Exploited Body - When My Darkness Came To Light

Following releases on Posh Isolation and Northern Electronics, Exploited Body returns to his label Changeless to present his ambitious debut album 'When My Darkness Came To Light'.  
  
'When My Darkness Came To Light' is a subdued yet unrelentingly volatile record that examines the inescapable parallels of his depression and life as a black person. On his first solo release since 2019's 'Touching Without Feeling', his signature blistering distortion is contrasted with delicate melodies and heart-wrenching compositions that are at once deceivingly captivating and staggeringly harsh.  
  
’When My Darkness Came To Light’ will be released 9th April via Changeless.  
  
The album is written, produced, mixed and mastered by Noah Kin and features artwork by the visionary LA-based mixed-media artist Jesse Draxler and photography by Changeless affiliated Helsinki-based photographer Helen Korpak.

@exploitedbody

When My Darkness Came To Light

Exploited Body - Still Life

Track Premiere: Diagnostic @janrobbe & @aetherealarthropod - PSXLM(Psalms To The Forgotten)
Read more: https://paynomindtous.it/diagnostic-aea-relic/ 
Artwork by FRAMEofMIND http://frameofmind.be/
***
Diagnostic and Æthereal Arthropod are two of the main players in the contemporary industrial, experimental, and noise scene in Europe, the former being one of the projects of the Belgian sound/graphic designer Jan Robbe (UndaCova, Atomhead, Erratic), and the latter being the moniker of the Spanish musician Nestor Peixoto Aballe, who responsible is for some of the harshest outings in the post-club community such as the releases on Genot Centre, Quantum Natives, and many more.

Their artistic relationship dates back to at least 2016 when Nestor's Hydra's Amaranthine Invigoration two-tracker saw the light on Entity Records, an mp3/ogg netlabel co-founded by Robbe together with Nico De Gols that was born on the ashes of the previous incarnation Tinnitus (reportedly dead in 2003 because of a server problem). Three years later, in May 2019, the two musicians spent a few days together at Robbe's place in Deinze, Belgium that ended up in several minutes of collaborative material which has since then been shaped up in their first record together, called RELIC and out on Friday, May 7th (#BANDCAMPFRIDAY!) on the artists' Bandcamp pages.

Mastered by GianMaria Dell'Aera at Dadub Studio, RELIC collects the results of multiple sessions of modular improvs and vocal fx recording that have been manipulated over the course of the next two years in the shape of a chimeric, alien flow of sound, all wrapped up into 5 track with ominous titles such as Eternal Return of the Derelict Species, The Detrimental Axis of Brutalism, etc. The record lives out of the overlap between Robbe's of radical, harsh industrial music and Nestor's beastly, grinding vocal tracks. As reported by the authors themselves, the work has been shaped around the envisioning of a long-lost, advanced extraterrestrial civilization destroyed by the magnitude of an extinction-level event, and the effects of said terror on the inner functioning of the few survivors' psyches.

Diagnostic and Æthereal Arthropod indulge in the evocation of obscure back-to-primitiveness rituals by means of guttural vocals, and oscillating infra-bass tides while simultaneously infiltrating into the mangy remainings of the inhabitants' sense of being via piercing, blade-sharp noise bursts. Today, we're glad to present you a 5-minutes excerpt out of the EP, namely the third piece called PSXLM (Psalms to the Forgotten), which represents the no-return point inside the alien ceremony that will take you to decaying landscapes of distorted fear.

Diagnostic & Æthereal Arthropod - PSXLM(Psalms To The Forgotten)[PAYNOMINDTOUS Premiere]

B2 track by @isak-hansen-213823504, taken of his closing album in his trilogy "Chapter Three, Tears of the Phoenix".
Order: https://strangetherapy.bandcamp.com/album/chapter-three-tears-of-the-phoenix

Continuing his very personal brand of modern noise music, this chapter contains total annihilation, fragmented and broken imperfect glimpses of violated structures. Brutal vocals muse on post-modern social and human drama - reaching droning undertones and convoluted distortions in an experimental yet coherent path full of corrosive but engrossing elements of despair.
___________________________

Format: 12" vinyl, cassette and digital
Release date: 15/05/2022
Mastering: Peter Peter

B2 Iron Sight - A Kiss So Wet [ST016]

NURSE3D releases four select tracks from their live performance at Berghain for CTM Festival 2022 as a new EP titled ‘Wych’.

