Proggiest of prog for all the frogs

Vicious Game

Rebellion

Rebellion (Extended Mix)

Lose Control

Dance With The Groove

Save Me

Bang Bang

Bang Bang (Sighter Remix)

Stupid as Fvck

Stupid as Fvck (Minority & Stryker Remix)

walacadatefrrflmdelefinir

Another melodic piece of paradise, produced by Morten Granau and our good friend Durs.

Buy 432 gear @ http://432-records.com

Morten Granau & Durs - Oblivion

I'm Nobody

A smooth piece of ear-candy from Phaxe & Morten Granau. Out on 432 Records.

Buy 432 gear @ http://432-records.com

Yellow

Phaxe & Morten Granau - Yellow

Phaxe - Blue Sky

Gold walls that I built for you
Just to dig me out with silver spoons
No I didn't
No I didn't
Well i got your call and I got your message
I want you to know that you are
The love of my life
The love of my life
You never leave when the song is over
You ride or die till the end
You're the love of my life
You're the love of my life
My life

Love of My Life

Stream Here!

The Day We Met

Darkside

Playgrounds

Download

There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

The Day We Met

Neelix

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