paraît le 12 juin 2020

LECABANONALBE002

Written, produced and mixed by Thomas Pujols.
Artwork by E. d’Aracsam.
Mastered and cut by Mathieu Berthet @ MB Mastering, France.
Records pressed by VRM, France.
Texts by Antoine Hubineau and Le Cabanon.
Translation by Ross Heselton.

order

PARALLAXES

I made this piece during the winter months when I spent most of my days alone, digging into archives, collecting some forgotten scraps from old tape loops together and melting them with what felt present at the time, those soundscapes that vibrate most beautifully in deep silence.

It consists of two parts - one corresponding to the setting process, the other to resetting, it tells story of leaving traces and covering them up.

Trace had its very first premiere on May 6 at Rewire festival.

Trace

DOPPELGANGER

DYMAXION

A sunken cathedral is exactingly excavated by Tokyo-based Joe Fujinoki on his debut album "Watering The Steel Flowers". Glittering shards of glass and metal drifting on deep ocean currents cast vague illuminations upon eroding concrete structures. An occasional glimpse of sunlight filters through the depths, suspended by bubbling hydrothermal vents. Fujinoki creates a series of gestures blurring texture and rhythm, an analog balm for the colloid of post-industrial aches.

Joe Fujinoki is a Tokyo-based musician and synthesist.

WATERING THE STEEL FLOWERS

PURCHASE PHYSICAL COPY

ENXPL11 - JOE FUJINOKI - A5. LESS LIGHT

Par delà l’espace et le temps, les humains ont évolué de manière inattendue au gré de leur environnement, engendrant de nouveaux êtres : ectoplasmes, métahermaphrodites, ou entités se nourrissant d'ondes delta... Autant de formes de vies extraordinaires reflets de la musique organique et futuriste de cet habitué des mondes sonores parallèles, et des musiques imaginogènes.

https://nulsidecouvert.bandcamp.com/album/nouvelles-mutations
Artwork : Jean Turner
jeanturner.org

(NSD03) Poborsk - Nouvelles Mutations - 01 Kidtoplasme

Fatmeh - Etéreo y Alado

https://soundcloud.com/comastasis

https://www.retreatradio.net/sleep-deprived

Tracklist:
Yeji Kim 예디 & ɟɐɥɯᴉ ɯnɹsʎᴉp - Haegeum I
Trysts - What Have Ianina's Close(d) Eyes Seen
złota jesień - Xanax OD Grindcore Lover
Llanto - Gallego
Inner - Closa
Aerotonin & Black Mags - Ashes Of Ariandel
Aisha Devi - Mazda (Mind:Body)
Kazuki Koga - Annapurna -अन्नपूर्ण-
Speaker Music - Ex-American Blues
Escha - into the nothingness of scorn and silence
Druid Cloak - Molten Peak
SHALT - ALWAYSSS
ODLX - Spectrum 5000Q [Unreleased Upcoming]
1127 - Hackney
Trofy - Bye Bye So Long
Paul Jebanasam x Justin Bieber - eidolons beginning p = (m²A ² as long (rho-z)-y ∂t+(ρ as you 
dz_dt = it xy love I -me_ z countless feat Big Sean (Comastasis Blend)
Indus Bonze - 太鼓の惑星(Planet of the Taiko)
2.7.5 Ethelwulf x J-Green - 66.6 Syllvblxxs (DJ EL G Chopped & Screwed)
Llanto - One body one dancefloor
Bodyguard - Fatal
Threshing Spirit - In Silent Judgment
Romance Relic - τα μάτια μου (ft. Dorian Bajramović) [Unreleased Upcoming]
Xinlisupreme - Seaside Voice Guitar
Cremation Lily - Dreams Drenched in Static
Alas - Ristiaallokko
PURPURRPURPLE - NOURISHING EDIT
ethän-sä-oo-pettyny-muhun.wav

