Name: Dirty Secretz - A Little Bit Of Disco by Nervous Inc. in easy mix
Duration: 6 min 39 s
Description: Track available at Beatport: http://www.traxsource.com/title/561061/a-little-bit-of-disco

Bouncing bumping vibe, a purest masterpiece.

thank you at Nervous to help us to discover new artists

easy mix

Makèz have come a long way since they first sneaked into Amsterdam’s studio 80 at the age of 17 to hand over their demos to Dam Swindle. Those demos led to their debut EP ‘Different planets’on Heist in 2019 which gained major support from artists like Seth Troxler and Chez Damier. Quickly after, they signed two records on New York based label Let’s Play House. Fast forward two years, and here we are with their debut album.
 
‘City Of All’ shows a level of sophistication and matureness, effortlessly bridging genres across its thirteen cuts. You can feel the thought that has been put into this record, with tracks blending into each other as Makèz submerge themselves in their concept of accidental encounters, inclusiveness and what it means to live in a city like Amsterdam.  
 
On this album, Makèz bring together all the musical influences they’ve picked up in their life as music fans, clubbers, and art students. The jazz-funk of opening track ‘The Entrance’, feels breezy and casual, like freeform rhythms played in a jazz club soundcheck. Energy oozes from ‘Not So Different’, featuring the smooth vocals of LYMA. There’s a hint of the house-meets-R’n B vibe that made Anderson .Paak the star that he is now. Brilliantly funky, this song shows the talent of Makèz, who cleverly use pop & soul cues to create one of the album’s highlights. 
 
What follows is four cuts ranging from the syncopated Balearic funk of ‘Orbit’, the strings of title track ‘City Of All’, the organ-led, ‘Gonna Getya’ and the downbeat ‘Sonder’. Allysha Joy, as part of Melbourne Hip Hop collective 30/70, features on the deep and jazzy ‘Looking Up’.  If Makèz and Allysha are all looking up, it’s clear they’re seeing the same thing! These kindred spirits perfectly complement each other, the deep bass, warm harmonies and jazzy percussion prove to be a perfect foundation for Allysha’s rhymes.
 
Is it an album all about jazz and soul to listen to at home? Far from it. There are dance floor-oriented tracks, where the distorted filter funk of ‘Roselane’ featuring Fouk, proves to be a highlight along with what is arguably the heaviest cut of the album ‘Bent With Funk’.
 
In an EP context, these house tracks would surely do their work, but they really come to life in this album. No compromise has been made to storytelling and the house tracks all play their part while still standing their ground in a club. 
The expert production and smart arrangement gives this collection its casually funky feel.  On ‘City Of All’ Makèz showcase their remarkable talent for writing an album that goes to so many different places, but most of all, just really feels like home.

PREMIERE : Makèz - Feel The Same

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Track available at Beatport: http://www.traxsource.com/title/561061/a-little-bit-of-disco

Dirty Secretz - A Little Bit Of Disco

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info: http://bit.ly/gu2177i
beatport: http://bit.ly/gu2177bp
traxsource: http://bit.ly/gu2177tx

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High quality house music is, no doubt, a specialty of Kerri Chandler’s, and his groove infused ‘Get Out’ is no exception. A powerful remix package is on its way for Kerri’s own Madhouse Records via his Matrix alias, and Mixmag has grabbed the Detroit Swindle take, which rewinds it all the way back with the infectious vocal samples from the original released all the way back in 1992 on Madhouse. The remix package, along with takes from Peggy Gou, Josh Butler and Jimpster, is out February 9.

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(@poolattendant)
Genre: Disco / House
Release Date: 23/03/19

Pool Attendant are an emerging DJ / Production duo from London and the South West. Formed back in 2017 the pair met at uni and bonded over similar upbringings surrounded by music. Comprised of Scooter Tardelli-Reid and Otto Morgan, they've become known for shelling out a number of truly eclectic sets ranging from Disco, Asian Funk, Afro & Italo to Breaks, House, Techno, Acid & a further wide variety of Electronic Music.

This is all reflected in their new EP "JETTYMASTER" which will be out next month on Enzo Siffredi's WIRED sub-label "Below The Belt". The three track EP features two white label disco-edits 'MISS M" & "Disco Power" as well as an Acid-infused Italo banger, aptly entitled "Italo-Wonderand".

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As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

Dirty Secretz - A Little Bit Of Disco

Nervous Inc.

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