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HASKELL , Tough Love - Like This (Extended Mix)

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The Power Of Speech

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HASKELL - The Power Of Speech

Digging for vinyl was fun, but digital digging has taken things to a new level. In the 90s, we would struggle to spend more than a few hours in a record store. Those hours now pass in the blink of an eye when you’re in a DSP rabbit hole! It was one of those never-ending stories that led us to Bridvog. In a past life, he recorded as Ambear, and we found his life-affirming synth anthem “Make Me Move” at the end of an ARTBAT playlist. From there, we discovered the Kraftwerk-inspired indie-dance of “R Life” on DiYnamic. Conveniently, he popped up in our inbox with an idea; needless to say, we were all over it. Recently, Kevin has been revisiting ideas from his Mylo and Linus Loves era, which chimed perfectly with Bridvog. Fast-forward a few weeks, and the pair deliver “Salty”, taking Alessia Labate’s ultra-hooky vocal on a turbocharged indie-tech ride through 106 bass and Nord stabs (IYKYK).

Kevin McKay, Bridvog - Salty (Extended Mix)

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VOLAC - Enemies

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Thomas Newson & GUZ are back together with their new club focused EP 'Get Raw'. A key artist for Toolroom Trax, Thomas Newson follows up his recent releases ‘Gucci Belter’, ‘The Middle’ and his anthemic hit ‘Left To Right’ on Stereohype that became a firm staple for James Hype. Along-side Thomas on the EP is fellow Dutchman GUZ who is another sought after producer with successful collaborations with the likes of John Summit, Ferreck Dawn and Alex Mills. These releases have seen both producers collectively boast over a million monthly listeners and this EP once again feels like a very natural team up for the Dutch producers.

‘Get Raw’ showcases their impressive musical chemistry, blending GUZ’s powerful grooves with Thomas Newson's flair for psychedelic synths and vocal hooks whereas 'Jazza' is a more stripped back underground Tech House roller. Two very versatile club tracks here that scream production quality! 

Get Raw EP

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Thomas Newson, GUZ - Get Raw

Thomas Newson - Dreaming

SLAMM - dEWdEWdEW

HASKELL - Deeper

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AG Swifty - Silly [MOAN]

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Sunday Afternoon

HASKELL returns with a no-nonsense club weapon on Wh0 Worx, unleashing 'Psycho' a heavy hitting cut featuring the haunting vocals of David LeSal. Driven by deep, rolling basslines and sharp, percussive energy, built for dark rooms and peak-time floors.

Psycho

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HASKELL ft. David LeSal - Psycho [Wh0 Worx]

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HASKELL is back on Toolroom Trax with the ‘Perfect Sound’, a club-ready weapon that’s living up to its name. James Haskell has recently rebranded as HASKELL and follows a string of strong momentum with recent drops on Nervous Records, IN / ROTATION, Myth Of NYX, Wh0 Worx, Alleanza plus, that massive collab he did with Mark Knight and Gene Farris on Toolroom.

‘Perfect Sound’ marks his 8th release across Toolroom & Trax as the label continues to support and develop him as an artist. He’s been touring with many shows across the UK and Europe, including the iconic London venue Ministry of Sound and a packed show in Ibiza earlier this season.

Perfect Sound

Los Canarios,Umberto Pagliaroli- After Work (Original Mix)

BAILANDO EL HOUSE

PASEANDO CON JULI Y CLARA

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Michael Jackson - BELLIE JEAN (TECH HOUSE REMIX) FREE DL

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

HASKELL - Deeper

Nervous Inc.

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