Let me show you my reconstruction of one of Mr. Paul Hayes' bytebeat.
y(t) = (t&(t>>6)+(t<<((t>>11)^((t>>13)+3))|((t>>14%64)+(t>>14)))&(-t>>5))
where
& = bitwise and
| = bitwise or
^ = bitwise xor
>>, << = bitwise shift aka multiply by 2, 0.5
% = mod

Source: http://entropedia.co.uk/generative_music/

Hayes' Bytebeat Music

In my last post you could listen to a "conventional" bytebeat music by Paul Hayes. In this music I used the same formula with no arity two but with arity three. So it is a ternary extension of that music. You can call it ternary music which is not binary. However I keep the term of non-binary for non-constant arity. Thus at constant arity I declare what arity it is, otherwise I name it non-binary. If I say nothing about arity, it must be binary.

Ternary Hayes-music

Here is the palindrome edition of Woland's theme from Master And Margareta the film directed due to the book of Mihail Bulgakov. It was a natural music, then I made it the first palindrome music!
Palindrome means if you reverse it, you get itself or another meaningful thing.
For example the holocene date 12021 is a palindrome which was a year ago. This word bob is also a palindrome. So is this music. Just try it: reverse the music, and you will get literally the same back.

The First Palindrome Music

Do you remember my first palindrome music? In fact, that was just a warm-up. Here is the dual sound coming which would be also a palindrome - not in time but bit-layers, so-to-say in depth.
This construction includes two sounds: a Wagner one you are being able to listen, and another one to listen to, you have to reverse the bit-layers: to take the lowest bits to up and vice versa.
Good luck!

The First Dual Sound

In this trilogy I would like to show you some bytebeat is written by Mr. Viznut. My source is Herr Kragen's GitHub repository:
https://github.com/kragen/viznut-music
You can find more sounds and music here.

Viznut's Bytebeat Trilogy - Part II

Viznut's Bytebeat Trilogy - Part III

Viznut's Bytebeat Trilogy - Part I

Wellcome to Xorter's trimension, again!
I developed an old bytebeat function to this trimensional fun with my own tritwise functions:
y(t) = xorter(andter(t*orter(t*3**8,t*3**9),andter(46,t*3**8)),andter(t,orter(t*3**13,t*3**6)))
Just enjoy and chill!

Fractal Chill from my Trimension

Ave, Xorterians!
My function is:
y(t) = (t^(2*t))*(t>>11&t>>8&123*t>>3)

Another Fractal Music with Function

The formula of the bytebeat on Greggmans.com:
(3e3/(y=t&16383)&1)*35 +(x=t*"6689"[t>>16&3]/24&127)*y/4e4 +((t>>8^t>>10|t>>14|x)&63)

The less smart formula I used in my python script:
(3000//((t&16383)+1)&1)*35 +(t*int("6689"[(t//16384)&3])//24&127)*(t&16383)//40000 +(((t//256)^(t//1024)|(t//16384)|(t*int("6689"[(t//16384)&3])//24&127))&63)

Source:
Greggman's Github:
https://github.com/greggman/html5bytebeat
Greggman.com:
https://greggman.com/downloads/examples/html5bytebeat/html5bytebeat.html

Greggman's Great Bytebeat

Let me improve you making the xoration of notes of musical compositions makes sense. And the same time let me show you my xored Christmas music.
By this method you can generate a newer one from a masterpiece. The result with my techniques is really noisy but at least you can hear something melodic out from it. The new melody and the new notes are highlighted and not the intensity of the noise. Try not to focus on that.
The method is about having pairwise xoration of parts of the music, or reverselly: its xorchain. These parts should be own parts in the notes, too. Thus if you xor by hand in the note, you will get the same but without noise.
This is my gift to humanity for this Christmas! Enjoy!

Merry X-Mas!

This is a cover of Für Elise with my xorchain and pairwise xoration method. The new composition is called Für Inrebise and sent to one of my niece who turned 7 in this month.
Happy Birthday, little Amazon!

Für Inrebise

It is a cover of an old marsching song by my xorchain and pairwise xoration method. I send it to one of my niece turned 5 last month.
Happy Birthday, my another little Amazon!

Riding Centaur in Lilith's Garden

This is my newest cover of Radetzky March (Johann Strauss). Can you recognize it? Of course not, because it is a new melody xored out by my xorchain and pairwise xoring method.
A new music resembles me the good old days of the Pleistocene era.
Enjoy and happy new year of 12023!

Back to the Pleistocene Garden

Worse Road - Trace on zeneSIG

In the world of digits, there are so few attention on trigits. In other words the concept of duality is such strong that it is hard for us to move and see the extensions from duality to triality or any nonconventional base/arity.
In my scientific (art)works I try to get closer to understanding the essence of the non-binary/non-dual entities. The first thing we meet in the industry of sound is the so-called algorithmic music or mostly the Bytebeat music. Some will not call my artworks musics but sounds - they might be right. But as the prophet of the modern music I am predicting something based on AI and non-binary "bytebeat" constructions.

Xorter

Popular tracks