Name: Liszt: Paraphrase on the "Miserere" from Verdi's "Trovatore" by necmusic in study set
Duration: 9 min 20 s
Description: Giorgos Mannouris performs Liszt's Paraphrase on the "Miserere" from Verdi's "Trovatore". Recorded live January 30, 2013 during New England Conservatory's piano department celebration of Wagner and Verdi.

so much despair yet just the right amount of resolve

Christ and here's me thinking Slonimsky's tritone progressions sounded demonic

study set

NEVER AGAIN!! Bombing My Country SERBIA (ex  Federal Republic of Yugoslavia) from March 24, 1999 to June 10, 1999.  R.I.P to the 2500 civilians (89 children)
https://www.youtube.com/watch?v=HxDcvhH2Ypc
https://www.google.co.th/search?q=bombing+serbia+1999&espv=210&es_sm=91&tbm=isch&tbo=u&source=univ&sa=X&ei=5fQvU_TQKYeOkgWXnYG4Aw&ved=0CEIQsAQ&biw=1332&bih=1002

PEACE!!!



Operation "Merciful Angel" (NEVER AGAIN!! Bombing My Country SERBIA from March 24, 1999 )

This is the first of 8 new compositions for the 8 Piano project, an album I am going to record on 8 different pianos all over Europe....

Dirk Maassen - Spring (8 Pianos - Sketch)

Jamie Duffy - solas

Jacinda's Fate

Mozart - Requiem For A Dream

Cello Suite No. 1, Prelude - JS Bach

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

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My special christmas mix.
Hope you will enjoy it and i wish you a merry christmas.

Note:
All tracks are written and produced by Boris Brejcha.
All tracks are still unreleased.
For any questions please contact:
mail@borisbrejcha.de

You can also download the full mix on:
http://www.borisbrejcha.de/free.html

Tracklist:
1. Puki
2. Spacecraft To Mars
3. Amisette
4. Prisma
5. Fidibus
6. Bebot
7. Happiness Lies
8. Anthurie
9. Angel In The Sky
10. Black Beauty
11. Fubbes

Boris Brejcha - DJ Set Number 1 - 2012

Please post which piece you think I should do next!

I love classical :)

Nocturne Op. 9 No. 2 - F. Chopin

Giorgos Mannouris performs Liszt's Paraphrase on the "Miserere" from Verdi's "Trovatore". Recorded live January 30, 2013 during New England Conservatory's piano department celebration of Wagner and Verdi.

Liszt: Paraphrase on the "Miserere" from Verdi's "Trovatore"

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The opening track to Chad Lawson's Set on a Hill.  Produced by Will Ackerman, this album won Album of the Year 2009 on Whisperings Solo Piano Radio. 

Will (by Chad Lawson from Set on a Hill)

Ludovico Einaudi's 'Julia' performed by Nicholas Cooper

Einaudi - Julia

Ursula's Rescue Remedy

This set of variations moves gradually from a dark and sombre mood to one of luminous transcendence. The picture shows a detail of Nicolaas Maritz's 'Night Lagoon'.

Sonata For Piano, 2nd movement - Justin Krawitz

New England Conservatory educates and trains musicians of all ages from around the world, drawing on the talent and deep reservoir of experience of our distinguished faculty. We are dedicated to inculcating the highest standards of excellence and nurturing individual artistic sensibility and creative growth. Understanding that music is one of the transcendent expressions of human civilization, NEC aspires to ensure it a central place in contemporary society. Additionally, we present over 1,000 free concerts a year in our world class performance spaces which include historic Jordan Hall.

Liszt: Paraphrase on the "Miserere" from Verdi's "Trovatore"

necmusic

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