A selection of tracks mastered by David Mackie Scouller at Dynamic Mastering Services www.DynamicMasteringServices.co.uk

Mastering by David Mackie Scouller at Dynamic Mastering Services

[www.Rnb-Nutte.in]

Technasia - Heart Of Flesh (Original Mix)

A1- It's The Inside That Counts
A2- It's The Inside That Counts (Instru)
B- Another 303 Groove

Photo by Romain Tauber

Making of video: http://youtu.be/Jwq70M3qI8s
http://www.facebook.com/philweeksmusic

Phil Weeks - It's The Inside That Counts (PW08) Teaser

Out Monday June 30!

Ian Pooley stormed the techno scene back in 1996 when his classic Chord Memory was first released on Force Inc. This powerful number left both Joris Voorn and Edwin Oosterwal awe inspired and they are proud to finally re-release it on their label Rejected. 

For this release Ian has created a stellar new mix alongside the re-mastered original. Renowned producer Reggy Van Oers' remix goes even further in this dynamic advance. A classic, revamped tune that will send every fist to the air, this EP package demands attention.

Supported by Laurent Garnier, Rolando, DVS1, Breach, Dusky and many more!

Ian Pooley - Chord Memory (Reggy van Oers Remix) (preview)

Available from:

Beatport - http://bit.ly/HOTC058_BP
Juno - http://bit.ly/HOTC058_Juno
Phonica - http://bit.ly/HOTC058_Phonica
Deejay (Germany) -  http://bit.ly/HOTC058_Deejay

Mark Jenkyns is back onboard the Hot Creations imprint, this time featuring vocalist MC Chickaboo. 12 Stories (Mark & Chris Sylvester) are on remix duty for their debut on the label, and what a killer release it is!

‘On Me’ oozes with funk, groovy basslines and sonic madness, perfect additions to the Hot Creations catalogue and proving each of the artists involved know exactly what works on the dance floor. Getting heavy support from Jamie Jones & Richy Ahmed & Lee Foss, it looks like another hot-hitter from Hot Creations.

Mark hooked up with MC Chickaboo in light of her legendary work she did with Ewan Pearson & DJ Wildchild.  MC Chickaboo is a female drum and bass DJ and rapper from London. In 2002 she shot to fame when her collaboration with Timo Mass went to number one on the Billboard chart.

12 Stories is the fresh duo Mark Jenkyns and Christopher Sylvester and they will be making their full debut on Hot Creations early this summer..


TRACK LISTING

A1. On Me feat. MC Chickaboo
A2. On Me feat. MC Chickaboo (Club Tweak)
B1. On Me feat. MC Chickaboo (12 Stories Remix)
B2. Like This

Mark Jenkyns Feat. MC Chickaboo - On Me (Skream Mix)

ULTIMATE AFTERBURNER 125 BPM

Missing you

Spring is finally here and that means it's time to Dance. The latest 8bit feature is packed with three groovin' cuts just waiting to take over the club. Miguel Lobo is back and once more adds pure quality to the catalogue. Renowned Hungarian talent Collective Machine also joins the party, adding his own touch on two of the tracks. 
Lets Dance EP is a collection of dance floor tested timeless tech tools that can spice up almost any set. 

So No More excuses, Vamos Willy and Move your Body!

Miguel Lobo,Collective Machine - Move Your Body (Original Mix)

M.E.N & THE ULTIMATE SOIND OF TRIBAL

ALTERNATIVE DOWNLOAD LINK: WWW.MIXCLOUD.COM/DJJUSTOLIVER

https://theartistunion.com/djjustoliver3rdofficial

JUST OLIVER COLLABORATION DRUMMNING OSCAR G SANTERIA TRIBAL TAMBORES

RUMBA PA OCHUM EN LA TIERRA DEL FUEGO

Oba F Lords & Rodrigo L - RUMBA PA OCHUN EN TIERRA DEL FUEGO (Just Oliver PROUD Santeria Tambores)

Flying High - Boys Noize 909 Rework

Byron Stingily - Flying High (Boys Noize 909 Rework)

