Compilation of unreleased gems

Enjoy & share !

Punch Out

The emerging elements of deep house and melodic pop music has been attracted a big variety of listeners since many years. We think it is the emotions that this blend of music is able to trigger with its authentic and smooth beats and the strong melodic messages in the synth lines and, often times, the catchy vocals.
A perfect example for a catchy dance house track is the latest tune from ELAZION who features the singer OKAFUWA to create a powerful dance anthem for your playlists and radio shows but also for your warm DJ sets. Check o=it out and fall in love with the music, just as we did.
https://www.facebook.com/EnormousChills/
https://soundcloud.com/enormouschills

Oh My Love

Elazion feat. okafuwa - Oh My Love (Original Mix)

AFFKT - Tarambana (Kramek Remix)

Poet Jay Deshpande recites this poem inspired by verbal description techniques. 

"Changeover" is written after the museum’s one-of-a-kind “changeover” process when visitors can witness a new exhibition take shape while the previous one is deinstalled.

Access a digital copy of "Changeover" in its original format on guggenheim.org/poetry

Transcript
Jay Deshpande: Hi, I’m Jay Deshpande, and I’m reading my poem “Changeover.”

i. Removal
When you visit you watch six people, from on high, wind their way down the spiral ramp. At first all you can see, all that matters, is the heads and shoulders, the rest hidden by a wall. Turn after turn, the long arc of the journey. Some going forward, some walking back. How careful the sidling. They do not speak. As they weave closer, make room for the curve, you see what’s between them: a long wooden crate, laid flat and held at waist height. Their feet turning slightly in adjustments. First come the heels of those who take the front. Past others packing parts away, beginning to dismantle, again, some unspeakably fragile thing. Past others measuring. Consulting plans. Looking at the oculus. The six people are still moving. It can look like a dance at first, their unspoken knowing just how to work the great space between them. Wordless intimates. It starts to build a choreography of family. Down the ramp, around the bump-out, almost there. The surprising ungainliness of gathering, fit around a final corner. Bringing down the prone tower like some ancient rite. The presence of the work. All twelve of their feet still moving. The object sacred and forgotten. The carrying that becomes the point.

it
matters How
we
make
and
take
away begin
Again
to
Build
the
r ising tower of
the
work

ii. Renewal
Close your eyes. Call this sound empty museum. Not silence—it is insect-lush, a firmament. A jungle of presence: each pressure matters. How air sounds on the concrete ramp, spiraling a quarter mile up. Or a clap becomes resonant with weight, heard as if through a wall of water. A car horn makes one sound outside on Fifth Avenue; then it’s mottled by pavement, buffeted, churned through the revolving door and splayed across the rotunda like an opened bag of ash in sunlight. In the emptiness, when the art is taken down, in the hush between exhibits, the museum laps like waves on a faraway shore. The bending walls and tilting floor begin to be lavish with the water-weight of echo. You are in the womb of it. Fetal listening. Again, the body that your body wades in calls from all around you. A voice drawn out long and flensed of highs and lows: just timbre, endless, sourceless, washing up to the sides of your head. Somewhere in the sound, closer or farther you cannot tell, people still are working. Building, watching. Murmuring over a blueprint. Snapping on a safety glove to touch the edge of a canvas frame, raising it off its mount. In the towering emptiness, five short plugs of a drill somewhere, a blunted stack of periods, come to join the orchestration. You hear all of it, how can you not, in the thickened wet tent your being makes, vibrant in the work.

About this poem: When I visited the Guggenheim during changeover, my senses were incredibly stimulated by all that was happening around me—happenings that were both a part of and apart from the regular experience of the museum. My approach to making this poem was motivated by the multifaceted process of changeover: the taking-down of deinstall, the placement of the packaged artworks on the rotunda floor, and then the erection of new work in a space that is continually the same and deeply changed.

Read more at guggenheim.org/audio

Initiative Website

Changeover by Jay Deshpande

Available now https://www.adsrsounds.com/product/presets/resonance-sounds-analog-pads-textures-samples-loops

Beautiful textures, pristine pads and the just endless atmospheric choices in between – this is what Analog Pads & Textures is all about. Resonance Sound has prepared this analog gem with the aim of delivering something well known, yet beautifully reinvented.

Listening to the demo you will instantly hear the magic happening when expertly combining the best of analog gear, sound design skills and a relentlessly musical approach. Just use the samples or choose MIDI instead and get creative.

Classic hardware such as the Roland Space Echo RE-201, Moog MF-108 Cluster Flux, Sherman Filter Bank, Erica Synths Fusion Box, Electron Analog Heat, and a slew of Chase Bliss effect pedals were used to refine these samples.

The MIDI files for each analog pads & texture loop are all included and can be purchased separately. The best option for anyone interested in creating their own loops using various hardware or software tools. With this, you have the most creative freedom. These distinct loops can be customized to your liking.

One of the sample pack’s standout features is the warmth that these sounds can add to the mix. For us analog synthesizers still make a difference. Allow us to persuade you.

PLEASE NOTE: No additional demo samples, such as drums, effects, or vocals, are included in the pack.


Pack Contents:

100 analog loops (126 BPM & Key Labeled)
100 MIDI files

24-bit WAV Stereo
MIDI Files 

Total Number Of Files:

200
1.51 GB

Resonance Sounds - Analog Pads + Textures

For those lazy Sundays in...

Tracklist

01 Robin Gutherie - Fireflies
02 Mark Gardener & Robin Gutherie - The Places We Go
03 Recoil - Allelujah
04 Blonde Redhead - Penultimo
05 Slow Skies - Ice Field
06 Electronic - Some Distant Memory
07 Carole King - So Far Away
08 Patrick Baker - All Those Yesterdays
09 Four Tet - My Angel Rocks Back & Fourth
10 The Durutti Column - Somebody's Party
11 The Upper Room - All Over This Town
12 The Smiths - There IS A Light That Never Goes Out [Take 1]
13 Gene - O lover
14 The The - Slow Emotion Replay
15 Interpol - Tidal Wave
16 Kitchens Of Distinction - Drive That Fast

Sunday Soundtrack [Some Distant Memory]

Pieces of Greece vol.5 by Various Artists:

On The Radar is our production series where MJM showcases entire albums feature producers that reside or are from a certain country. For this session we've reached out to some of our friends and favourites in the Greek beat community that have been on our radar, as we proudly present 'Pieces of Greece - On The Radar Vol.5'.

OTR#1 - Project Canada: http://bit.ly/OTRvol1
OTR#2 - Made In Germany: http://bit.ly/OTRv2
OTR#3 - Pardon My French: http://bit.ly/OTRv3
OTR#4 - Full English: https://bit.ly/OTRv4
OTR#5 - Pieces Of Greece: https://bit.ly/OTRv5

Pieces of Greece - On The Radar vol.5

Diary

CASSETTE ON BANDCAMP

Moderator - Diary | On The Radar vol.5

Matthew 6:24
“No man can serve two masters; for either he will hate the one and love the other, or else he will hold to the one and despise the other. Ye cannot serve God and mammon.

Mammon

StupidCupid (Prod.Wheybalone)

Under The Sock

DONQUIJOTRANCE

Contact/Booking :
thomnphs@gmail.com


<> Electronic/Club Music
<> Music Lover / Mood Changer
<> Paris.

Punch Out

Nephase

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