LOL! Claire d'lunatic, hehe. Very cute! I love how it feels like you've enjoyed improvising a bit. Just begs for a bit more "you", if you know what I mean.

hey, welcome back! great to hear stuff OSC veterans :)

That's quite a big soundscape for a single instance.  Good work

Never thought I'd be listening to something like Gymnopédie in this OSC! Played with a lot of restraint!

How can this be ? You think of Yngwie  and end up playing like Ryuichi Sakamoto ?  xD   And quite well too, though I think subdued nature of the music is somewhat at odds with the rather big bright sound in places. Well played ! And a nice chord to end.

Single instance entries always get extra respect from me!  Very nice sound and nice composition -the very open feel of the piece fits the patch very well.

One Synth Challenge #139: Fury-800 by Full Bucket Music

Miss Cmy - Hard Reflections

Angel Garcia - Re - Doble (Original Mix)

Tigers (2017)

https://www.youtube.com/watch?v=_Bofhg8ZnPM

Coastline

Drive

Here's excerpts of some unique recordings I made with a pair of Aquarian hydrophones. I was walking along the Onkaparinga River close to a fence line boundary when I passed what sounded like a pure wave. I realised this was coming from a fence post resonating from the vibration of fixed wires. I pressed my ear to listen closer. It sounded amazing! 

I didn't have any clamps to fix contact mics to the wire, so I decided to bury a pair of hydrophones at the base of two fenceposts. I positioned them so that they were flush and lightly making contact with the base of the post. Both resonances had fundamental frequencies of approx. 360 Hz, with a partial occuring at approx. 420 Hz when the wind picked up and articulated the wires.

I then decided to explore this further by examining the surrounding fenceposts. Excerpt 2 is one of the initial fenceposts with another fencepost that presented a more complex resonance (423 Hz, 637 Hz, 720 Hz).

Excerpt 3 is another set of fenceposts which were far more subtle in resonance, but prone to perculiar artefacts, which (at this stage) I'm attributing to the wind and movement of sand around the base of the posts.

Excerpt 4 was at a point where the posts produced very complex resonances, and it became apparent that these were not so immediate, but rather, derived from activity occuring 50-100 metres along the wires. (the soft tapping you can hear is raindrops hitting the post, wires and sand.)

Any feedback/insight into these recordings would be greatly appreciated! Thanks, TLR.

Fenceposts and wires resonating, Port Noarlunga - Oct 2018

Introvertia

Amnesials

foreign key

This is my submission for this month's One Synth Challenge organized by KVRAudio forum. I have used 6 instances of Full Bucket Music's Fury 800 VST to create this track in its entirety. Details of the FX used are given in the competition thread at the forum.

For your Ears Only EP

Lament of the Fallen

dorayaki - Ramp

My entry into the competition, an attempt to write music in the style of Berlin electronics. This synthesizer stirs up nostalgic memories of the 80's!

Vov4ik - Last Minute - (OSC 139 Fury - 800)

17 Instances of Fury-800. [I should learn how to spell Crystalline too ;)]

Shifrin - Crystaline [OSC #139]

Made for the KVR forums One Synth Challenge round 139 using a single instance of full bucket music's Fury-800.

Additional info:
https://www.kvraudio.com/forum/viewtopic.php?p=7884421#p7884421

Fury-800:
https://www.fullbucket.de/music/fury800.html

About the challenge:
https://sites.google.com/site/kvrosc/osc-139-fury-800-by-full-bucket

mehum - Relis Döh Fackin Fjöri

Join the challenge by going here: https://shorturl.at/bhBFQ

mehum - Relis Döh Fackin Fjöri

mehum

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