A selection of tracks mastered by David Mackie Scouller at Dynamic Mastering Services www.DynamicMasteringServices.co.uk

Mastering by David Mackie Scouller at Dynamic Mastering Services

Stream/buy: drumcode.ffm.to/dc250
Limited edition vinyl boxset: drumcode.ffm.to/dc250boxset

Drumcode marks its 250th release with a historic collaboration with Kevin Saunderson, as tracks from his legendary E-Dancer moniker receive the remix treatment from a diverse selection of artists from Detroit, Europe and beyond.

Anongay (Robert Hood remix)

E-Dancer - Anongay (Robert Hood Remix) - Drumcode - DC250

Nuestro nuevo edit junto a Mati Rivaday del clásico de INXS - Suicide Blonde en versión Tech House ya disponible en el Bandcamp de Rec Low Records.

Our latest bomb edit with Mati Rivaday is out now on Rec Low Records Bandcamp.

Play it, Download & Enjoy!

Thank you for your support 🙏🏻❤️🦬!!

INXS - Suicide Blonde (Bufalo GoLD, Mati Rivaday Edit) [Rec Low Records Bandcamp]

Sussudio. wav

Where Love Lives - Jack Freeman (edit) [Free DL]

Equinox

Equinox (Henrik Schwarz Remix)

Privilege 2010

Play The Game (Joris Voorn Dub)

Talk Dirty

Talk Dirty (Kenny Dope O'Gutta Mix)

Artist: Claptone
Title: Cream
Label: Exploited
Format: Digital
LC: 15799
Released: 30.01.2012 (Beatport) / 13.02.2012 (I-Tunes/Juno ect.)

Get it at Beatport now: http://www.beatport.com/release/cream/860601

http://www.exploitedghetto.de

Mystery surrounds the identity of production combo Claptone. Perhaps it doesn't matter... 
Their first EP "She Loves You" was a mix of sharply floor focused tech-house, deep house and disco blends. Currently No. 4 in the German Club Charts and liked by key-players such as Tensnake, Julio Bashmore, Eats Everything, A-Trak, Matthew Dear and Tim Sweeney - we had to make a quick follow-up. 
Here it is: CREAM...not only for lovers of 90ies Rapmusic. 

Early Feedback: 
DJ HELL: Cream is the first Clubhit in 2012. 
DJ SNEAK: Cool tools. 
NOIR: Wow.... both tracks are pretty dope here. 
SOUL CLAP: Real cool bootlegs. Big up! 
WOLF&amp;LAMB: Bangers and Mashhh! 
UNTOLD: Nice work! 
TRICKSKI: Great little package. Good To You is some sweet soul thing. Love it. 
FRIENDLY FIRES: Excellent stuff. 
ROUND TABLE KNIGHTS: Claptone did it again!!! Boom. 
OLIVER$: Ketadisco:) 

Cream

Claptone: Cream (Preview) | Exploited

A relative newcomer, having released a couple of lovely records on the Conya label, and another on Hertzlich, Larse also hosts the friday night show on Germany‘s biggest youthradio „1Live Klubbing“ since more than 10 years. Now we proudly present the talented Dortmund based producer on We Love This.

‚I Got A Feeling‘ is a beautifully balanced, expertly produced cut that soars through the post-disco-nu-house skies like a flaming rocket bound for the dancefloor. Low-slung, totally groovy and decidedly disco edged, a thick wall of classic drums, addictive vocals and top class studio finesse make this a superb new release for Larse.

Hamburg based Solomun adds his hand to the mix, with a wonderfully deep yet pumping remix of the original. Calling on some classic chicago vibes, with his trademark dry and crisp sound, they Diynamic boss doesnt dissapoint in this straight up late night roller.

Larse finishes off the mix with ‚Off The Ground‘ - a heavy funk laden jam that once again drips with class and a great lo

Larse - I Got A Feeling (Original Mix)

[BIRDFEED EXCLUSIVE] Happy New Year! Our resolution for 2018 is to give you one release a week exclusively to our Birdfeeders. We're kicking it off with an EP from Lucati, "Whistling Duck".

-How long have you been creating music?

I've been making music for 8 years. There's a certain moment when everything clicks, like your confidence in your music, your mixing and mastering. That happened in 2017.

-What do you use to make your tracks?

I lean Ableton, and only use arrangement view. Some of my go-to plug-ins are Massive, Serum, and the Waves Suite. I love sampling old records for kicks, vocals and basslines, helps me get the idea off the ground.

-How and when did you first discover Dirtybird?

I discovered Dirtybird when Mr. Spock by Justin Martin & Ardalan made waves. I ran a blog at the time and remember writing a full page review full of kudos and compliments on how brilliant that House track is. Hooked ever since.

-Which Dirtybird artist would you want to collaborate with the most?

CVS would be legendary. Justin Martin would be emotional and beautiful. Bruno Furlan would be groovy as funk.

-If your entire life was a movie, what title would best describe you?

YOLO: A tale of Reincarnation

-What’s the best concert you’ve ever been to?

Dirtybird Campout 2016 left a serious mark. It was raw, dirty, and non-stop. The Martin Brothers Drum & Bass set felt like I was in movie. Can't wait to attend East Coast Campout 2018 (my brother Dateless is playing!).

-If you could time travel, where and when would you go?

