Iii. Dungeon of Versailles

Carona regis Signum tui morbi Cor aureum
ex argilla
Vulpes pullus
Sedet in sella
qui potest esse liberus
Solus in silvis,
sub alta terra,
Et meum odium tecum moriatur


The crown of the king
A symbol of your disease A heart golden
Made from clay
A wolf, dark
Sits on his regal throne
Who is able to be free
Alone in the woods
under the deep earth
And my hate with youwill die.

Dungeon Of Versailles (NEON HEAVEN Excerpt)

iii. Phosphorescent Flame

Nubes crinium lucem excludant
Cave flammam,
Placet tibi nigram mortem stillare in cor. quā caelum ardēbit.
Currūs igneī terras ardebunt,
Flamma caerula fiat,
Et erit caeca bonis.

The clouds of dust the light they will shut out
Beware of the flame
It pleases you that the dark death drips into your heart By which the sky will burn
Chariots of fire the earth they will burn
Flame blue it will become
And It will be blind to good men.

Phosphorescent Plague (NEON HEAVEN Excerpt)

NEON HEAVEN
Everything we do is for the purpose of altering consciousness.

Inspired by mood, atmosphere, and cinematography from the likes of David Lynch’s, Twin Peaks , Jodorowsky's Holy Mountain and Nicolas Winding's, Drive and Only God Forgives, Composer Nathan Felix set out to capture a hypnotic melding of colors and music for his choral symphony, Neon Heaven. Felix trekked through Mount Qingcheng in Chengdu, China for 8-months, writing daily as the mountains revealed echoes of monastic liturgy that provided his soundscape.

Recording then took place over a 5-day period in an abandoned warehouse in East Austin in the hot summer of Texas. Without air-condition and little light, the performers ascended to hallucinogenic levels of expression. Sounds on the record evoke a wide range of feelings, at times hinting of a dark Mendelssohn with other moments sitting in pockets with pop sensibilities.

Felix debuts, Neon Haven, at SPOT Festival in Denmark with conductor Mathias Sørensen and the Aarhus Studiekor.


The Sword & The Throne (NEON HEAVEN Excerpt)

NEON HEAVEN
Everything we do is for the purpose of altering consciousness.

Inspired by mood, atmosphere, and cinematography from the likes of David Lynch’s, Twin Peaks , Jodorowsky's Holy Mountain and Nicolas Winding's, Drive and Only God Forgives, Composer Nathan Felix set out to capture a hypnotic melding of colors and music for his choral symphony, Neon Heaven. Felix trekked through Mount Qingcheng in Chengdu, China for 8-months, writing daily as the mountains revealed echoes of monastic liturgy that provided his soundscape.

Recording then took place over a 5-day period in an abandoned warehouse in East Austin in the hot summer of Texas. Without air-condition and little light, the performers ascended to hallucinogenic levels of expression. Sounds on the record evoke a wide range of feelings, at times hinting of a dark Mendelssohn with other moments sitting in pockets with pop sensibilities.

Felix debuts, Neon Haven, at SPOT Festival in Denmark with conductor Mathias Sørensen and the Aarhus Studiekor.

Phantasmagoria (NEON HEAVEN Excerpt)

i. Love Song for Anitae

Carissima meae vitae, 
Accipe meas manus 
Claude tua lumina 
Dede te
Tangēo te
Tangēs me 
deseramus lustremus 
novas vias Una
ad aeternum
Tuā formā
Habeō fidem
Habeō spem
Carmina Dulcia Anitae 
maria navigemus tempestatas 
toleremus Sequamur
 ignem caelestum 
Nostra fides dux sit
Veni sub ponte mecum
Sol Cum altissime surgat
et conveniamus
antequam deseramus
Permittas me 
ponere oscula in pedibus Inde valeamus
Lunā amnes adlucente 
adfulgenteque tua lumina


Love of my life 
Take my hand 
Close your eyes 
Surrender
I feel you 
You feel me 
Let’s run off 
And get lost 
Together Forever
All of your beauty
Brings me faith
Gives me hope
A love song for Anita

We can sail the seas
Fight through the Storms
Let us follow the fire in the sky
Faith will be our guide
Meet me under the bridge
And when the sun is at its peak
And unite as one
And before we leave
Let me kiss your feet
And share our goodbye
With the reflection of the moon on the water Illuminating your eyes

Amor Dei (NEON HEAVEN Excerpt))

ii. Harmonious Harlot

Basium corvi pestilentiam
fert.
In tenebris
cantamus
clamamus
Carissima meae vitae, Dede te Amor timorem
Sense
Tibi sumus venturi. (x3)
Dei Ignis ignis mortis ardēte!
Timorem
Salvēte!
Rex peccatorum,
Peccatum caede! perde!
Ululamus Caritas Dei
mortis,

The kiss of a crow plague
it brings
In darkness
We sing
we shout
Love of my life
Surrender my love
fear
Feel
for you, we are about to come Gods of fire
fire of death
burn!
Fear
be well!
King of sins,
Sin of death
kill!
be destroyed!

Harmonious Harlot (NEON HEAVEN Excerpt)

NEON HEAVEN
Everything we do is for the purpose of altering consciousness.  

Inspired by mood, atmosphere, and cinematography from the likes of David Lynch’s, Twin Peaks , Jodorowsky's Holy Mountain and Nicolas Winding's, Drive and Only God Forgives, Composer Nathan Felix set out to capture a hypnotic melding of colors and music for his choral symphony, Neon Heaven.  Felix trekked through Mount Qingcheng in Chengdu, China for 8-months, writing daily as the mountains revealed echoes of monastic liturgy that provided his soundscape.  
 
Recording then took place over a 5-day period in an abandoned warehouse in East Austin in the hot summer of Texas.  Without air-condition and little light, the performers ascended to hallucinogenic levels of expression.  Sounds on the record evoke a wide range of feelings, at times hinting of a dark Mendelssohn with other moments sitting in pockets with pop sensibilities.    

Felix debuts, Neon Haven, at SPOT Festival in Denmark with conductor Mathias Sørensen and the Aarhus Studiekor.

Neon Heaven

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