Follow NURSE3D:
https://www.instagram.com/nurse3d_
https://nurse3d.bandcamp.com/
https://www.youtube.com/@nurse3d_

Splinta

Bottomfeeder

Clown

Blue Lip

@dm_sounds
The 27th release of katharsis is the album “Alien Implants” by the Siberian artist and composer Dmitri Mazurov. Throughout the 9 tracks and 77 minutes of the album, the listener is submerged into a haunting maze of mystifying experimental electro-acoustic sound portraying distant conspiracies of another time and place. This almost paradoxical juxtaposition of classical instruments with elements from contemporary electronic music is quite novel to katharsis, but fits perfectly with our vision of showcasing the multifaceted emotional and expressive properties of music.

The album starts harshly off with a flow of rocks, stones and underwater gurgling on the intro track “Burevo”, before a flooding of more delicate but yet restless sounds on “Mimicry” performed by Kymatic Ensemble, who are also featured on the evocative title track “Alien Implants”. This expressive focus is vivid throughout the whole album, but especially on tracks like “Hauntology” performed with novel techniques on the accordion played by Roman Malyaykin, or on the archetypical crying of a guitar played with a comb on the track “Weeping”. The whole thing is concluded by an alienesque communication on the track “Morphing”, which is premiered with the announcement of the pre-order.

Alien Implants

Morphing

premiere: Dmitri Mazurov - Morphing

Miasma Jester is Lizzitsky’s second EP on Gabber Eleganza’s label Never Sleep. Recorded in Uruguay, London and Venezuela using cassette, modular synths, laptop and various acoustic instruments. It takes in elements of power electronics, throwbacks to 90’s harsh noise, ambient improv, hardcore and 00’s London sub bass pressure. Several tracks were recorded in the now abandoned Elephant and Castle shopping complex, a grim goodbye to childhood spots visited with South American family. London based artist Sarah Khan (ICA New Contemporaries), collaborates on Black Phlegm, with her spoken word driving 160bpm bursts of noise, infra-bass and textured cassette melodies. Miasma Jester follows a fragmented trajectory through IDM melodies, broken dancehall, Thunderdome kicks channeled through max/msp glitches - before collapsing in on itself. Danish vocalists MC Pusher and Sgabe deliver cracked and redlined vocals over 165bpm drones and atonal string arrangements on Usenet Suic Pac, with more pensive, ambient moments via You Can’t Say Hello Without Saying Hell’s decayed 8bar grime nods and Carbroke House’s gloomy ambient dirge.

NSR012

Lizzitsky - Miasma Jester

IVORY BLACK - ANOINTMENT OF THE SICK

Track by @martyyna-1 from Eco Futurism Corporation's new compilation "ВЕЧНАЯ ВЕСНААААА (ETERNAL SPRING)" that will be released 24/03.
eco-futurism-corp.bandcamp.com/album/ete…al-spring

artwork credits Eco Futurism Corporation
follow @eco-futurism-corp

BUY WITH MONEY

PREMIERE ❋ MARTYYNA—RAINDROP COUNTING

out on https://soundcloud.com/saldefete
From the Ep La Chambre Éclatante
https://saldefete.bandcamp.com/album/la-chambre-eclatante

artwork et mastering : www.instagram.com/gaspard_hers/

Cravers

METAMORPHOSIS ONGOING, PLEASE DON'T TOUCH

PREMIERE ❋ MARTYYNA—RAINDROP COUNTING

NEMESIS

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