DVRK

Rainbow

After a 12-year gap since the release of two albums and two Eps, Linda Mirada presents her new album ‘Qué largo es el verano’. Featuring a collaboration with North Satellite, production and mixing by Metro Area’s Darshan Jesrani, contributions from Bart Davenport and Daniel Collás of the Phenomenal Handclap Band.
Linda Mirada’s new album got off to an unforeseen start a few years ago when she proclaimed - “I’m going to record a record in Italian”.  To this day that idea has still not been carried out, but her first record in twelve years has since materialized. It doesn’t feature a single song in Italian, but it breathes the spirit of the early 80s pop in southern Europe with flashes of Italo disco.
The idea of recording an LP was born from a conversation with Daniel Collás that opened an unexpected door. What began as an exchange about musical affinities activated the need to reignite old ideas that had been put aside. The vertigo of composing and recording music gave way to the pleasure of working on songs. Time in the studio, collaborations and stories that grew as they came into contact with melodies were all guided by intuition, fertile disorder and the complicity of those who crossed paths in the process, plus a few coincidences. The result is a sensational collection of songs that moves between intimate hedonism and gentle melancholy. There are echoes of the most sophisticated sounds of the 80s, the candor of early electropop, influences of Mediterranean pop and splashes of disco. All with a fresh look, without indulging in nostalgia or clichés.
‘Qué largo es el verano’ is an album made with joy and care. It channels Mirada’s influences into songs that shine with their own light. These seven tracks – plus a PHB Dub - crystallize a very personal way of understanding music as an everyday space, where the production is not the main focus, but with an intention in each note and in each chosen sound. This album brings Linda Mirada back to the forefront of a little-trodden but necessary territory; that of Balearic pop made with sensitivity and elegance. And the single in Italian is sure to come one of these days.

🛒: https://lindamirada.bandcamp.com/album/qu-largo-es-el-verano
youtube: https://youtu.be/xv8pAoT5Lcc

https://soundcloud.com/lindamirada

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PREMIERE | Linda Mirada - Obstaculo

Daniel Avery - Noches de Cactus #224 in colaboration with Zero Nine Magazine

The man, the myth, the legend and big influence to Blank Wave: Alessandro Parisi is an Italian electronic musician from Pordenone - also known as Hesperius Draco and involved in many projects such as Sacrestia del Santissimo Sangue and Dynamite Winter Palace, describes his musical style as “Esoteric Disco“. 

Influenced by baroque and romantic classical music, Mr. Parisi has created a blend of retro future and dark ritual electronix sound with references to past civilizations, spiritual harmonies and ancient sacred mysteries with a post-punk touch. Right on time for halloween comes guest mix no. 114! 

PS: This 2h masterpiece has been live recorded at the Synthetic Reality night, March 29th 2024, at OT301 in Amsterdam.

Follow: @alessandroparisi

Artwork: @silent-shouts



Blank Wave Guest Mix 114: Alessandro Parisi

Cat Gadget explores electronic music of the past decades. Her vinyl sets cannot be reduced to one genre, but are often characterized by Italo sound, driving EBM beats and spherical synths. Since she started collecting records early on, it was only a matter of time until she found herself behind the decks. Since 2018 the Graz-based DJ ist part of Grrrls DJ Crew.  https://soundcloud.com/cat-gadget

IM 127 MIX: CAT GADGET

Machine Cult — the Amsterdam-based electronic platform run by Déandrah and Garçon Taupe — returns with the Edition Four release party at OT301 on 7 November.

The new V.A. compilation features tracks from Garçon Taupe, Bertram, 2:29, Beau Wanzer, Déandrah, and Masha Wordpress. At the launch, all contributing artists will play DJ sets, with Déandrah providing live visuals throughout the night.

Expect an evening of potent electronics and immersive visuals, celebrating the forefront of the underground.

Every motion leaves an echo.
A delay so small it feels like memory,
folding back into what made it.

Some parts of us cancel out — out of phase, out of step —
while others ring louder,
resonant at their point of friction.

The closer we listen,
the more we hear the shape of time itself:
not in repetition, but in resistance.

Turn the gain high enough,
and every system sings its own name.

Nothing moves forward without delay.
Every signal returns amended,
shifted by experience.

What we call resonance
is simply agreement through distortion —
a frequency where return and loss sound the same.

Civilization, too, is a filter:
attenuation at the edges,
a boost where the noise gathers.

Push the circuit far enough,
and even silence begins to oscillate —
slightly altered, slightly late.

