Oliver Huntemann - Schatten

Beaumanoir. is back on MF records with a brand new EP. 3 original tracks, fresh and dark... 

Pedro Winter : Heavy! Radio & Club plays
The Hacker : Super ep ! Full support ! Black Uniform is the one.
Carretta : full support !
Chloé : Merci !
Turbo Turbo : wow,love substance, super atmosphere and great production!
Autokratz really cool stuff
Sharooz : FUCKING COOL !
Sovnger : Super sympa cet EP, bonne ambiance.
Jagerverb : Dissident for me.
Les tronchiennes : Black Uniform sounds great, thanks!
Workerpoor : Love "substance". Cool ep. thanks !!! ;)
Acid Washed : In LOVE WITH THIS.
Hoshina Anniversary : cool EP, thanks.


Cover by Thomas Winter﻿.

Buy links :
www.beatport.com/release/substance-ep/1315181
itunes.apple.com/fr/album/substan…ngle/id883685895
www.junodownload.com/products/beaum…ep/2490972-02/
www.amazon.fr/Substance-EP-Beaum…noir/dp/B00KO9PRVY
...

Beaumanoir. Substance EP

01. