_electronica(part III)

Кругом16 — Десять тысяч лет (demo 07 2021)

01 Sonder

This album refers to the mythology of crossing water spaces, liminal travel, which is always associated with risk, uncertainty, being in a borderline state between lost yesterday and unimaginable tomorrow.

In the interpretation of the Moscow Noise Manufactory, this is not so much a movement from coast to coast, but a dive, as if the ship was leaving through the surface of the water, turning into a submarine — through the luminous twilight, through currents and densities, to the very bottom. A session of deep introspection retold in the language of drone ambient and noise improvisation, it depicts the experience of revising internal cartography without guarantees of finding the desired points, a census of losses and possible finds.

The recording was based on an improvisational performance of the association at the cultural center Dom on August 28, 2021, as part of an event organized by Mist Crossing Division. For the group, it became an important point of internal synchronization and orientation in the collective unconscious. There is a feeling that in 2022 the heuristic and therapeutic potential of this entry has only grown: it is not possible to find the outlines of new shores without looking inward and revising inner maps.

Participants: Exit Rain, Hermetism, Old Moss, Athialowi, [ bɔː ], Wave Resistance, Egor Efremov, Accasari, t_error 404, Datura Metel, Cotton Rust, Quefear, Acanto, Droning Room, [3 вложения].

Post-processing: Gleb Ardab'ev
Mastering: Nikita Vasilenko
Design: Mileo
Photography: evacaat

Московская Шумовая Мануфактура — Сны Прибрежных Вод

Primitive rhythms and forward-thinking beats from @ewo_collectif's Verveine & Toé, recorded at La Vallée Électrique 2022 - held by @melifera_records.

Find out more about La Vallée Électrique 2023 here: www.facebook.com/events/701348184836980

MNMT Recordings: Verveine & Toé — La Vallée Électrique 2022

The voice from the box said, "What if the ultimate border situation between garbage and art is actually laughter? (...) The literal yoga of excrement (排泄物的瑜伽), a coprolitic essay on how we, as listeners, encounter 'objects of fear,' process them, and transform them into sound. It's 石头 in our ears."

I said, "But 'for our purposes,' it seems to me that 'just a lonely voice' is needed."

Onufr Gaptev said, "For those who take a vow of silence, any word is shit compared to the name of God, and they remain silent, avoiding soiling their mouth with this shit. However, this contemplative silence, if it intensifies, inevitably breaks down. It reveals that the unspeakable name of God is precisely that: shit. And this is just the beginning. Shit was needed for the emergence of man. Thus, God humiliated Himself in His secret name. It is lower than incarnation, lower and more shameful than anything else. There is nothing beyond this to elevate. And so, man rises, stands up — thanks to God."

Someone said, "There's this evil engineer who invents 車 whose purpose is to suffer. Like that fucking synthesizer made from cats that scream in pain when a musician presses the keys, but this 車 is automatic and extremely durable. And civilizations change, they die out, but the 車 keeps suffering. Eventually, the sun goes out, planets cool down, but the 車 keeps flying in space and suffering. And who the hell knows how much longer it will fly and suffer. And who the hell knows if anyone will learn about its torment, and if they do, will they understand that what this 車 produces is agony?"

She said, "The relentless pursuit of infinite sonic experience in 'Can Stones..?' reminds me of Deleuze's words: 'We need to believe in the world we're becoming.'"

Epitemei said, "That's when I felt like I needed to do something. It was a pleasant idea, it made me very happy, but when I stood up, I realized that I did it all in vain because I didn't feel anything anymore. Then, when someone put their hand on my shoulder, I thought it was my mother, and I opened my eyes. It was a doctor, and he said, 'Here's a pill for you' — and gave me a pill. And then I realized that I was still having a convulsion — what I was trying with my hands — I know, not with my hands — what, what? — to touch."

Trash bin and its invariant production 0-0

Mastering: Myrrman

lmnt.space/scum/

Buy = Support DIY

Noūm - Can Stones Evade Taxes - 03 Bromalite

To complement the Confront The Serpent EP from Reeko for Samurai Music, Juan has put together a podcast that expresses his vision of the 170/85 bpm tempo, weaving his own tracks around favourites from other artists and tantalising us with new loops from him in the tempo. 

Reeko - Confront The Serpent [SMDE33] is out now on Marbled 12" and Digital 
- https://reeko-mdisorder.bandcamp.com/album/confront-the-serpent

https://www.instagram.com/reeko_mentaldisorder/

Confront The Serpent

Subscribe

Reeko - Samurai Music Official Podcast 58

Phase Fatale offers a mix for Awakenings showcasing his way into peak-time techno.