The self is a comb filter —
a body made of delays and reflections.

What we say
returns a few milliseconds later.
At low frequencies, we disappear;
near our cut-offs, we bloom.

Maybe living
is just tuning the loop
until it almost sings itself apart,
but not quite — building toward a new sta

https://machinecult-amsterdam.bandcamp.com/album/edition-four
https://soundcloud.com/bertram-croes
https://soundcloud.com/machinecult_amsterdam

PREMIERE: Bertram - Aguanile feat. Fien [Machine Cult]

Facets' "Sonic Ocean" EP on Slovenian label KRI Records deliberately excavates the raw spirit of late ’80s New Beat and EBM for a modern audience. The New York-based producer, also the force behind Samo Records, channels this gritty energy into a contemporary club context with striking precision. His four original compositions rest on a foundation of stripped-down, muscular rhythms and tense, wiry electronics that lock together with industrial purpose. This compelling core work is then amplified by powerful reinterpretations from two distinct voices: the Midas touch of Marcello Giordani and the punishing approach of Broken English Club, resulting in a formidable and complete parcel.

Premiered here, the Alter Ego Mix of the title track by Marcello Giordani is a masterclass in controlled escalation. The Italo Deviance maestro wraps the original's EBM menace in a cloak of psychedelic texture, introducing a relentless, squelching acid line that acts as the track's throbbing nervous system. Around this core, Giordani weaves sharp fragments of Techno and Trance, not as mere decorative elements, but as structural reinforcements that build a palpable sense of anticipation. The calculated intensity of the track is broken by intermittent vocoder passages. The robotic interjections cut through the mix like coded transmissions, offering brief, melodic respites before the driving rhythm reclaims its dominance. It’s a mix that maintains a formidable dancefloor focus while adding layers of cosmic intrigue, proving both functional and fascinating.

You can find (and buy) this and other music pearls on the Bandcamp page of the label: https://krirecords.bandcamp.com/

Follow @facets-music, @marcellogiordani and @kri-records, peeps!

PREMIERE820 // Facets - Sonic Ocean (Marcello Giordani Alter Ego Mix)

DC Promo Tracks #1767: "Fog Frog Green" by Aroma Von Troisdorf is part of the release "Blaumilch" on R.i.O. Label @riolabel  

Pre-Order: https://riolabel.bandcamp.com/album/aroma-von-troisdorf-blaumilch 
Release date Nov 21 2025

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🎶 More Promo Tracks: https://www.dreamchimney.com/promo
📻 Dream Chimney Radio: https://www.dreamchimney.com/radio

instagram.com/dreamchimney • https://dreamchimney.bandcamp.com • twitter.com/dreamchimney

⭐ More Dream Chimney: https://www.dreamchimney.com ⭐

DC Promo Tracks: Aroma Von Troisdorf "Fog Frog Green"

https://soundcloud.com/sonambient https://soundcloud.com/salgarirecords
🛒 https://sonambientmusic.bandcamp.com/album/dryland

Dryland is an album born during an unexpected return to the artist’s roots, in the Friulian countryside: the tracks took shape while alternating with long walks along the grava—the vast stretches of pebbles typical of the North-Eastern plains. In this landscape, only seemingly arid and dry, water flows invisibly underground, only to resurface with power in spring. The pieces of Dryland mirror the nature of those places: solid rhythmic structures, drawing on dembow and reggaeton beats, yet crossed by currents of ambient atmospheres, distant and liquid melodies flowing between kick and snare. The result is a suspended balance between danceability and dreamlike suggestions, between bursts of enthusiasm and shades of melancholy.

Sonambient is the alias of Andrea Buzzi, a producer originally from Friuli and now based in Turin. His sound blends UK Bass, distant dub echoes, and shifting ambient noises. The project was born in 2012, and since then he has performed across Italy with live sets and DJ sets, released music, and collaborated on installations, performances, and sound projects. With the Stasis collective, he curates events that merge club culture and audiovisual experimentation. In 2024 he launched MAREINTERNO, a live series dedicated to intimate forms of ambient music. Over the years, he has brought his sound to various festivals and contexts, including C2C, SYS Palermo, TUM, Kernel Festival, Vorspiel/CTM Festival – Berlin.

