This melodic work between the sounds of techno and progressive house was created with the motivation to reach people and invite them to think about everyone. The world is changing, the recent news around the world is frightening. Music cant change the world, but it helps people think.

H.I.O.B - Possibility of Humans

Possibility

Narrative concept album based on a short story with an existential theme.  Eclectic, experimental, instrumental electronic music.  Lots of 3/4 and related time signatures and orchestral instruments.

Edwin Floats Away

Don't Look Down...

999 - oxy_gin ✨

A spin on Erik Satie's Gnossienne N° 3. 

Satie.sfied N°3

"Troubled Minds" is a sonic journey through the depths of electronic expression, crafted by the visionary Mr. Madazza. With pulsating drums, captivating synths, and ethereal vocals that soar like angels, this track transcends mere music, immersing listeners in a realm where emotion and sound intertwine. Created with finesse in FL Studio, "Troubled Minds" is more than just a banger; it's a testament to the power of creativity and the boundless possibilities of electronic music.

Troubled Minds

Mote

Nexus

Chilled beats for poolsessions and sundowners

01 - Belikeme - White Noise (Original Mix)
02 - Alan Devale - The right mood
03 - Alex R - Dustland
04 - West & Zander - Etaga (Original Mix)
05 - Nora Van Elken - Midsommar (Original Mix)
06 - Melina, raYn, cloudseven - hey now (Extended Mix)
07 - Kate Paul - Toybox (Original Mix)
08 - Beachwax - In Deep (Original Mix)
09 - Bjarne Hendrik - Dreams
10 - Jonas Schilling - Rising Tide (Original Mix)
11 - Miller Ford - A Glitch (Original Mix)
12 - HGenius - Night Drives (Original Mix)
13 - Camille - Beau (Original Mix)
14 - Bjarne Hendrik - Flowers
15 - Palm 3S - Lemonade
16 - Alinno - Sun Road (Original Mix)
17 - Hocus Faux - Remember (Original Mix)
18 - LØC - Ours (Hermanez Remix)

Unknown Album

Luftmatratze Vol.1

"17 Hours to Dawn" is a gripping and emotive composition that captures the suspense and resilience portrayed in the post-apocalyptic world of "The Walking Dead" series. Lasting 3 minutes and 15 seconds, this track begins with a somber piano melody intertwined with haunting synth elements, creating an atmosphere of desolation and introspection. The addition of cello and bass deepens the emotional weight, evoking the struggle and the silent courage of characters navigating through a world overrun by the undead.

As the piece progresses, it transitions into a beautiful and poignant piano and strings melody. This section conveys a glimmer of hope amid darkness, reflecting the moments of humanity and tender connections that emerge in the face of adversity. The composition continuously builds, adding layers of complexity with new elements that represent the rising tensions and the ever-present danger in the series.

Perfect for fan tributes, cinematic trailers, or dramatic scenes, "17 Hours to Dawn" offers a rich auditory journey that mirrors the thematic depth of "The Walking Dead." The track is ideal for settings that require a blend of suspense, melancholy, and uplifting moments, making it a versatile choice for filmmakers and game developers seeking to evoke a strong emotional response from their audience.

17 Hours To Dawn

The Depths Of Cracken

Soul Of Time

Nervous Wretch is an instrumental electronic artist from Rhode Island, USA. The stage name of Luke Capotosto, he started making music under the name in 2005, influenced by such acts as Nine Inch Nails, Bjork, Radiohead, Portishead and The Cure.  His music is eclectic and often experimental, having been influenced by various genres such as trip hop, post-punk, krautrock, minimalism, industrial, post-rock, classical, psychedelic rock, and experimental music.  Other significant influences include the Beatles' psychedelic period, Stereolab, Pink Floyd, Faith No More, and White Zombie.  Not typical electronic music, it generally makes more use of organic sounds than synths, and works outside of popular genres like EDM, lo-fi hip hop and trap.

Don't Look Down...

Nervous Wretch

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