Interestingly Film-philosophy Kracauer in his seminal work suggests that musical experience is internal (cognitive) unlike the physical sensations (affective) produced by watching a filmed musical performance. This could relate to the inner response of listening to podcast of film sounds without the accompanying images.  Cohen, Thomas. 2012. Playing to the Camera: Musicians and Musical Performance in Documentary Cinema. Washington: Columbia University Press.  Kracauer, Siegfried. 1997 [1960]. Theory of Film: The redemption of the Physical Reality. Princeton University Press

For a discussion on transformations in print communication in the digital age see:  Ashton, D., Bower, G.J., Hollyman, S. and Pullinger, K. (2017) ‘Writing digital:  Practice, performance, theory’, Convergence 23(1): 3-4.

Habermas, Jürgen. 1989 [reprint] The Structural Transformation of the Public Sphere: an inquiry into a category of bourgeois society. Cambridge: Polity.  Calhoun, Craig. 1992. Habermas and the Public Sphere. Cambridge, Mass; London: MIT Press  Brouwer, Daniel. & Asen, Robert. 2010. Public Modalities: Rhetoric, Culture, Media, and the Shape of Public Life. Tuscaloosa: University of Alabama Press

Van Loon, Joost. 2007. Media Technology: Critical Perspectives. McGraw-Hill

References for recent work exploring conceptual transformations of cinema in the digital age:  Atkinson, S. 2015. Beyond Cinema: Emerging Cinema and Engaging Audiences. London: Bloomsbury Denson, S. & Leyda, J. 2016. Post Cinema: Theorizing 21st Century Film. Falmer: Reframe Books. Kim, J. 2016. Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age. London: Bloomsbury Koch, G. et al. 2012. Screen Dynamics Mapping the Borders of the Cinema. Columbia University Press

Sperb, Jason. 2016. Flickers of Film: Nostalgia in the Time of Digital Cinema. Rutgers University Press.

Auslander, Paul. 1999. Liveness: Performance in a Mediatized Culture. Psychology Press.   Crisell, Andrew. 2012. Liveness and Recording in the Media. Palgrave: Macmillan.  Scannell, Paddy. 2009. “Review Essay: The Liveness of Broadcast Talk”. Journal of Communication. Vol. 59 (4). E1-E6.

On the importance of the voice in audio media:  Kreiman, Jody. & Sidtis, Diana. 2011. Foundations of Voice Studies: An interdisciplinary Approach to Voice Production and Perception. John Wiley & Sons.  Mottram, Christine. 2017. “Finding a pitch that resonances: an examination of gender and vocal authority in podcasting”. Voice and Speech Review. Vol 10 (1). 53-69.  Neumark, Norie., Gibson, Ross., and Van Leeuwen, Theo. 2013. VOICE: Vocal Aesthetics in Digital Arts and Media.  MIT Press Scholarship Online.

McCracken, Ellen. (Ed) (2017) The “Serial” Podcast and Storytelling in the Digital Age. London and New York: Routledge.

*Taken from Kestrels - S/T. Release Date - September 30, 2016 on Sonic Unyon Records*

Recorded by Alex Bonefant at the Dreamhouse, Toronto, ON
Additional recording by Chad Peck at the Potential House, Halifax, NS
Mixed by Brad Wood at Seagrass Studio, Valley Village CA
Mastered by Hans DeKline at Sound Bites Dog, Los Angeles, CA

Chad Peck - Guitar/Vocals
Paul Brown - Drums/Percussion
Devin Peck - Bass

All songs written by Chad Peck (SOCAN)
Management: Omar Husain // Safe in Sound - safeinsoundmgmt@gmail.com
Publicist - Amanda Dissinger // Terrorbird - amanda@terrorbird.com

kestrels.ca
facebook.com/kestrels
twitter.com/kestrelshfx
instagram.com/kestrelsband
www.sonicunyon.com/

Kestrels - Waiting

09 - Germaphobes - Heavenly Hash

"Queens" is taken from La Sera's new EP, Queens, out now!

Download: http://plyvnyl.co/LaSera-Queens

La Sera - Queens

Villagers Remix of Participant's Your Better

Mastered by Richard Dowling at Wav Mastering.

Your Better - Villagers Remix

Your Better -  Villagers Remix

Part one of our panel discussion hosted by the Film Society and Film Quarterly exploring film’s histories and futures in times of fascism, dictatorship, and moments of stress.

