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The Glitz are ready to start their journey towards the big “AXEN” album release in April, and they are starting it with a proper statement track. The first single “Dicktator” is a shot fired against the ambiguity of wealth, power and morality that seems to run through our societies. Western countries getting rich through selling weapons to war torn areas, then working against helping refugees who seek shelter. Politicians lying through their teeth in their hunt for more power. And it is just accepted. The irony of it all is poetically worded by the beautiful and fierce vocals of Fanny Winter, while Andreas and Daniel have created a monster of a song. A frenzy of groove, percussions and synths blend in the style of rough electronica. Like something you have never heard before, the track pushes forward, powerful and full of attitude. 

While the original is a masterpiece, the guys have also put their heads together to give us a version suited for the clubs. “Dicktator (Club Mix)” is as groovy as they come. Think beach house inspired but with a heavy hitting bassline, quirked synth elements and of course, the occasional vocal elements from the original. A bass heavy groove ride with smooth percussions perfectly suited for both those dark nights in the club as well as dusty afternoons on a festival dance floor. We are excited to see where this journey towards the new The Glitz album will take us. One thing is certain though, the first release hits the ground running and we know we are in for a treat!

Dicktator

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The Glitz - Dicktator (Clubmix)

Thank you all for being a part of my musical Journey and I love seeing you all at my gigs 😘😘😘

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Speed Up

Speed Up (Ben Sterling Remix)

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KinAhau - six-decade old conversation

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Back On 74- CJ. , Decker Rush, & Jon Milk remix (Free download)

Ricky Bobi - Esa Niña [SL]

Pean / You And I

You And I

Boris Ross & Baggi - You And I

Roll

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Get Yourself

Get Yourself (Radio Edit)

Leyo returns to Cécille & lays down heavenly, intricate house aesthetics across 5 track 'Circus' EP.

Read more: https://whenwedip.com/2025/04/premiere-leyo-cecille-records-circus/

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Premiere: LEYO - Hypnotize [Cécille Records]

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TB Premiere Hector Couto - Cami's House [Cecile Records]

One of Paris' most respected house music exports, Djebali makes his long-awaited label debut on Solid Grooves Raw with 'Limelight' to open May. Renowned for his warm, analog-heavy grooves and a deep-rooted dedication to the craft, Djebali has built a reputation as one of the city's most consistent and forward-thinking artists. A regular at iconic clubs across the globe and a prolific producer with a signature sound rooted in classic house sensibilities, his music speaks to both heads-down dancers and discerning selectors alike. 


With 'Limelight', Djebali brings his trademark swing and hypnotic flair to the table-melding stripped-back drum work, rolling basslines and subtle melodic flourishes into a release that's both functional and full of character. It's an expertly balanced record that captures the essence of his sound: groovy, refined, and built for the dancefloor.

SGRAW080 - Djebali - Limelight

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Premiere: Joey London Style - Strange Dream - Cuttin’ Headz

Up & Down Disco Tetris

Big Mama

CIC030 | Santy Perizzotti - Big Mama

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Maco - Krazy (Original Mix)

PAWSA back on Solid Grooves Records delivering the goods.

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RIDDEM

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

Boris Ross & Baggi - You And I

Nervous Inc.

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