Tracklist:

1. Sonambient - Sueltate
2. Sonambient - Requiem for a Beam
3. Sonambient - Haría 
4. Sonambient - Mayo
5. Sonambient - Memory Box
6. Sonambient - Calima
7. Sonambient - Un Rumore Familiare
8. Sonambient - Grava


PREMIERE: Sonambient - Requiem for a Beam [Salgari Records]

Long-time NuNorthern Soul contributor, B.J. Smith is a man in demand, dividing his time between solo work, playing guitar in Crazy P man James Baron’s popular JIM outfit, collaborating in a variety of well-regarded projects (Smith & Mudd, Bison and White Elephant amongst them) and composing for TV. Due to this impressive list of musical commitments, solo releases have been few and far between of late, with Smith’s most recent NuNorthern Soul release, a stripped back version of his Big Sur single, dropping late 2023.
It's been ever longer since he delivered a volume in his popular and ongoing Dedications To The Greats series, where the singer-songwriter and composer successfully turns his hand to other people’s songs. Since debuting the series on NuNorthern Soul in 2013 via revelatory and inspired covers of tracks by Mos Def and the Pharcyde, Smith has covered cuts by Outkast, Prefab Sprout and Soul II Soul.
On volume four, Smith’s first volume in the series for five years, he delivers a “cover of a cover” – a revolutionary and imaginative interpretation of Billy Swan’s ‘Don’t Be Cruel’, itself a version of a song first made famous by Elvis Presley. It was their mutual love of Swan’s version that brought Smith together with the release’s most prominent guest artist, Joe Harvey-Whyte, whose lilting, bittersweet and deeply emotive pedal steel performances can be heard across the EP.
Smith provides three contrasting takes. The EP is led by the ‘Mother Earth’ version, a slowly unfurling epic in which waves of effects-laden pedal steel and sun-splashed picking acoustic guitars usher in Smith’s eyes-closed vocalisations, settling into a groove reminiscent of his collaborative work with long-time friend and collaborator Paul ‘Mudd’ Murphy that showcases Harvey-Whyte centre stage to joyful effect. As the 14-minute epic progresses, we’re treated to long, languid electric guitar solos, percussion-laden slow-motion builds and hazy, stretched-out organ solos. It’s a breathlessly brilliant concoction that’s a million miles away from either Swan or Presley’s versions.
In contrast, the similarly epic ‘Earth Heart’ version – available in full vocal and instrumental takes – pushes the song front and centre. Following an extended build up, where Tamar Osborn’s gorgeous and fluid flute motifs rub shoulders with languid guitar solos and Harvey-Whyte’s pedal steel, Smith takes to the mic, delivering an emotive performance of the song’s heartfelt lyrics over a hushed, slow-motion groove. The track builds in waves as it progresses, with Smith layering up instrumentation as it rolls towards a fine conclusion.
Completing a superb package is the ‘Root Heart Instrumental’, a Balearic-meets-Americana take built around shuffling drums, toasty bass guitar, extended pedal steel instrumentation, flashes of flute and Smith’s sun-bright acoustic guitar. Loved-up and more than a little saucer-eyed, it’s a bona-fide sunset delight. 

🛒: https://bj-smith.bandcamp.com/album/dedications-to-the-greats-four-dont-be-cruel-featuring-joe-harvey-whyte-2
youtube: https://youtu.be/peIHOphoaHo

https://soundcloud.com/nunorthernsoul

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PREMIERE | B.J. Smith - Earth Heart Version (Tamar Osborn on Flute)

Pensamentos mecânicos is the third track on Marcela Dias Sindaco’s third release on the Oklahoma City label Fixed Rhythm, a full-length 2xLP of her characteristically magical electro. You can hear her influences (Detroit techno, kosmische synth travel, electro, etc.), but she distills it all yet again into something completely her own. Hypnotizing electro made on warm machines with her sung/spoken Portuguese woven enchantedly throughout…truly sublime listening. 

Follow
https://soundcloud.com/fixedrhythms
https://soundcloud.com/marceladiassindaco

Buy
https://marceladiassindaco.bandcamp.com/album/electro-tropical

BANDCAMP

NEW HIT: Marcela Dias Sindaco - Pensamentos mecânicos [Fixed Rhythms]

Detach

Project Spectre - Simple Question (Vox Mix)

Forthcoming on Nein
Permanent remake and remodel Freb Berthets Tri - Bal 


Fred Berthet - Tri Bal - Permanent Wave Remake

UK based Label run by Tronik Youth 
to send demos/promos email tronikyouth@gmail.com
For Tronik Youth DJ bookings contact 
tronikyouth@gmail.com

Project Spectre - Simple Question (Vox Mix)

NEIN RECORDS

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