Phil Thornton - Words and Voice
Neil Bailey - Music, Handclaps and Beer Glass

Star of Shamash - Invocation Of Utu - Shamash

Jon Hussey
minimal detroit vol.092It was a very special honour to be asked to record a mix for the Minimal Detroit crew and it led to me spending some time thinking of the tracks and theme before recording. The 'Detroit' sound and style had to be woven into the mix with Spacey atmospherics, Bleeped out mechanical rhythms, Electro grinds and Heavy broken machine workouts. The initial mix kicks of a little deeper building into tracks from some true Detroit originators like Anthony Shake Shakir and Robert Hood blending up with newer artists like Defekt, Ocktawian, Handmade DJ, Oliver Rosemann, Ritzi Lee who are all advancing on and keeping the original blueprint styles alive. 
Sending some Techno love, Dublin to Detroit from D to the D https://soundcloud.com/jonhussey

Jon Hussey - minimal detroit vol.092

Our July‘s set brought to you direct from Madrid by @lanasaints. Her japanese inspired house/disco mix will sure make vez up and dance to the beat 💃🕺🏽

LANASAINTS - einfach kollektiv radio set 07 - 010721

Latest iteration of my live set broadcast on ARP Radio. Equipment used, AKAI MPC X, Elektron Digitone, Behringer Pro One + TD3

Ross Alexander - ARP Radio Live Set 22nd Oct 21

Low Tape - Lost Heaven (Analog Concept)
Marc Mac -  The First Movement (Omniverse)
Mano De Fuego - Sol (Underground Resistance)
Ladymonix - Bop (Frizner Electric)
Malik Alston - Badeya (Pirahnahead Remix) (Truth Manifest)
ReeKee - Next To Me (Ten Lovers Music)
NAD - Assemblages (Rush Hour)
Specter - Integrated Circuit (Angis Music)
Malik Alston - What God Has For Me (Just One Stomp Remix) (Truth Manifest)
Ladymonix - High Notes (Frizner Electric)
Omar S & Troi Alexis - Can’t Explain (R&B Remix) (FXHE)
Ghetto Superstar - 8 Mile Boogie (Detroit Techno)
Mark E - Tracer (Visions Inc)
Life Recorder - Sliding Away (Life Notes)
DJ Dex - Replicante (Yaxteq)
Andy Toth - Lost In Translation (Interdimensional Transmissions)
Mark Grusane - Dance Intensity (Rush Hour)
Steve Summers - Who Knows (LIES)
Cypherphunk - Voltage (Dance Trax)
Cypherphunk - Intarder (Dance Trax)
Daniel Monaco - Acid Maria (Bordello A Parigi)
Rat Heart - War (Vip)  (Shotta Tapes)
Sohan Wilson - i Don’t Know And I Don’t Care (Zoeplar Remix) (Visions Inc)
Malik Alston - Tie It Up (Latin Sunrise Remix) (Truth Manifest)

Mark Forshaw DJ Mix October 2022

Stephen Lopkin - Submission
DMX Krew - What Happened To Peace
DJ Pierre - I've Lost Control (Wild Pitch Mix)
Ten Lardell - B2
Svreca - How To Become Nothing
Decius - Look Like A Man
Adalberto - Ride On
Neil Landstrumm - Sativae 3 A1
Mark Grusane - Dance Klub Nacht
Decius - Macbeth
D-Knox - Chanting
Purple vinyl
Mano De Fuego - Sol
Ten Lardell - B1
Xen Cron 1
The Martian - Firekeeper
Pacou - 9616
Ten Lardell - A1
Dream E - Love Mixxed
Lenell Stevens - Evil Grin
Frequency - Slam To The Funk
Jeff Mills - Suspense
Troy - Heretic
Floorplan - Brothers & Sisters
Gosub - Omni Presence
Kirilik - 3
Bileebob - Star Cross
Melvin Meeks - Acid Mode
DJ Deeon - House Werk The Hoes
Armando - World Unknown
Jasen Loveland - Paranoid Raver part 3
Marc Acardipane - We Have Arrived
Mark Broom - EFB
User Engine - Eight Zero Eight
Vince Watson - Mystical Rhythm
EDO8 - Satellite Micro
Nitzer Ebb - An Industrial Beating (Medusa Edit)
DJ Godfather - Owe You Shit
DJ Overdose - BOB
Dynarec - Lowest Perceived Legitimacy
Dimi Angelis - Riot Lovers
Dirty Criminals - Malfunktion
Beard In Dust - Coconut Paradise

Mark Forshaw DJ Mix November 2022

Recorded a live jam session on the TR-09 and JU-06A into Ableton, then added a sub bass and effects. Nice and simple. Wanted to get this rough and ready version uploaded before I overthink everything and turn it into something else.

Fruity Boutique 01 (Original Jam)

Interview, download and tracklist: http://truantsblog.com/2016/truancy-volume-162-space-afrika/

Comprised of Josh Inyang and Josh Reidy, Space Afrika first cropped up a few years back on Where To Now? (the label responsible for our 113th Truancy Volume) with their tape release Above The Concrete/Below The Concrete. It was The Manchester duo’s Primrose Avenue EP from late last year on the same label that especially caught our attention; A fare of gloriously subtle dub techno and house that took cues from Rod Modell and Kassem Mosse, the record felt like a considered appreciation of the strange comfort a rainy inner city journey might invoke. We’re incredibly pleased to have the pair put together our 162nd edition of our Truancy Volume series. They also spoke to us about the mix, their music and their influences. Sink in.

http://truantsblog.com

Truancy Volume 162: Space Afrika

Betty and The sensory World (Live)

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

[broadcasted 5/26/13]

video & setlist @ boilerroom.tv

Daniel Bell 60 Minute Mix Boiler Room x Movement

Electronic exploration from the North West

Star of Shamash - Invocation Of Utu - Shamash

Neil~B

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