08 J.S.Bach     Have Mercy, Lord , On Me   From St.Matthew Passion BWV244

Dmitri Shostakovich - Andante aus dem Klavierkonzert Nr.2 F-Dur

An original composition for piano and strings

A Time To Plant

Song To The Moon, Rusalka, Antonín Dvořák. Performed live by Olga Vilenskaia on Januari 2015 in Belgium. Together with Frascati Symphonic with conductor Kris Stroobants.

Song To The Moon, Rusalka, Antonín Dvořák

Gabriel FAURE (1845-1924)

Pavane Op.50

DUO CORD'EOLE
Fanny MAYNE, Querflöte
Nicolas FAURE, Violoncello
www.duocordeole.com

Gabriel FAURE (1845-1924) -  Pavane Op.50

Gabriel's Oboe arranged for Solo Clarinet and Orchestra

Concert for Cause Gala
LIVE RECORDING on May 29, 2015

Andrea MORRICONE, Conductor, Composer, Arranger/
Seunghee LEE, Solo Clarinetist

www.chinadailyasia.com/focus/2015-05/29/content_15269903.html 

http://www.scmp.com/lifestyle/arts-entertainment/article/1792822/andrea-morricones-charity-tribute-concert-hong-kong

Gabriel's Oboe arranged for Solo Clarinet and Orchestra (LIVE RECORDING)

Vivaldi - Concerto in C minor RV 441  - Frans Brüggen

J. S. Bach - Prelude And Fugue In E Flat Minor No.8 BWV 853 - Sviatoslav Richter

Complete Recordings on Deutsche Grammophon 1959-1965 CD025

Johannes Brahms - Symphonie Nr. 3 F-dur Op. 90 III. Poco allegretto - Herbert Von Karajan

Schubert - Fantasia for Two Pianos in F Minor D. 940 - Karl Böhm

Sangwon Lee, clarinet; Jonah Ellsworth, cello; Yu Ting Christine Huang, piano
Chamber Music Gala, December 3, 2018, NEC’s Jordan Hall

Max Bruch composed his “Acht Stücke” Eight Pieces, Op. 83, for clarinet, cello (or viola), and piano, in Berlin in 1910 for his son Max Felix, a clarinetist. A virtual contemporary of Brahms and Dvorák, Bruch was renowned during his lifetime for his choral music, but is perhaps best remembered today for his Violin Concerto No. 1 in G Minor, Op. 26. After his death in 1920, his works were suppressed by the nascent Nazi Party and as a result, his music is not as widely known today as it perhaps should be.

Of the Eight Pieces, which one writer described as favoring “rich, mellow instrumental hues and an autumnal maturity of expression, deeply felt but purged of excess,” the third -- heard here -- was Bruch’s personal favorite. Despite being written at a time when many composers were experimenting with modernism, they are thoroughly and unapologetically Romantic in style. In his one possible nod to an ever busier world, Bruch stated that the Eight Pieces could and should be regarded as individual miniatures rather than movements of a greater whole, and had them published separately to emphasis the point.

Max Bruch - from Eight Pieces, Op. 83: iii. Andante con moto

New England Conservatory educates and trains musicians of all ages from around the world, drawing on the talent and deep reservoir of experience of our distinguished faculty. We are dedicated to inculcating the highest standards of excellence and nurturing individual artistic sensibility and creative growth. Understanding that music is one of the transcendent expressions of human civilization, NEC aspires to ensure it a central place in contemporary society. Additionally, we present over 1,000 free concerts a year in our world class performance spaces which include historic Jordan Hall.

Max Bruch - from Eight Pieces, Op. 83: iii. Andante con moto

necmusic

Related tracks