This Is a Dream Remixes

Tiga VS Audion - This Is a Dream (Nocow Nite Mix)

Out now on Rekids: lnk.to/REKIDS187

House music legend Ian Pooley readies ‘Studio A Pt. 1’ for Radio Slave’s Rekids imprint this September.

Active since the early 90s, the German DJ/producer has released on the likes of Force Inc, V2 Records, and his own Pooledmusic, as well as remixing for the likes of Daft Punk, Deee-Lite, Carl Cox and many more. Here though, Pooley arrives on Rekids with his first ever contribution to the label, delivering three direct and grooving house tracks.

Leading the release, ‘Basic Juno’ sees modulating synth lines deftly placed around chunky drums accompanied by pulsing basslines and shimmering pads, before ‘Close Your Eyes’ brings a dose of trippy vocals and shuffling percussion amongst interplaying hardware for a punchy start to the B side. ‘303 (2 Bars)’ brings the release to a close with pounding drum machines, meaty acid lines, and blissful leads.

Ian Pooley

Close Your Eyes

Ian Pooley - Close Your Eyes

Vinyl available here --> https://bit.ly/3zjkt7N

JAKI005 B2 Camion Bazar YLB (Vinyl Edit)

One More Pad - (Joe Polar Remix)

Got U

Track available at Traxsource: 
http://www.traxsource.com/title/740868/acid-overlook

Acid Overlook

Ataxia - Acid Overlook

Get It

Herr Krank - Gros Kick Part II (2017 mix)

BUY HERE
--> https://romainplay.bandcamp.com/album/silent-bloc
--> https://www.discogs.com/Romain-Play-Silent-Bloc/release/13208231

Romain Play - PO/GO

Music : Kabylie Minogue 
Mastering : Mathis Kolkoz
Artwork : BnF - Collection Gentil 

Contact : kabylie.minogue@gmail.com

Kabylie Minogue - Pyjama Bazaar

Le son à 1000 balles - Meg

With early support from Maya Jane Coles, Andre Lodemann, Axel Boman, Robert Dietz, Serge, Mosca and many more.

Continuing the trend of breaking new artists, Klasse Recordings returns with a fresh new EP from equally fresh new artists. FJAAK are a three-piece production and DJ outfit hailing from Berlin. Young and full of energy these newcomers turn in a stunningly original and well-crafted EP that is well beyond their years.

The Remember Me EP kicks off with its title track, an all analogue journey into a trippy underworld of arpeggio basslines and wonky pads. Robotic voices boldly repeat refrains whilst synths fight for space over a cantankerous groove. The track drops twice with great effect, making a great use of space and suspense.

Small Gadget heads towards darker territories, sitting somewhere in between House, Techno and UK Rhythms the track builds itself around a huge pulsing bassline. Minimal in its construction, Small Gadget's strength lies in its functionality and those spaces inbetween the sounds. This is a guaranteed dancefloor destroyer.

Seven Miles High is the deepest of the three originals, warm pads and dreamy stabs create an intro that effortlessly transports the listener to a lowdown and nasty bassline. FJAAK once again utilize broken beats and off-kilter rhythms to their advantage, the resulting track is a fantastic mix of deep, raw and groovy elements.

It is with great pleasure that we welcome Clone Recordings regular Arttu to Klasse. The now Berlin-based Fin turns in two remixes for the Remember Me EP. Remix Number One is a blistering and fuzzy trip into the mind of Arttu and his synthetic friends, a detuned melody repeats over playful drum machine grooves whilst the original pads sit over the track. Remix Number One is available only on the KLS026 vinyl.

Arttu's Remix Number Two is a different beast altogether, aimed squarely at a deranged dancefloor somewhere in the future the track relies on the original's hooky melody. Arttu takes the original parts and mangles them together with distortion and hiss, shuffling snares and random hi hats create a manic groove that only the loosest can get down to.

Second up for the remix team is American producer and WT Records owner Willie Burns, Mr. Burns' work has recently been showcased on L.I.E.S, Clone and Trilogy Tapes and we're very lucky to have him on board for KLS026. Sounding like a long-forgotten Italo-Electro-EBM crossover hit, Willie Burns' re-works the arpeggios and vocals into a much darker and spooky direction....direct and straight to the point, the remix wastes no time getting stuck into the thick of it.





FJAAK - Remember Me

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

Ataxia - Acid Overlook

Nervous Inc.

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