Live perfomance, Belgrade SKC (08.10.2021.)
31st International Review of Composers

Nemanja Egerić, piano
Vladimir Korać, electronics

Luigi Nono: ....sofferte onde serene...

Nemanja attracted serious attention with integral interpretation of Messiaen’s Vingt regards sur l’Enfant-Jésus, whose perfomance was the first among the Serbian pianists. That brought him several important awards such as: Award for the best artist of the year (UMUS); Award for the best concert of the season of the Serbian Academy of Sciences and Arts, Award from the Fondation Ivan Jevtić and Award Nevena Popović for the most significant artistic achievement. Besides artistic honors, he recevied many awards and Laureates within traditional and contemporary piano competitions such as Reconstruction, ULJUS, Davorin Jenko, Klavitas, INSAM and many others.
	Nemanja appeared on many international festivals such as Bolzano Bozen festival, Lucern Piano Festival, Мusica al Ponte, International Review of Composers, Piano City, NIMUS, CONVIVIUM MUSICUM, BLISS, BUNT, ect. Nemanja’s programs are mostly made from traditional and contemporary works, and his every concert has its own meta-musical concept. In 2022 he recorded an album with previously unrecorded works of avant-garde composer Joel Chadabe within the fondation Electronic Music Foundation in New York. Nemanja made many (national and world) premiers of modern and contemporary composers such as Georg Fridrich Haas, Olivier Messiaen, Luigi Nono, Luciano Berio, Karlheinz Stockhausen, Jonathan Harvey, Edison Denisov, Ivan Fedele, György Kurtág and many others. 
	Nemanja studied with pianists such as Bruno Canino, Emanuele Arciuli, Stevan Spalević, Misha Dacić and Maja Rajković. He also got his doctoral degree (DMA) in 2020, and his thesis is about symbolic explications of Messiaen’s Vingt regards sur l'Enfant-Jésus. Nemanja collaborates with esteemed pianists and professors such as Peter Hill, Momo Kodama and Pierre Sublet. He is a docent, teaching Piano Literature at the Faculty of Arts of the University of Nis. 
Born in Trstenik in 1991, Nemanja started exploring music through alternative genres, sound art and composing, while he fell in love with performing classical music only towards the end of his regular studies. He is most interested in newer musical trends, and his repertoire is often made up of traditional and contemporary composers – where through the clash of aesthetic differences one could seek several faces of one artistic truth.