Name: Bach: Goldberg Variations - Variatio 10 a 1 Clav Fughetta by necmusic
Duration: 50 s
Description: New England Conservatory piano faculty Randall Hodgkinson performs Bach's Goldberg Variations. Recorded live January 2013 in NEC's Jordan Hall, Boston.

Live from Paul Hall, The Juilliard School

LIVE Beethoven String Quartet in E minor Op. 59 No. 2 - IV. Finale, Presto

Johann Sebastian BACH (1685-1750)
Sonata BWV 1031
Sicilienne

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Johann Sebastian BACH (1685-1750)- Sicilienne BWV 1031

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The Piano Sonata No. 12 in F major by Wolfgang Amadeus Mozart, K. 332/300k, was written at the same time as the Piano Sonata, K. 330 and Piano Sonata, K. 331 (Alla turca), Mozart numbering them as a set from one to three. They were once believed to have been written in the late 1770s in Paris, but it is now thought more likely that they date from 1783, by which time Mozart had moved to Vienna.

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Some believe, however that Mozart wrote this and the other sonatas during a summer 1783 visit to Salzburg made for the purpose of introducing his wife, Constanze to his father, Leopold. All three sonatas were published in Vienna in 1784.

Adagio - The second movement is a slow movement in the key of B flat major with two halves repeated. In the autograph, the second half is essentially a repeat of its initial presentation with some minor tonal adjustments. In the earliest printed editions, however, it is considerably elaborated.

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Piano Sonata No.12 in F-Major, K. 332: II. Adagio

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Mozart's Clarinet concerto in A major, K. 622 was written in 1791, shortly before Mozart's death, for the clarinetist Anton Stadler. It consists of the usual three movements, in a fast–slow–fast form:

Allegro (in A major and in sonata form)
Adagio (in D major and in ternary form)
Rondo: Allegro (in A major and in rondo form)

It was also one of Mozart's final completed works, and his final purely instrumental work (he died less than two months after its October premiere). The concerto is notable for its delicate interplay between soloist and orchestra, and for the lack of overly extroverted display on the part of the soloist (no cadenzas are written out in the solo part).

The second movement, marked Adagio, is a rounded binary form (i.e. ABA'). (It was popularized by the film Out of Africa.) It opens with the soloist playing the movement's primary theme with orchestral repetition. The B section, in which the solo part is always prominent, exploits both the chalumeau and clarion registers. 

The only true cadenza of the entire work occurs right at the end of the B section, immediately before the return of the A section. There are some passages that exploit the lowest notes of the basset clarinet in the B section.
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Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - Symphonies, Sonatas, Serenades, Concertos & Overtures

Concerto for Clarinet & Orchestra In A-Major, KV. 622: II. Adagio

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Mozart - Violin sonata no 26 B-major 378

New England Conservatory piano faculty Randall Hodgkinson performs Bach's Goldberg Variations. Recorded live January 2013 in NEC's Jordan Hall, Boston.

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Bach: Goldberg Variations -  Variatio 10 a 1 Clav  Fughetta

Bach: Goldberg Variations -  Variatio 12 a 1 Clav  Canone alla Quarta

Bach: Goldberg Variations -  Variatio 14 a 2 Clav

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Bach: Goldberg Variations - Variatio 10 a 1 Clav Fughetta

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