It’s almost Christmas time and here, at elrow Music, we want to start the celebration with a big comeback to our releases ranks. Label boss and tech-house honcho De La Swing is back with a three tracker EP of two originals and one high rolling remix, by the one and only Mathias Kaden. ‘Everyday EP’ opens up with the title track, ‘Everyday (Original Mix)’, a track with a steady but soft percussion, a hip-hopish vocal line that sings about love, and a nice 90’s infused melody by the middle of the track, with an overall vibe that everyone associates with elrow and its parties. Then we have ‘Creeper (Original Mix)’, that opens with a swifter percussion and starts in full energy thanks to that exotic vocal line we hear in the back of the track. With FX coming and going, the synth treatment De La Swing uses is just mind-blowing and will make the crowd lose it in the middle of the dancefloor, making this carnivalesque track perfect for the busiest times in the dancefloor. Finally, closing the EP, we have Mathias Kaden’s remix of De La Swing’s ‘Everyday (Mathias Kaden’s Repitch Remix)’, in which the German producer twist the original track with a steadier and faster vibe, a bit harder, also distorting and playing with the vocal line and keeping the melodies, making it a more playful tune and fitter for peak times in the floor. Resuming, one huge delivery by the label boss De La Swing, that showcases his great moment, and an amazing re-interpretation by Kaden, who has perfectly understood what elrow Music’s line is all about. Merry Christmas Y’all!

Beatport

De La Swing - Everyday (Original Mix)

[BIRDFEED EXCLUSIVE] Happy New Year! Our resolution for 2018 is to give you one release a week exclusively to our Birdfeeders. We're kicking it off with an EP from Lucati, "Whistling Duck".

-How long have you been creating music?

I've been making music for 8 years. There's a certain moment when everything clicks, like your confidence in your music, your mixing and mastering. That happened in 2017.

-What do you use to make your tracks?

I lean Ableton, and only use arrangement view. Some of my go-to plug-ins are Massive, Serum, and the Waves Suite. I love sampling old records for kicks, vocals and basslines, helps me get the idea off the ground.

-How and when did you first discover Dirtybird?

I discovered Dirtybird when Mr. Spock by Justin Martin & Ardalan made waves. I ran a blog at the time and remember writing a full page review full of kudos and compliments on how brilliant that House track is. Hooked ever since.

-Which Dirtybird artist would you want to collaborate with the most?

CVS would be legendary. Justin Martin would be emotional and beautiful. Bruno Furlan would be groovy as funk.

-If your entire life was a movie, what title would best describe you?

YOLO: A tale of Reincarnation

-What’s the best concert you’ve ever been to?

Dirtybird Campout 2016 left a serious mark. It was raw, dirty, and non-stop. The Martin Brothers Drum & Bass set felt like I was in movie. Can't wait to attend East Coast Campout 2018 (my brother Dateless is playing!).

-If you could time travel, where and when would you go?

If I could time travel, I'd travel back to Ryan Seacrest's office in 2007 and slap the shit out of him for even thinking about creating Keeping Up With The Kardashians. Hopefully that would persuade him to change plans and never air that drool.

-What species of bird best describes you and why?

The Duck probably fits best. I love the water, I love eating bread, and I've been with my girl for many mating seasons.

-What does Dirtybird mean to you?

Dirtybird is the Research & Development center of House music. To be apart of such a forward thinking label and community means everything to me. They have the greatest fans in the world, with the purest motives. It's all about the music. As it should be.

Lucati - "Whistling Duck" [BIRDFEED EXCLUSIVE]

Rain - Dense & Pika Remix

Rain (Dense & Pika Remix)

Kerri Chandler - Rain (Dense & Pika Remix)

[BIRDFEED EXCLUSIVE] This week's exclusive comes from The Netherland's Abel De Jong!

-How long have you been creating music?
I have been making music for like 9 years now.

What do you use to make your tracks?
I use FL Studio to make my tracks.

-How and when did you first discover Dirtybird?
3-4 years ago on soundcloud, I use soundcloud to search for tracks to play in my gigs.

-Which Dirtybird artist would you want to collaborate with the most?
Claude Vonstroke

-If your entire life was a movie, what title would best describe you?
SHARKNADO 3

-What’s the best concert you’ve ever been to?
I really don't know, i find it too difficult to compare different act's

-If you could time travel, where and when would you go?
20 Years back in time, to buy bitcoins.

-What species of bird best describes you and why?
A Grey Goose, looks classy and makes u feel funky.

-What does Dirtybird mean to you?
I think that Dirtybird is the freshest and original house label that's popping these days.

