just incredible guitar playing .. do you have the fishman tripleplay by chance?

Great job: the mix of the guitar sounds and the well done delay is for me a good ear catcher. Well done and good luck in the challenge:)

Hmmm...a lot of enjoyable things in this song. I like the composition, some coole sounds, very relaxed atmosphere. But somehow i still get the feeling that something is missing, even though i can't really figure out what it is. Anyway it's a very good entry that could be an excellent one with some improvements here and there.

One Synth Challenge #100 - Lord of the Springs

Miss Cmy - Hard Reflections

Angel Garcia - Re - Doble (Original Mix)

BDave - River 3

Stats

Cubase 7
6 instances of LordOfTheFlies

FX Used

Cubase Compressor
Studio EQ
Cubase Limiter
Limiter6

Wagtunes - Drunk On My Ass (OSC 100)

Made for KVR OSC #100
FL Studio 12.3
8 instances of Lord Of the springs
DAW FX's:
1x Fruity Limiter
3x Fruity Stereo Shaper
2x Fruity Prarametric EQ 2
4x Fruity Reeverb
1x Maximus
Other FX's:
4x Amplio 2

Cave (Lord Of the springs)

Eastern Driving

Entry for One Synth Challenge #100.
All sounds made with Lord Of The Springs synthesizer.

More info about Lord Of The Springs:
http://www.taron.de/Storage/vst/webpage.htm

About OSC:
https://sites.google.com/site/kvrosc/osc-100-lots

Project file (Reaper):
https://www.dropbox.com/s/bkacboj1haojd50/mehum%20-%20spring%20cleaning.RPP?dl=0

mehum - Spring Cleaning

Tigers (2017)

https://www.youtube.com/watch?v=_Bofhg8ZnPM

Coastline

Drive

Here's excerpts of some unique recordings I made with a pair of Aquarian hydrophones. I was walking along the Onkaparinga River close to a fence line boundary when I passed what sounded like a pure wave. I realised this was coming from a fence post resonating from the vibration of fixed wires. I pressed my ear to listen closer. It sounded amazing! 

I didn't have any clamps to fix contact mics to the wire, so I decided to bury a pair of hydrophones at the base of two fenceposts. I positioned them so that they were flush and lightly making contact with the base of the post. Both resonances had fundamental frequencies of approx. 360 Hz, with a partial occuring at approx. 420 Hz when the wind picked up and articulated the wires.

I then decided to explore this further by examining the surrounding fenceposts. Excerpt 2 is one of the initial fenceposts with another fencepost that presented a more complex resonance (423 Hz, 637 Hz, 720 Hz).

Excerpt 3 is another set of fenceposts which were far more subtle in resonance, but prone to perculiar artefacts, which (at this stage) I'm attributing to the wind and movement of sand around the base of the posts.

Excerpt 4 was at a point where the posts produced very complex resonances, and it became apparent that these were not so immediate, but rather, derived from activity occuring 50-100 metres along the wires. (the soft tapping you can hear is raindrops hitting the post, wires and sand.)

Any feedback/insight into these recordings would be greatly appreciated! Thanks, TLR.

mehum - Spring Cleaning

mehum

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