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Goa/Techno

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Rebellion

Aware

Lose It - (LOST)

ECOUL SND Podcast Series - Arthur

The Day We Met

The Day We Met (Grynder Remix)

Michael Bibi, a name that resonates with many for quality, fresh flavours & a different take on todays modern electronic music.
The UK based newcomer, stamped his mark with a string of musical successes.  
Writing his own tracks & laying down his own vocals, Bibi carved out a sound unique to his own that is now recognised globally.

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Michael Bibi - Hanging Tree (Original Mix)

Havoc

Havoc (Durs Remix)

Reflect

Makeup (feat. Caroline Harrison)

All I Wanna Do

Hard Like A Drum (Rebugs Remix)

Neelix - Sleep Tight Anna Let's Just Leave Cut

Darkside

Highway To The Sun

Highway To The Sun (feat. Noa Jensi)

Put Your Head On My Shoulder (Techno Remix)

There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

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Neelix

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