Baroque, Classical, Romantic

Prelude in G Major (Bach Cello Suite #1 Sample)

Second movement of J.S. Bach's Brandenburg Concerto No. 1, performed on virtual instruments (3 Baroque oboes, Baroque bassoon, strings, harpsichord), using a wind controller (Akai EWI USB). Double reeds by Wallander Instruments.

Bach: Brandenburg Concerto No. 1, BWV 1046 - 2. Adagio (2013.10.05)

Shostakovich: Symphony No. 10 in E Minor, Op. 93 (London 1974)

Benjamin Capps, cello
David Kaplan, piano

Recorded May 31, 2013 at Vermont Public Radio in Colchester, Vermont, as part of Vermont Public Radio and Burlington Ensemble's Beyond Beethoven collaboration.

Recording engineer: John Billingsley


Felix Mendelssohn:  Cello Sonata No. 1 in B-flat Major, Op. 45

Episode 1 - Apéritif 
The Goldberg Varations (aria) - J.S Bach
Hannibal's Piano Soundtrack features classical songs heard in the populair NBC series of ‘Hannibal’ played on piano. The clean recorded pianotracks could be seen as a classical piano compilation album of Chopin, Bach and Beethoven. The dark sound of the Steinway heard throughout the soundtrack fits the grim series atmosphere more than ever. Bon Appétit!

Duration: 23 minutes
Year: 2015

Piano played by New Hansen, Mix and master by Feau, Artwork by Twan Bultstra

Spotify

The Goldberg Variations - J.S. Bach

Hugh Wolff conducts the New England Conservatory Philharmonia in a performance of Tchaikovsky's  Symphony no 4 in F minor, Op. 36c. Recorded live in Jordan Hall October 1, 2014.

Tchaikovsky: Symphony no 4 in F minor, Op. 36 Scherzo: Pizzicato ostinato - Allegro

THOMAS GOULD Live in Riga
Sinfonietta Riga

1-3. Violin Concerto in D, Op. 61 - Ludwig van Beethoven
	I. Allegro ma non troppo
	II. Larghetto
	III. Rondo (Allegro)

4. The Lark Ascending - Ralph Vaughan Williams  

Produced by Raphaël Mouterde
Executive producer Dave Stapleton

‘Live in Riga’ is the major new album from the celebrated 31 year old British violinist Thomas Gould.  Recorded live in concert with Sinfonietta Riga on April 11th 2014 at the Great Guild Hall in Riga, Latvia, it confirms Gould’s enormous potential as one of the most inventive and colourful instrumentalists of his generation.  Gould is no ordinary classical musician but one of a new generation who refuse to be defined by a single genre.  He has developed impressive jazz credentials, but it is in this environment as soloist/director of classical repertoire where he really excels.  The Times recently described Gould as “intent on becoming the Nigel Kennedy of his generation”.  Gould, however, is incomparably his own musician.  Bold and courageous enough to forge his own path and follow his singular vision, he steps outside the footsteps of the greats.

‘Live in Riga’ is a defining album for Gould, his first disc of a three-album deal with forward-thinking British jazz and classical record label Edition Classics.  Over the last decade he has been in demand as a soloist with major orchestras worldwide, including the Royal Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Hallé Orchestra and LA Phil New Music Group.  He is also much in demand as a leader/director, working with Britten Sinfonia, Aurora Orchestra, Mahler Chamber Orchestra and the Australian Chamber Orchestra’s ACO2, but it’s when he brings these disciplines together that the magic happens.  As Gould explains, “It means that everyone plays in a more engaged way. There is a group commitment to making it work, so the process is much more collaborative than when working with conductor.”

Sinfonietta Riga is an orchestra with a story to tell.  Formed in 2006, their vision is as bold as Gould’s.  Equally happy to play in concert dress or T-shirts they are intent on building new audiences for the music while reaching for the highest artistic standards.  Their collaboration is a perfect match and a unique experience for both the orchestra and for Gould.  This live concert recording bears witness to this special musical symbiosis.

To release an album featuring Beethoven’s Violin Concerto and Vaughan Williams’s The Lark Ascending is a bold decision.  As two cornerstones of the violin repertoire, there are plenty of performances to compare, but Gould’s versions demonstrate a brilliance of tone and colour that demands attention.  His flexibility and breadth of musical interests is fully evident.  Gould’s playing has the clarity you would expect from any major performer but radiates a freedom in its expression as though improvised with an immediate elegance and poise.