Sleep Deprived #1 w/ Comastasis (28/07/22)

Microcosmic world building, aural experiments, and tonal in-betweens with Berlin based sound artist Felisha Ledesma.

https://www.nts.live/shows/felisha-ledsema/episodes/felisha-ledsema-13th-august-2022

Felisha Ledesma 130822

https://lecabanonrecords.bandcamp.com/album/parallaxes

JUNE 12th on @lecabanon 

PARALLAXES

Following two duo releases on Le Cabanon Records (Crypto Tropic & Othello Aubern), French composer and producer Nebulo (Thomas Pujols) now presents his album ​Parallaxes​, the second installment of our Albe series.


Parallaxes was written for the most part in the spring of 2018. Acting as a prequel to the ep ​Ascii Snake released in June 2019 on Conditional, it is a consequence of ​Zellige​, released three years earlier on Phinery. These records are collections of polyrhythms and ritornellos of dramatic efficiency as much as they are an exploration of electronic tones. The phrase “music written for synthesizers” makes a lot of sense here.

This new chapter takes a final step in confirming an aesthetic turning point in Nebulo’s career, in which his polyphonic style, entirely concentrated on synthesised timbres (​Parallaxes’ only sound sources), reaches maturity.

By blowing life into these coarse and glittering materials, Nebulo reveals with great ease both their emotional potential and their profound tranquility. The composer expresses himself within the slightest shades and accents of the inner life of his constructions, with that global sense that is the science of melody, thus satisfying both fans of sonic spontaneity and those more attuned to an art of nuances. Thus, the sounds are sculpted, twisted, deconstructed and recomposed to form rhythms and melodies that are free in each of their movements.

Having already begun to work on the friction between the harmony and dissonance on his previous releases, Thomas Pujols takes things a step further with ​Parallaxes​. Here, he takes to microtonality and other scales of pitch that escape the norms of equal temperament. The repetitions and motifs he uses balance the soundscape by facilitating the reading of melodic variations that do not fit within our usual patterns. These two seemingly contradictory directions maintain a sensation of blurriness as to the chain of events, as well as to the vanishing point towards which each composition leans. Thus, repeated listenings of the record will necessarily lead to a new angle of approach each time, allowing the listener to access the sonic picture in its entirety, and ultimately make the image clear.

The question of multiplicity is precisely the central theme of this work, wherein every change of position regarding one same object, one same point of attraction, results in the birth of a new entity. As we move from track to track, each layer of sound is often the mirror of another, near or far. In their construction, in their existence, their interactions and sometimes even in their absence, the sounds weave a subterfuge that we must dispel in order to truly explore it. Nebulo draws a narrative pattern designed to disorientate, both a mirage and a tangible phenomenon, that changes in the midst of our perception.

Parallaxes

Vif Argent

Order

https://lecabanonrecords.bandcamp.com/album/parallaxes

Following two duo releases on Le Cabanon Records (Crypto Tropic & Othello Aubern), French composer and producer Nebulo (Thomas Pujols) now presents his album ​Parallaxes​, the second installment of our Albe series.

Parallaxes was written for the most part in the spring of 2018. Acting as a prequel to the ep ​Ascii Snake released in June 2019 on Conditional, it is a consequence of ​Zellige​, released three years earlier on Phinery. These records are collections of polyrhythms and ritornellos of dramatic efficiency as much as they are an exploration of electronic tones. The phrase “music written for synthesizers” makes a lot of sense here.

This new chapter takes a final step in confirming an aesthetic turning point in Nebulo’s career, in which his polyphonic style, entirely concentrated on synthesised timbres (​Parallaxes’ only sound sources), reaches maturity.

