Name: Bulldozer (demo) by Neil McSweeney
Duration: 3 min 39 s
Description: Recorded at G2 studios in Sheffield, these tracks evolved to become the foundation of my last album Cargo (2013). Produced by John Sephton (also drums), Paul Harris (also bass)and myself (guitars and vocals).

Recorded at G2 studios in Sheffield, these tracks evolved to become the foundation of my last album Cargo (2013). Produced by John Sephton (also drums), Paul Harris (also bass)and myself (guitars and vocals).

Bulldozer (demo)

In our second episode we take a look at Tidal, Jay-Z's newest headline grabber, and the state of the industry segment that Tidal is trying to conquer. Tom Silverman of Tommy Boy talks about how we'll get to a $100 billion music business. Larry Rosin of Edison Research explains how music streaming consumption is actually evolving. And we learn about the music licensing value gap with YouTube from Alex Jacobs of the IFPI. 

Hello, Tidal! The Escalation of the Streaming Wars and the $100 Billion Music Business

In this episode of Musonomics: why are more and more music industry insiders looking to Blockchain technology as a solution to the metadata problem? What really is the Blockchain? And why is it so important? These are just some of the questions host Larry Miller of NYU Steinhardt, and co-host Carmen Cuesta Roca will unpack. The episode features PledgeMusic founder Benji Rogers, who is evangelizing a comprehensive database of music metadata on the Blockchain. Singer-songwriter Imogen Heap  sheds light on the potential for accurate and intricate metadata. And Bill Rosenblatt of Giant Steps Media Technology Strategies explains that industry-wide standards are key to the metadata problem, but the complexity of the music industry and its vast number of stakeholders will make those standards difficult to achieve.

Bulldozer (demo)

Neil McSweeney

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