c'è in giro da tempo una nuova 'musica assoluta', astratta, che sta fra la cosiddetta 'ambient music' e la 'drone music', nei pressi dei cosiddetti 'soundscape' o, meglio ancora, degli 'innerscape' .. a volte ha tratti più 'cameristici', o addirittura per strumento solista, a volte è più 'sinfonica' .. a volte usa solo sonorità 'sintetiche', a volte invece anche strumenti 'tradizionali' .. ha antecedenti illustri, sia nella cosiddetta musica 'classica', diciamo storica, sia nella 'popular music' e nel jazz .. a quella soprattutto io guardo

https://www.facebook.com/notes/marco-lucchi/musica-assoluta/10155811583217624/

this monthly selection is dedicated to Don Cherry

"musica assoluta" (dicembre 2020)

Composed and played by We Free Kings (Christian Asplund, Erik Larson, Timm Tippetts), 2 March 2022, The Avant GaRAWge, Provo.

Jack

From the album, Nature Fancies for Children's Choir.

Dallas Grade School Choir

Stars

Snakeskin Demo

For pianos, muted and unmuted.  Performed by Peter Henderson and David Nalesnik for the 2023 Music at Maryville series.

Cusp

Sequenza I For Harmonics Guitar

Études d'exécution imminent (as it stands)

Recent Solo Piano Compositions by Keith Eisenbrey
March 24, 2018, 8pm
Chapel Performance Space, Good Shepherd Center, Seattle



10. Corollaries (Up's Up)

1.
2.
3.
4.
5.
6.
7.
8.

11. Ghosting Doubles (first sighting) (after Amy Denio)

10. Corollaries (Down's Down)

9. Second Thoughts
	               Aa
	            Ba Bb
	         Ca Cb Cc
	      Da Db Dc Dd
	   Ea Eb Ec Ed Ee
	Fa Fb Fc Fd Fe Ff

11. Ghosting Doubles (second sighting) (after Amy Denio)

10. Corollaries (Down's Up)

9. Second Thoughts
	Gb Gc Gd Ge Gf
	Hc Hd He Hf
	Id Ie If
	Je Jf
	Kf

11. Ghosting Doubles (third sighting) (after Amy Denio)

10. Corollaries (Up's Down)

"Ghosting" is composed by Amy Denio, © Spoot Music, ASCAP, and is used by the kind permission of the composer.

Etudes Recital 180324

I built the mbira and neodymium pickup used here. Underwound, low resistance single coil. 

Just a collage experiment...seems to have a good frequency response.

Steel Wound

Vanessa Pettendorfer: organ -
Bruno Gussoni: shakuhachi -
Mastering: Alexey Mikryukov

Vanessa Pettendorfer & Bruno Gussoni -  neiger à gros flocons

Bongore

Marco Lucchi : toy harp and Juno synthesizer

1 dicembre 2020

***

Our share of night to bear -
Our share of morning -
Our blank in bliss to fill,
Our blank in scorning -

Here a star, and there a star,
Some lose their way!
Here a mist - and there a mist -
Afterwards - Day!

Emily Dickinson

toy harp n°20 (+ Juno koto)

a rework from Pete Swinton of a track previously released by Marco Lucchi and M.Nomized

for "piano patterns" vol. 2, a project by Marco Lucchi
https://soundcloud.com/marcolucchi/sets/piano-patterns-vol-2

dicembre 2020

Marco Lucchi, M.Nomized & Pete Swinton - n°12

Verset - 1

Physically modelled performance (NotePerformer) 
Orchestral music in 13-limit just intonation
(3.3.3.3/4.3.3.1/bd.timp.harp/strings)

N.B. The very last chord is to be played "as long and accurate as possible", with multiple asynchronous reattacks in the brass and strings (in this version, there is a simple fade out due to the limitations of physical modelling etc.)

PER (2018-20)

"I'm a mellow artist, aging 67. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Verset - 1

neilthornock

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