Subscribe

Abel De Jong - Make It Drip [BIRDFEED EXCLUSIVE]

BIRDFEED

Bess Maze - "Arp Symphony" - Preview

This week's Birdfeed exclusive comes from Miami's E.R.N.E.S.T.O.!

E.R.N.E.S.T.O. - Cut The Mids [BIRDFEED EXCLUSIVE]

All Darkroom Dubs releases are available from our Bandcamp: https://tr.ee/Bandcamp

Sometimes you need to look back to look forward; marking the start of a new decade, Silicone Soul celebrate 20 years since their game-changing breakthrough hit with a brand new remastered version and two new remixes. 

‘Right On, Right On’ and on and on and on… The duo’s iconic Cutis Mayfield sampling single came in many shapes and sizes around the turn of the century. Beginning as ‘Right On 4 Tha Darkness’ in 1999, it then became ‘Right On, Right On’ in 2000 with that legendary hypnotic bongo loop that brought the soaring strings and warm jacking groove together so exceptionally well that another version popped up a year later; with added vocals from Louise Clare Marshall, ‘Right On!’ smashed the UK mainstream, hitting number 15 in the official charts… And led to the Glasgow duo famously declining an offer to go on Top Of The Pops. Two decades later and they still don’t regret that decision.

“We’ve had a lot of remix and licensing requests recently for 'Right On, Right On’ with even a dodgy progressive house cover version appearing back in January. Soma’s release schedule was sadly full, so we thought, f**k it, let’s do a re-release on our own Darkroom Dubs label, and as it’s been 20 years since the first release, we thought it would be perfect timing for an anniversary edition too. Conor Dalton, from Glowcast Mastering in Berlin, was kind enough to remaster the original direct from DAT and to complete the package, we’ve also included a new dynamite remix from Fango, with Matthias Tanzmann revisiting his much-loved remix for a 2020 version.”

Warmer than it’s ever sounded before, the new Glowcast remaster comes complete with remixes from Matthias Tanzmann and Fango. Originally released in 2012 as part of Soma’s own 20 year anniversary, Tanzmann squeezes every ounce of soul possible from the percussion elements while Italian Fango gives ‘Right On Right On’ a right old shoeing with a massive lolloping disco bassline, marching pianos and an injection of funk positivity 2020 has sorely missed so far.

20 years deep, still taking us through the darkness, still focused on a bright future. We need music like this now more than ever. Stay tuned for more Darkroom Dubs dispatches very soon.

Available now from our Bandcamp & Beatport (12th June for all other digital stores & streaming platforms).

Art & Design by Susie Cairns. 
Mastered by Conor Dalton at Glowcast Audio.
https://darkroomdubs.bandcamp.com

Right On, Right On

Right On, Right On (Matthias Tanzmann 2020 Remix)

Bandcamp

Affordable High End Analogue Mastering Service using World Class Analogue gear. Dirtybird Records, Good For You Records, Enhanced Music, Enhanced Progressive, Colorize, Dirtybird Select, Nervous Records, Nurvous Records, Fantastic Voyage (Justin Jay), Rili:s, Unrili:s, Loose Records, Agile Recordings, The House of Disco, Guesthouse Music, Wax Worx, King Street Sounds Records, Sirsounds Records, Made In Miami Records, Inner City Records, Sleazy Deep, Blockhead Recordings, Octavia Records, Phobos Records, Tambor Music, Deep & Dope Records, Jupiter Label, Kihon-on.

Reposts in the Dynamic Mastering Services stream have been mastered by David Mackie Scouller.

Dynamic Mastering Services specialise in providing professional online mastering services. The full range high resolution World Class Monitoring System comprises of Lynx Hilo Reference A/D D/A Conversion feeding a pair of Bryston powered PMC IB1S's playing into an acoustically treated and tuned room. You can be certain your music will be listened to in extreme detail and the utmost accuracy provided by the linear frequency response of the monitors. Your music will be processed through a high end analogue chain to add warmth, width, clarity, punch & impact, depth and a highly desirable unique tone. 

Mastering can make a good mix sound great and ensure the music translates well across a range of playback systems. Online mastering has made it easier for artists and record labels to get their projects sounding as good as possible.

www.DynamicMasteringServices.co.uk

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

Byron Stingily - Flying High (Boys Noize 909 Rework)

Nervous Inc.

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