--Moderated by critic and Film Quarterly Editor B. Ruby Rich--
PANELISTS: 
- Walter Bernstein, Academy Award Nominated Screenwriter (The Front), Author of Inside Out: A Memoir of the Blacklist
- Natalia Brizuela, Associate Professor, UC Berkeley (Department of Spanish & Portuguese)
- Ruth Ben Ghiat, Cultural critic and Professor of History & Italian Studies at New York University
- Michael Gillespie, Associate Professor of Film in the Department of Media and Communication Arts and the Black Studies Program at the City College of New York
- Imani Perry, Princeton University, Hughes-Rogers professor of African American studies at Princeton University
- Susana de Sousa, filmmaker
- Beau Willimon, screenwriter, playwright, producer
- Angela Zito, Associate Professor of Anthropology, Religious Studies

Photo by Jean-Philippe Voiron.

#122 - Film & Media in a Time of Repression (Part 1)

Knowing Sounds is an experimental podcast exploring the possibilities and outcomes of using the podcast medium as a creative practice underpinned by conceptual thought to produce and disseminate academic research. The podcast, which more specifically can be defined as an audio essay, is split into three sections. The first is an experimental collage of music, dialogue and sound effects from a selection of films interwoven with excerpts from audience members who attended The Cinematologists live screenings. It is designed to open up questions as to the potential for a sonic landscape to tap into the ‘cinematic imagination’ without the use of images. We thus play with aural engagement creating a space for the listener to actively negotiate the binary between the abstract emotions and intended rational meaning inferred through listening. The second section is a spoken analysis of the potential of podcasting as an academic form exploring how the mechanics sound production and dissemination in the digital age can challenge the powerful logocentric link between knowledge and writing. We also interrogate the structural formation that, paradoxically, has given rise to the ubiquity of podcasts in mainstream culture but has undermined its potential development. Furthermore, interweaving illustrative references, we analyse specific film podcasts and how they utilise a developing grammar of sonic writing to expand cultural discourse. The final section brings together other contributors to the journal of disrupted media practice commenting on their alternative methods of production and exhibition aimed at unsettling assumptions about the relationship between practice and theory.

The Cinematologists

Episode 32: Knowing Sounds: Podcasting as Academic Practice

We’re kicking off series 2 with a series of podcasts looking at how to put people back into planning. We will be exploring everything from cultural immersion and new research techniques powered by data to the impact of semiotics, and the uses and misuses of Big Data to understand what makes people tick. For our first episode, we spoke to Dougal Shaw. 

A Cambridge graduate, Dougal joined the BBC as a researcher and trained himself to become a new breed of journalist, one whose primary tool is his mobile phone. We thought Dougal would make a perfect first guest not only because he interrogates and immerses himself in modern culture but also because his unmediated relationship with his subjects can teach us about new techniques of observation and insight discovery. Finally, we also enjoyed his frank musings on popular and digital culture and we hope you'll find those valuable too.

Dougal Shaw | APG Podcast | Episode 8

Welcome to Filminist Pod, a new intersectional film podcast featuring conversations with women and non-binary people in film hosted by me, New York City-based journalist and social media strategist, Alyssa Klein.

For our first-ever episode, I spoke with actor and activist Piper Perabo about playing and becoming a badass woman DJ on her new Netflix series with Idris Elba, "Turn Up Charlie", what it actually means to be a jury member at the Tribeca Film Festival, what the heck a down-ballot race is and why it's so damn important, Rocky and Bullwinkle and much, much more.

Tune in and look out for more episodes coming very soon!

With filminist pride,
Alyssa

Click here to read a transcript for this episode: bit.ly/Ep01Transcript

Episode artwork by Jenni Holtz | @queerxoh
 
This episode features music by:
Resistance Revival Chorus — "You Don't Own Me"
Charlie AYO aka Idris Elba — "L.U.V (feat. Shaznay Lewis)"
 
Get involved with:
Tarana Burke's Me Too Movement: metoomvmt.org
TIME'S UP: timesupnow.com
The International Rescue Committee (IRC): rescue.org
The Hometown Project: thehometownproject.org
Untold Stories — Tribeca Film Festival: tribecafilm.com/attuntoldstories
 
Watch & listen to:
Politically Re-Active Podcast: politicallyreactive.com
Turn Up Charlie on Netflix (2019)
Lost and Delirious (2001)
Imagine Me & You (2005)
hey! dw & That's My DJ: soundcloud.com/heydw_x
 
Follow Filminist Pod on social media:
twitter.com/filministpod
instagram.com/filministpod
facebook.com/filministpod
 
Follow Piper Perabo on social media:
twitter.com/piperperabo
instagram.com/piperperabo
facebook.com/piperperabo

Filminist Pod S1

Ep. 1: Piper Perabo

"For Intelligent, Informed Cinema Debate, The Cinematologists Are Hard To Beat" - Mark Kermode

Episode 32: Knowing Sounds: Podcasting as Academic Practice

The Cinematologists

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