Berlin via NYC DJ and producer Phase Fatale (resident at Berghain Berlin & Khidi Tbilisi) has been turning heads with albums and EPs on Ostgut Ton, Jealous God over the last few years, in 2023 he is celebrating the 5th anniversary of his label BITE with a very special programme of releases, starting with his first solo EP in 5 years out in March and followed by a 3x12”, 18-track compilation with most iconic artists from the industrial/post-punk-tinged techno scene Silent Servant, Ron Morelli, Ancient Methods, Terence Fixmer, Reka, Pablo Bozzi and many more. Phase Fatale and BITE have become a key referent and tastemaker of this scene shining a light on new talent and supported by the established. He has also remixed The Soft Moon to release on the legendary label Sacred Bones. Phase Fatale is having a relentless tour in 2023 with lots of BITE label showcases through Asia, Australia, Europe, US and South America.

WWW.AWAKENINGS.COM​

► FOLLOW US
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Upcoming Awakenings Events:
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Phase Fatale's social links:
Soundcloud: https://soundcloud.com/phasefatale
Instagram: https://www.instagram.com/phasefatale/
Resident Advisor: https://ra.co/dj/phasefatale

Awakenings Podcast S268 - Phase Fatale

VINYL pre-order: with outtakes cassette (non-album tracks exclusive to this tape) and immediate digital download of the album. Ships before release date.
http://www.stonesthrow.com/store/album/dntel/human-voice

Human Voice is out World Wide Sept 23rd on Leaving Records

Dntel - Ashby

At the heart of this mix lies the authentic Ukrainian folk polyphony, painstakingly researched and astonishingly performed by the Drevo ensemble. I put it into the broader European context, complementing it with unconventionally raw Early Music recordings by Graindelavoix and Ensemble Organum, as well as some helpful bridging-the-gap digressions, like traditional Sardinian polyphonic singing by Tenores de Oniferi, eastern orthodox hymns brought to life by the Kyiv Chamber Choir and recent renditions of the Ukrainian baroque partes-songs by the Partes Ensemble. 
https://www.nts.live/shows/shape/episodes/shape-heinali-28th-january-2024

Shape: Heinali 280124

NEN unveils the second record by the mysterious Dreg K project... The listener will easily recognize themselves in this music: its protagonist is an ordinary modern city dweller who wanders within the fortress walls, while a psychotronic Lord bathes him or maybe her in radiation from beyond the Karman line. The release exudes a nearly major key, brimming with greater cohesion and burlesque flair.

A cassette version will also be available later.

Recorded in Belgrade, Digimedia, March 2024.
Mixed and Mastered by Goran Crevar.
Photo Artwork by Meković Emilija.
All Compositions, Versification and Instruments by Vinka Mrtvaluć.

Support DIY

Dreg K - Puparium

Available on 12" soon from all good record shops.

Champion + Four Tet - Disparate (TEXT039B)

。「mantra」

Aphir closely follows the release of her 2017 album ‘Twin Earth’ with a new, non-album cut, ‘Can’t Comfort’ backed by remixes from Provenance label mates, KAIA and Arrom.

On ‘Can’t Comfort’ Aphir notes: “I feel that a lot of people, young women especially, are taught that sometimes you have to exhaust yourself looking after other people before you're allowed to look after your own needs, and this song is a rejection of that”.

‘Can’t Comfort’ is available via Bandcamp, iTunes & Spotify.

Can't Comfort

APHIR 'Can't Comfort' (PR011)

Download 'Relief' - a 16 track mixtape on Bandcamp  - https://kwantus.bandcamp.com/album/relief

The Wolf

Loss is the theme that unites the participants of this split. Savage Cult (Rennes, France) considers it in a mythical way. The archetypal story of an exiled king who lost his throne and Kingdom is told through cinematic ambient and tribal techno. German Army (San Bernardino, USA) continues its exploration of endangered cultures and languages, capturing them in ethnoise collages. Reference to the internment of the Japanese Americans during World War II, which resulted in 120,000 people losing their home, is an unplanned but appropriate rhyme with the first side of the split. Despite the difference in sound strategies of the participants, this album is an integral journey into the realm of the reflective nostalgia.

SIde A recorded by Savage Cult
Side B recorded by PK and NH in the San Gabriel Valley. "Thanks San Gabriel Valley for raising us, entertaining us, and feeding us."
Mastered by Myrrman
Artwork by Ivan Napreenko and Evgeniya Belyakova
Design and layout by Murad Ibatoullin

@savagecult
@german-army

Savage Cult - Blood In The Throne Room

Genre-agnostic label in exile. Music with a displaced center of gravity. Online and on cassette tapes.

Savage Cult - Blood In The Throne Room

NEN Records

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