Name: Prelude 3 in 17-tone Well Temperament (clavichord) by neilthornock
Duration: 1 min 10 s
Description: Tuning consists of eight fifths tuned to 708.771c on the sharp side (resulting in a pure 9/7 third) and eight fifths tuned to 704.337c on the flat side (resulting in a pure 14/11 third). Similar to 17edo but with more harmonic resources. Created with PianoTeq.

Composed and played by We Free Kings (Christian Asplund, Erik Larson, Timm Tippetts), 2 March 2022, The Avant GaRAWge, Provo.

Jack

From the album, Nature Fancies for Children's Choir.

Dallas Grade School Choir

Stars

Tuning consists of eight fifths tuned to 708.771c on the sharp side (resulting in a pure 9/7 third) and eight fifths tuned to 704.337c on the flat side (resulting in a pure 14/11 third). Similar to 17edo but with more harmonic resources. Created with PianoTeq.

Prelude 3 in 17-tone Well Temperament (clavichord)

Snakeskin Demo

For pianos, muted and unmuted.  Performed by Peter Henderson and David Nalesnik for the 2023 Music at Maryville series.

Cusp

Sequenza I For Harmonics Guitar

Études d'exécution imminent (as it stands)

Recent Solo Piano Compositions by Keith Eisenbrey
March 24, 2018, 8pm
Chapel Performance Space, Good Shepherd Center, Seattle



10. Corollaries (Up's Up)

1.
2.
3.
4.
5.
6.
7.
8.

11. Ghosting Doubles (first sighting) (after Amy Denio)

10. Corollaries (Down's Down)

9. Second Thoughts
	               Aa
	            Ba Bb
	         Ca Cb Cc
	      Da Db Dc Dd
	   Ea Eb Ec Ed Ee
	Fa Fb Fc Fd Fe Ff

11. Ghosting Doubles (second sighting) (after Amy Denio)

10. Corollaries (Down's Up)

9. Second Thoughts
	Gb Gc Gd Ge Gf
	Hc Hd He Hf
	Id Ie If
	Je Jf
	Kf

11. Ghosting Doubles (third sighting) (after Amy Denio)

10. Corollaries (Up's Down)

"Ghosting" is composed by Amy Denio, © Spoot Music, ASCAP, and is used by the kind permission of the composer.

Etudes Recital 180324

I built the mbira and neodymium pickup used here. Underwound, low resistance single coil. 

Just a collage experiment...seems to have a good frequency response.

Steel Wound

Physically modelled performance (NotePerformer) 
Orchestral music in 13-limit just intonation
(3.3.3.3/4.3.3.1/bd.timp.harp/strings)

N.B. The very last chord is to be played "as long and accurate as possible", with multiple asynchronous reattacks in the brass and strings (in this version, there is a simple fade out due to the limitations of physical modelling etc.)

Prelude 3 in 17-tone Well Temperament (clavichord)

neilthornock

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