THE MOJO MACHINE
Wunderlich means time traveling in sound. Based on highly esoteric Arcturus tubes from 1932, this one-off experiment is an epitome of vintage vibes and old-school tones. Its unique sound profile grows from the offbeat topology and components of the analog hardware prototype developed exclusively for this plugin.

BACK THEN
The harmonics living inside the age-old Wunderlich tubes appear incredibly rich and authentic, coupling the drive stage and the variable mu compressor for inspiring interaction in between saturation and dynamics. A classic EQ stage provides excellent tonal balance and shaping, while the Travel control takes you from now to then in just a second.

FLUX RECAPPED
Wunderlich is a tone marvel for creating all kinds of exciting patina and lo-fi textures – a stunning mixing tool for providing that old character whenever a track requires it. Beyond that, it shines as a creative playground for exploring venerable styles: Instant Motown, true analog vibes, vintage mojo galore... beautiful things are going to happen.

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WUNDERLICH

Full-on Drive, a touch of compression in Medium mode to emphasize the attack phase, some Low/High boost, and the Mix at 70% for an extra beefy yet stable sound.

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Amplified Bass

Some equalization, compression in Slow mode, and a dose of Drive to gently clip the signal… here we go.

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Hiccup Beat

The Travel control and the filters are key parameters to time traveling… Just add a touch of compression and bon voyage!

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Percussion Buss

The simplicity of tone shaping combined with elegant dynamic control in Slow mode for a bigger sounding and resonating synth.

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Synth Buss Shaper

Low and High boost plus soft clipping and compression in Medium mode for an even punchier bass synth!

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Bass Synth Booster

Careful EQ tweaks enhance the tone, supported by the magic combo of soft clipping and compression in Medium mode. The result is mixed in parallel with the original signal.

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Big Live Drums

Travel at 90%, extra tone shaping with Low/High filters, a bit of extra THD and some compression in Slow mode for a real vintage lo-fi vibe.

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Horns & Strings

80% Travel, hefty shaping with both EQ bands, some Drive and compression in Fast mode to make the sound of this piano match its musical style.

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Rag Time Piano

The kick receives its own Wunderlich treatment with 65% Drive, extra Lows and Highs with a touch of compression in Slow mode, all mixed 50/50. The rest of the beat is also processed in parallel, with 90% Travel, Low/High boost and some compression in Fast mode.

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Subby Beat

Some extra THD, a bit of compression in Medium mode, and a fair amount of Low/High boost is a good recipe for a loud and punchy beat.

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Funk Avenue

The combination of Travel at 85% and High boost set the tone, while Drive and compression add the final touch to this aged rendition of a modern picture.

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Vocal Mojo

… can sound even dirtier! The first example uses plenty of Drive, 5-6 dB of compression in Fast mode, some Low boost and only 20% Mix to achieve an extra level of tasty destruction. The second example increases to two instances. The first one is set for heavy tone shaping with Travel at Max, 6 dB High boost, a bit more lows, 70% Drive, and lots of compression in Medium mode. The second instance adds the icing on this tastefully tortured cake with even more soft clipping (Drive at 50%) and an extra low end turbo.

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Dirty Drums

A little goes a long way for this electric guitar. The Wunderlich soft massage consists of some extra THD, mellow compression in Fast mode and 2 dB High boost for an overall weightier and more controlled tone.

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Trippy Electric

The beat is processed with 85% Travel, max High boost and some lows for a different tone, then softly clipped and compressed in Fast mode. The electric piano is shaped differently with lots of compression in Slow mode and extra lows, plus more highs to increase its presence and impact.

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Groovy Wurli

Excessive tone shaping with the onboard EQ, a fair amount of saturation, Travel at max, and some compression in Medium mode to make this Harp sound like it was recorded 70 years ago.

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Blues Harp Vibe

Low and High boost are essential to achieve the presence this track is in need of, but the process wouldn’t be complete without a bit of soft clipping and compression (Medium mode). Only 45% of wet signal in this case to achieve the perfect balance.

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Folky 2 - Buss

At NEOLD, we create unique analog audio machines from ultimately rare NOS components. These exclusive one-offs are then modeled to become truly outstanding creative plugins for your DAW. Based on our passion for vintage topologies, we also love to breathe exciting new life into classic analog masterpieces.