If I could time travel, I'd travel back to Ryan Seacrest's office in 2007 and slap the shit out of him for even thinking about creating Keeping Up With The Kardashians. Hopefully that would persuade him to change plans and never air that drool.

-What species of bird best describes you and why?

The Duck probably fits best. I love the water, I love eating bread, and I've been with my girl for many mating seasons.

-What does Dirtybird mean to you?

Dirtybird is the Research & Development center of House music. To be apart of such a forward thinking label and community means everything to me. They have the greatest fans in the world, with the purest motives. It's all about the music. As it should be.

Lucati - "Whistling Duck" [BIRDFEED EXCLUSIVE]

Track available at Traxsource: 
https://www.traxsource.com/title/911163/so-nervous-feat-aisha

So Nervous feat. Aisha

Tommy Bones - So Nervous feat. Aisha

Rain - Dense & Pika Remix

Rain (Dense & Pika Remix)

Kerri Chandler - Rain (Dense & Pika Remix)

[BIRDFEED EXCLUSIVE] This week's exclusive comes from The Netherland's Abel De Jong!

-How long have you been creating music?
I have been making music for like 9 years now.

What do you use to make your tracks?
I use FL Studio to make my tracks.

-How and when did you first discover Dirtybird?
3-4 years ago on soundcloud, I use soundcloud to search for tracks to play in my gigs.

-Which Dirtybird artist would you want to collaborate with the most?
Claude Vonstroke

-If your entire life was a movie, what title would best describe you?
SHARKNADO 3

-What’s the best concert you’ve ever been to?
I really don't know, i find it too difficult to compare different act's

-If you could time travel, where and when would you go?
20 Years back in time, to buy bitcoins.

-What species of bird best describes you and why?
A Grey Goose, looks classy and makes u feel funky.

-What does Dirtybird mean to you?
I think that Dirtybird is the freshest and original house label that's popping these days.

Subscribe

Abel De Jong - Make It Drip [BIRDFEED EXCLUSIVE]

BIRDFEED

Bess Maze - "Arp Symphony" - Preview

This week's Birdfeed exclusive comes from Miami's E.R.N.E.S.T.O.!

E.R.N.E.S.T.O. - Cut The Mids [BIRDFEED EXCLUSIVE]

0 years of beautiful, meaningful house, techno and forward-thinking electronic music. 10 years of building a community, encouraging exciting new talent from around the world. 10 years of supporting local talent and proudly being the product of Poland. 10 years of friendship. 10 years of Pets Recordings.

When Catz 'n Dogz established their own label in 2010 their sole mission was to ensure it never became 'just another dance label'. A decade deep, their mission has been accomplished so far. With the label's remit as broad and innovative as the duo's productions and DJ sets, the focus has always been on soul, realness and human connections. From Eats Everything's debut single 'Entrance Song' to Rachel Row and husband KiNK's first single together 'Follow The Step' to the numerous 'Friends Will Carry You Home' collections, Pets has never lost sight of its purpose or raison d'etre. They've been as faithful as the family hound, as cool as the family cat and as curious as the family crocodile in their output, energy and creativity since day one.

To celebrate, the label has curated this exceptional 12-track collection of exclusives from their nearest and dearest. One fat album delivered over two massive EPs, '10 Years Of Pets' captures the full rave rainbow of the label and its many friends and facets; the raging bull acid slapper 'BADACID' from Eats Everything, the fully-juiced disco dynamite of Monki's 'The Shed', the dubby hip-slinking finesse of Joyce Muniz's 'Eastbound', the soft-focus uplift and daydream delight of Jeigo's 'Tell Me How It Feels', the jazzy electro wriggles and squiggles of Black Loops' 'Velvet', the list goes on.

Here's to another 10 years of beautiful, meaningful house, techno and forward-thinking electronic music.

10 Years Of Pets Recordings, Pt. 1

Follow The Step (2020 Cinematic Version) [feat. KiNK]

Affordable High End Analogue Mastering Service using World Class Analogue gear. Dirtybird Records, Good For You Records, Enhanced Music, Enhanced Progressive, Colorize, Dirtybird Select, Nervous Records, Nurvous Records, Fantastic Voyage (Justin Jay), Rili:s, Unrili:s, Loose Records, Agile Recordings, The House of Disco, Guesthouse Music, Wax Worx, King Street Sounds Records, Sirsounds Records, Made In Miami Records, Inner City Records, Sleazy Deep, Blockhead Recordings, Octavia Records, Phobos Records, Tambor Music, Deep & Dope Records, Jupiter Label, Kihon-on.

Reposts in the Dynamic Mastering Services stream have been mastered by David Mackie Scouller.

Dynamic Mastering Services specialise in providing professional online mastering services. The full range high resolution World Class Monitoring System comprises of Lynx Hilo Reference A/D D/A Conversion feeding a pair of Bryston powered PMC IB1S's playing into an acoustically treated and tuned room. You can be certain your music will be listened to in extreme detail and the utmost accuracy provided by the linear frequency response of the monitors. Your music will be processed through a high end analogue chain to add warmth, width, clarity, punch & impact, depth and a highly desirable unique tone. 

Mastering can make a good mix sound great and ensure the music translates well across a range of playback systems. Online mastering has made it easier for artists and record labels to get their projects sounding as good as possible.

www.DynamicMasteringServices.co.uk

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

Tommy Bones - So Nervous feat. Aisha

Nervous Inc.

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