For Gould it’s all about achieving the right balance.  Whether it’s jazz or classical, written or improvised, as soloist or director, Gould is right in the eye of the storm.  If the dark clouds gathering in the wider music world imply that the days of the single-minded virtuoso are coming to an end; if to succeed in that brave new world we need to attract more diversity and brighter colours, then in Thomas Gould we may have found the lightning conductor to spark a new generation.


THOMAS GOULD Beethoven - Violin Concerto In D, Op.61 - II. Larghetto

David Loebel leads the new England Conservatory Philharmonia in a performance of Haydn's Symphony No. 100 "Military." Recorded live in Jordan Hall, Boston, December 2, 2015 by Jeremy Sarna.

NEC Philharmonia, Loebel / Hay

Haydn: Symphony no 100 in G major Allegretto

The Brussels Virtuosi Orchestra:
Concertos Virtuoses et airs d'opéra
Historical venue of St Paul’s Anglican Church, Athens
Tuesday 1st December 2015

Vivaldi | Orlando Furioso 
"Sol da te mio dolce amore" 

Brussels Virtuosi Orchestra
http://www.naxos.com/person/Brussels_Virtuosi/89728.htm

Marc Grauwels, flute
http://www.marcgrauwels.be/

Nikos Spanatis, countertenor
http://www.nikosspanatis.com/en

The Brussels Virtuosi, a music ensemble of exceptional virtuosity, which was founded by internationally awarded Belgian flutist Marc Grauwels, in a unique concert in Athens, within the frame of their tour in Greece, will present a program with works by Mozart, Vivaldi, Cimarosa, Doppler, Rachmaninoff and Delibes, on Tuesday 1st December, at 20:30, at St Paul’s atmospheric church.
The renowned orchestra Brussels Virtuosi joins their creator and flutist Marc Grauwels, soprano and protagonist of National Opera, Vassiliki Karagianni and established countertenor Nikos Spanatis.

Organization and Communicating: spes 'n' arts
Arte Atene

Media Sponsor: MEGA 

Sound Recording: MetaDeftero (web radio)
Mastering by Costas Bokos (st19)

Vivaldi | Orlando furioso "Sol da te mio dolce amore" | M. Grauwels, N. Spanatis & Brussels Virtuosi

Second movement of the original Boccherini B-flat major concerto.
Performed on October 21, 2016 for my final DMA recital in Katzin Concert Hall.

Yeil Park, cello
Mark Alpizar, conductor

Recorded by Justin Rollefson

Boccherini Cello Concerto in B-flat (original) II. Andantino gracioso

OF 0014 1 CD STEREO ADD
CARLO MARIA GIULINI /
ORCHESTRA DEL MAGGIO MUSICALE FIORENTINO

Ludwig van Beethoven
Egmont op. 84 Ouverture
Sinfonia n. 7 in la maggiore op. 92

Firenze, Teatro Comunale, 29-30 giugno 1984

CARLO MARIA GIULINI / ORCHESTRA DEL MAGGIO MUSICALE FIORENTINO

Finale dell'Ouverture Egmont di Ludwig van Beethoven diretta da Carlo Maria Giulini

Thomas Gould violin/director
Sinfonietta Riga

Reccorded live at Great Guild Hall, Riga on April 28th, 2012



Mozart Haffner Serenade 2. Andante

Pyotr Ilyich Tchaikovsky - String Quartet No. 1 in D Major, Op. 11 - Moderato e semplice

This track is from the album Bach Ysaÿe Oesterle and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/aisslinnnosky

Partita for Solo Violin in E Major,  Bwv 1006: I. Preludio

Bach- cello suite no.5 i- Prelude

New England Conservatory educates and trains musicians of all ages from around the world, drawing on the talent and deep reservoir of experience of our distinguished faculty. We are dedicated to inculcating the highest standards of excellence and nurturing individual artistic sensibility and creative growth. Understanding that music is one of the transcendent expressions of human civilization, NEC aspires to ensure it a central place in contemporary society. Additionally, we present over 1,000 free concerts a year in our world class performance spaces which include historic Jordan Hall.

Tchaikovsky: Symphony no 4 in F minor, Op. 36 Scherzo: Pizzicato ostinato - Allegro

necmusic

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