a collection of some of our favorite sounds.

nermond recommends

A short sample track from my new tape: http://theholocene.bandcamp.com/album/horror-scene. I like to think of it as a little chapter of an overall book. That's how I saw it when I made the album as I made each track consecutively over the course of two days.

I am a big fan of the homemade dreamwave and vapourwave tracks I've found on soundcloud and always wanted to make a kind of LoFi 80s noisy John Carpenter soundtrack type album.
I gathered samples from the distributor logos found at the beginning of video nasties, recorded on dodgy cassette and made some tape loops and chopped them up on the MPC500. I used the DM1 iPad drum machine to make a beat and basically played along with the sampler. I added a little bass after and recorded it all onto 4 track. (I used a lot of tapes!)
It's not my usual sound but I've been listening to plenty of horror soundtrack vinyl over the past few months and looking to go this way with the next load of music I make.
The equipment I use can be seen in the track photo.

More on this 95th Disquiet Junto project, in which musicians post recent tracks with the express purpose of getting constructive feedback, at:

http://disquiet.com/2013/10/24/disquiet0095-discussamongst/

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Horror Scene Dawn 2.3 [disquiet0095-discussamongst]

The opening drone comes from the an E350 modulated by MATHS, multiple rhythmic patterns are generated from a Rene sequencer and fed thru the Borg1 filter for that 'low pass gate' vintage sound while an FM'd Cyclebox provides various 'exclamations' as the suspense builds.

This piece was featured on Dan Burke's excellent "Patchworks" program on WNUR, 89.3 (Chicago area). The complete archived show can be heard here: 
http://www.mixcloud.com/soundoferror/patchworks-10-28-13/

Mastered by Tarekith at Inner Portal Studio

Clockwork Chaotica

This song, there is a new possibility of noise.

Light you can not see

Burn It Down

Wild Horses

Costs We Will Pay

Funeral of the feeling.
https://fagashrecords.bandcamp.com/

Beautiful dead thing

newcastle-upon-tyne 1997-98: 

"where children play" was originally a live improvised performance, involving an old Korg synthesizer, a set of decks (with an assortment of 12" vinyl) and an old amiga 1200 (and maybe some other things which i don't remember), in response to a friend's desire to have some accompanying music to his forthcoming art installation - something about the haunting absence of children where they once played...  

the original recording either remains in newcastle or is long gone.  however, using the same base melody, i've worked on this piece over the years - updating, re-starting, tweaking here and there, until it really was time it saw the light of day...

so, there they are - enjoy...



where children play

Tetsuo

I used loops 20. John Magill - Quark, Quark.... and 21.  Mattnix - Designs for Uncertainty at http://goo.gl/0s4WmM
they seem to fit together nicely.

I kept the foundational groovelock track unaltered and added 3 layers in Logic. One is a bass rhythm loop track made on the XR20 and then there is a Moog app loop track with a bit of pad and counter rhythm. The third track is not a loop but an extended solo on a GR guitar with some Live filters, this is the higher blippy sounds.
Not really groove unlocked, more like somewhat unhitched.

More on this 154th Disquiet Junto project — “Create a track from two locked grooves” — at:

http://disquiet.com/2014/12/11/disquiet0154-grooveunlocked/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image associated with this project by Risa:

https://flic.kr/p/7SVf4L




















Baryon Polystriate [disquiet0154-grooveunlocked]

Production chain: Senfsuck (intro beat/synth), moduS ponY (intro guitar), Schmaidl (strings), Carine de Kinsame (vocals), Yellow Salamander (ambient drone beat), moduS ponY (guitar + beat), Senfsuck (outro beat/synth)

thE "liE to be LoveD" title came from Kinsame's lyrics but an alternate title would be: "SenfsucK SandwicH with a mushY centeR"

"liE to be LoveD" (Senfsuck, moduS ponY, Schmaidl, Carine de Kinsame, Yellow Salamander)

Berry Flint (ft. Koira)

Türmusik

Rust

Linda

luminous stoned daze

mixed EP: 
bruceleitch.bandcamp.com/album/smoke-signals
split tracks EP:
swivelizedsounds.bandcamp.com/album/smoke-signals

hopalong horus heisenberg: 
@bruce-leitch


right at you_hopalong horus heisenberg & ηormaled __________smoke signals EP (description)

Another story for Grmblin-Kids (see description for: Storyteller") in two different languages: "grmblin" (told by Henry Koek)and a translation in "string"-language. It´s a part of the series "learning by dancing".
Vocal stuff by @henry-koek
censored by PoProPo

Lesson For Grmblin-Kids (including censored Henry Koek)

FAG ASH

presso 2maschiene2

harsh sounds, lofi dirt.
there are two of us.