By blowing life into these coarse and glittering materials, Nebulo reveals with great ease both their...  afficher plus
crédits
paraît le 12 juin 2020

LECABANONALBE002

Written, produced and mixed by Thomas Pujols.
Artwork by E. d’Aracsam.
Mastered and cut by Mathieu Berthet @ MB Mastering, France.
Records pressed by VRM, France.
Texts by Antoine Hubineau and Le Cabanon.
Translation by Ross Heselton.
Bonus track mastered by Nebulo.

www.lecabanonrecords.com

Trames

Rien Ne Tient Dans Tes Mains

Excerpt from Asha Sheshadri's upcoming album "No Longer A Soundtrack"

No Longer A Soundtrack

ANM049 Asha Sheshadri — Elephant Years (Excerpt)

https://lecabanonrecords.bandcamp.com/album/parallaxes

-----------------------------------------------------------------------------------

Following two duo releases on Le Cabanon Records (Crypto Tropic & Othello Aubern), French composer and producer Nebulo (Thomas Pujols) now presents his album ​Parallaxes​, the second installment of our Albe series.


Parallaxes was written for the most part in the spring of 2018. Acting as a prequel to the EP ​Ascii Snake released in June 2019 on Conditional, it is a consequence of ​Zellige​, released three years earlier on Phinery. These records are collections of polyrhythms and ritornellos of dramatic efficiency as much as they are an exploration of electronic tones. The phrase “music written for synthesizers” makes a lot of sense here.

This new chapter takes a final step in confirming an aesthetic turning point in Nebulo’s career, in which his polyphonic style, entirely concentrated on synthesised timbres (​Parallaxes’ only sound sources), reaches maturity.

By blowing life into these coarse and glittering materials, Nebulo reveals with great ease both their emotional potential and their profound tranquility. The composer expresses himself within the slightest shades and accents of the inner life of his constructions, with that global sense that is the science of melody, thus satisfying both fans of sonic spontaneity and those more attuned to an art of nuances. Thus, the sounds are sculpted, twisted, deconstructed and recomposed to form rhythms and melodies that are free in each of their movements.

Having already begun to work on the friction between the harmony and dissonance on his previous releases, Thomas Pujols takes things a step further with ​Parallaxes​. Here, he takes to microtonality and other scales of pitch that escape the norms of equal temperament. The repetitions and motifs he uses balance the soundscape by facilitating the reading of melodic variations that do not fit within our usual patterns. These two seemingly contradictory directions maintain a sensation of blurriness as to the chain of events, as well as to the vanishing point towards which each composition leans. Thus, repeated listenings of the record will necessarily lead to a new angle of approach each time, allowing the listener to access the sonic picture in its entirety, and ultimately make the image clear.

The question of multiplicity is precisely the central theme of this work, wherein every change of position regarding one same object, one same point of attraction, results in the birth of a new entity. As we move from track to track, each layer of sound is often the mirror of another, near or far. In their construction, in their existence, their interactions and sometimes even in their absence, the sounds weave a subterfuge that we must dispel in order to truly explore it. Nebulo draws a narrative pattern designed to disorientate, both a mirage and a tangible phenomenon, that changes in the midst of our perception.

DOUBLE VISION

UNTITLED (ARCHAIC VAULTS/CONTINUING A WORN OUT TRADITION COMP)

KMRU and Aho Ssan collaborate on a cosmic collision of lacerating sound design and conscious-expanding synth.

All proceeds from the music and painting are donated to Hackney Migrant Centre, a local organisation that provides support to asylum seekers, refugees and migrants in London by offering advice on immigration, welfare, housing and health: hackneymigrantcentre.org.uk

'WFH003' is out December 18th on Hot Desk.

Pre-order: bit.ly/3nyhiDO

@ahossan
@kamarujoseph
@hot-desk

Premiere: Aho Ssan & KMRU - Ruined Abstractions [Hot Desk]

https://soundcloud.com/cryptotropic
https://threeop.bandcamp.com/album/pace-serpente
https://soundcloud.com/ultraabriight
https://soundcloud.com/queenkopetzky
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nebulomusic (at) gmail (dot) com
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