Progressive psytrance

Aware

Breaking Dread

Breaking Dread (Tezla Remix)

Download

Falling Into The Darkness

Falling Into The Darkness (feat. Jodie Poye)

First track from an upcoming album inspired by Shpongle's take on a chilled and down tempo approach to Psytrance with multi-continental influences.

The edited version which puts it under the 10 minute threshold needed for SoundCloud Artist Pro tracks

138 BPM
G Phrygian 

production notes:
This started out with a narrative I wrote for the track about a lone figure that awoke without memory in a cave that appeared to be sentient, and inhabited ravers entranced by strange relics. The usual psychedelic trope stuff. I recorded the vocals myself, and used them to inform the initial arrangement of the track. It became evident that the story would result in a evolving and winding musical expedition. However, my voice really didn't suit it. So I used elevenlabs to generate a new AI version of the vocals - that are used here. Later I stripped most of the vocals out, however the story they informed is now the song.

Each track I make offers new challenges.. here I really wanted to shift genres and sounds a lot. It sounds quite basic, but there's a lot going on here from a bassline that absolutely isn't traditional psytrance (although the base pattern is inspired by "Robotoised" by Quirk), to shifting from saw bass, to square wave, to switching the whole thing up in to a Brazil-inspired shponglised breakdown - considering I had no knowledge of this musical style, let alone how to produce it. However the real challenge was finishing this track. The arrangement has been 'complete' for months now with me tweaking and trying to polish it up enough to release it. 

I also decided to make this a multi-part song. Again, inspired by Shpongle albums where tracks eb and flow between each other. Part 2 of this isn't included here, but I hope I can make it become a full mixed album. Something for later.

deep & hypnotic (edit) - 138 bpm, G

Down 136 sept 2025

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Screenshot

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You're Under Control

I Didn't Mean To Cry

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Real High

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Historia

There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

Smoke and Mirrors (Playful Edit)

Neelix

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