A selection of tracks mastered by David Mackie Scouller at Dynamic Mastering Services www.DynamicMasteringServices.co.uk

Mastering by David Mackie Scouller at Dynamic Mastering Services

Mallin follows up his killer collab with Sam Dexter with another one of his classic deep house "lullabies." For this release, he teams up with Kevin McKay (something they have done before, back in 2020). The two of them enlist the vocal talents of Brazilian chanteuse Nyla and deliver a beautiful, original, deep house groove. Luscious Rhodes and a subtle, bumping bass form the backing for NYLA's heart-stopping top line. Add in layers of lilting percussion and some sparkling synth sprinkles, and you have a perfect Ibizan sunset anthem. Gorgeous.

Buy / Stream

Kevin McKay, Mallin, NYLA - Losing Control (Deep Extended Mix)

SPHYNX - Otro Lado (Extended Mix)

Flagrant Drvms, Mijangos - Que Se Sepa

Max Stern - You Know I'm There

Nicole Fiallo, GENERATION90's, Oliver Gil - Cocinando

Quoxx - Make Me Wanna feat Dingo (Extended Mix)

DJ Wady, Ray MD - El Varon

Drumbert - Dale Un Sabor feat Dairo Todd

Skygroover - Never Be Alone (Extended Mix)

Gilos - Loco

Track available at Beatport: 
https://www.beatport.com/release/nervous-amsterdam-2017/2129477
Traxsource: https://www.traxsource.com/title/878707/nervous-amsterdam-2017

Nervous Amsterdam 2017

Believe (Don Rimini Remix)

PachangaStorm & onetwofour - Believe (Don Rimini Remix)

[BIRDFEED EXCLUSIVE] Happy New Year! Our resolution for 2018 is to give you one release a week exclusively to our Birdfeeders. We're kicking it off with an EP from Lucati, "Whistling Duck".

-How long have you been creating music?

I've been making music for 8 years. There's a certain moment when everything clicks, like your confidence in your music, your mixing and mastering. That happened in 2017.

-What do you use to make your tracks?

I lean Ableton, and only use arrangement view. Some of my go-to plug-ins are Massive, Serum, and the Waves Suite. I love sampling old records for kicks, vocals and basslines, helps me get the idea off the ground.

-How and when did you first discover Dirtybird?

I discovered Dirtybird when Mr. Spock by Justin Martin & Ardalan made waves. I ran a blog at the time and remember writing a full page review full of kudos and compliments on how brilliant that House track is. Hooked ever since.

-Which Dirtybird artist would you want to collaborate with the most?

CVS would be legendary. Justin Martin would be emotional and beautiful. Bruno Furlan would be groovy as funk.

-If your entire life was a movie, what title would best describe you?

YOLO: A tale of Reincarnation

-What’s the best concert you’ve ever been to?

Dirtybird Campout 2016 left a serious mark. It was raw, dirty, and non-stop. The Martin Brothers Drum & Bass set felt like I was in movie. Can't wait to attend East Coast Campout 2018 (my brother Dateless is playing!).

-If you could time travel, where and when would you go?

If I could time travel, I'd travel back to Ryan Seacrest's office in 2007 and slap the shit out of him for even thinking about creating Keeping Up With The Kardashians. Hopefully that would persuade him to change plans and never air that drool.

-What species of bird best describes you and why?

The Duck probably fits best. I love the water, I love eating bread, and I've been with my girl for many mating seasons.

-What does Dirtybird mean to you?

Dirtybird is the Research & Development center of House music. To be apart of such a forward thinking label and community means everything to me. They have the greatest fans in the world, with the purest motives. It's all about the music. As it should be.

Lucati - "Whistling Duck" [BIRDFEED EXCLUSIVE]

Rain - Dense & Pika Remix

Rain (Dense & Pika Remix)

Kerri Chandler - Rain (Dense & Pika Remix)

[BIRDFEED EXCLUSIVE] This week's exclusive comes from The Netherland's Abel De Jong!

-How long have you been creating music?
I have been making music for like 9 years now.

What do you use to make your tracks?
I use FL Studio to make my tracks.

-How and when did you first discover Dirtybird?
3-4 years ago on soundcloud, I use soundcloud to search for tracks to play in my gigs.

-Which Dirtybird artist would you want to collaborate with the most?
Claude Vonstroke

-If your entire life was a movie, what title would best describe you?
SHARKNADO 3

-What’s the best concert you’ve ever been to?
I really don't know, i find it too difficult to compare different act's

-If you could time travel, where and when would you go?
20 Years back in time, to buy bitcoins.

-What species of bird best describes you and why?
A Grey Goose, looks classy and makes u feel funky.

-What does Dirtybird mean to you?
I think that Dirtybird is the freshest and original house label that's popping these days.

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Abel De Jong - Make It Drip [BIRDFEED EXCLUSIVE]

BIRDFEED

Bess Maze - "Arp Symphony" - Preview

This week's Birdfeed exclusive comes from Miami's E.R.N.E.S.T.O.!

E.R.N.E.S.T.O. - Cut The Mids [BIRDFEED EXCLUSIVE]

Affordable High End Analogue Mastering Service using World Class Analogue gear. Dirtybird Records, Good For You Records, Enhanced Music, Enhanced Progressive, Colorize, Dirtybird Select, Nervous Records, Nurvous Records, Fantastic Voyage (Justin Jay), Rili:s, Unrili:s, Loose Records, Agile Recordings, The House of Disco, Guesthouse Music, Wax Worx, King Street Sounds Records, Sirsounds Records, Made In Miami Records, Inner City Records, Sleazy Deep, Blockhead Recordings, Octavia Records, Phobos Records, Tambor Music, Deep & Dope Records, Jupiter Label, Kihon-on.

Reposts in the Dynamic Mastering Services stream have been mastered by David Mackie Scouller.

Dynamic Mastering Services specialise in providing professional online mastering services. The full range high resolution World Class Monitoring System comprises of Lynx Hilo Reference A/D D/A Conversion feeding a pair of Bryston powered PMC IB1S's playing into an acoustically treated and tuned room. You can be certain your music will be listened to in extreme detail and the utmost accuracy provided by the linear frequency response of the monitors. Your music will be processed through a high end analogue chain to add warmth, width, clarity, punch & impact, depth and a highly desirable unique tone. 

Mastering can make a good mix sound great and ensure the music translates well across a range of playback systems. Online mastering has made it easier for artists and record labels to get their projects sounding as good as possible.

www.DynamicMasteringServices.co.uk

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

PachangaStorm & onetwofour - Believe (Don Rimini Remix)

Nervous Inc.

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