Across a string of well received records on Seth Troxler's Play It Say It, 20/20 Vision and Moan Recordings, The Mekanism has honed a refreshingly uninhibited sound - one that pops with joyful expression and works to serve the sort of free-flowing parties he regularly plays across the US and Mexico.

Here, he delivers his trademark sound with 'Do The Disco' - a rapturous cut that features percussion from Grammy Award-winning percussionist Jorge Bezerra and an alt sax replaying of 'Do It At The Disco' by Gary's Gang by Tom Barford with a gracious nod from Nervous and Uni Disc.

The taught skins of Bezerra's drums rattle out of the blocks and get things off to an electrifying start. Pattered into dexterous of polyrhythms, they carry that certain energy that drives a marrow-deep motivation to move while a straight 4/4 kick maintains a solid boom throughout.

Jorge Bezerra is a Grammy Award-winning Musician and Percussionist who has worked alongside many great artists throughout his career, notably on Ludovic Navarre’s St Germain project, on stage with the wonderful Melody Gardot and as an integral member of the Joe Zawinul Syndicate that allowed him to share the stage with other greats, such as Herbie Hancock, Bebel Gilberto, Hitonari Tsuji, Cheick Tidiane and Bobby McFerrin. 

Barford's sax is steadily filtered in while a bossy bass line walks up and down and the mood begins to bubble. Drums, sax and bass take turns to grab centre stage and the resultant vibe is feverish, balmy and jammed full of fun.

Artist: The Mekanism
Release: Do The Disco Feat. Jorge Bezerra
Label: Exploited
LC: 15799
Cat: EXPDIGITAL265
Publishing: Exploited Ghetto Music Publishing/Sony ATV
Beatport Pre-order: 12.09.25
https://www.beatport.com/de/release/do-the-disco-feat-jorge-bezerra/5149919
Release Date Streaming/Beatport: 19.09.25
Release Date Global Download: 03.10.25

Do The Disco Feat. Jorge Bezerra

Do The Disco Feat. Jorge Bezerra (Radio Edit)

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The Mekanism - Do The Disco Feat. Jorge Bezerra (Radio Edit) (Exploited)

Gasoline

Loofy & Rome Fortune - Gasoline

Download & Stream : https://moonharbour.lnk.to/MHD257

German-born but Ibiza-based Defex steps up to Moon Harbour to remix label head Matthias Tanzmann's classic 2016 cut 'Chano.' His fantastic take on 'Chano' maintains some of the original carnival charm and percussive patter of the original but turns up the groove. The drums here are warm, bold and dubby as they drive on with luminous synth stabs, raw hits, and the curious vocal bringing off-beat charm. It's a steamy sound for unifying dance floors of all sizes. 

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Matthias Tanzmann - Chano (Defex Remix - Extended Version)

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🛒 Buy from: https://www.beatport.com/release/trust-me/5337305

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Sergio Bennett is back with a remix of "Trust Me" that's chunkier than a warehouse bassline at 4 a.m. Sure, we've loved his Afro House grooves, but here he dives deep into the tech house trenches. This remix hits different in the small hours, blending Latin American vibes with that underground European edge. 

Sergio's known for spinning records at the world's most sizzling spots. From Pacha's legendary floors to the sun-drenched decks of Selina Panama City, he’s crafted sounds as smooth as a DJ mixing on silk. His production game? Just as tight. Signed to Yet Records and Armada Subjekt, he's a regular chart-topper on Beatport.

Now, "Trust Me" gets the Bennett touch. It's all about those hypnotic basslines and sleazy synths that make the walls of any warehouse rave shiver with delight. Picture this track dropping at an East Berlin sweatbox or a London afterparty, and you're halfway there.

The EP, featuring originals by Sergio Parrado, Le Brousse, and Baru (PA), is a cultural clash of sounds. But it's Bennett's remix that twists the crowd into knots, setting the groove just right for the underground. Trust us, you don't want to miss this.

The "Trust Me" EP drops October 10 on FINNEST. Ready to rattle your speakers? Grab it on Beatport.

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Sergio Parrado, Le Brousse - Trust Me (Sergio Bennett Remix) [FINNEST]

Pets Recordings welcomes LA-based DJ/producer The Botanist for his label debut with Leggo - a track that's as fun and functional as its namesake.

Fresh from releases on OMRI.'s Collecting Dots imprint, The Botanist taps in to the Lego-like philosophy of production, piecing together his sounds with precision and imagination. The result is a house cut built brick by brick: a bumping bassline at its foundation, punchy stabs for structure, Moroder-style synth bubbles adding texture, and a playful lead melody snapping it all into place.

Playful yet precise, Leggo is a track built for the dancefloor - simple, creative, and guaranteed to spark movement and connection.

Leggo

Sasha & Vizan - Late

Nervous Records assembles a top team of remixers, Teddy Douglas, Tedd Patterson, Shaka, and Danny Krivit, to rework Teddy Douglas's 2024 gem 'Don't Turn Your Back On Me‘ featuring Pauline Taylor. 

Featured: https://klubikon.com/2025/10/16/premiere-teddy-douglas-dont-turn-your-back-on-me-feat-pauline-taylor-tedd-patterson-remix 

‘Don't Turn Your Back On Me feat. Pauline Taylor’ remixes EP will be available after October 31st https://www.beatport.com/release/dont-turn-your-back-on-me-feat-pauline-taylor/5497517 

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PREMIERE: Teddy Douglas - Don't Turn Your Back On Me feat. Pauline Taylor (Tedd Patterson Remix)

Don't Turn Your Back On Me feat Pauline Taylor (Shaka Remix)

Let's Get Down

Let's Get Down (Soulful Mix)

Mia Moretti - Safe With Me ft. Irma Thomas (Tiger Stripes Remix)

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

Don't Turn Your Back On Me feat Pauline Taylor (Shaka Remix)

Nervous Inc.

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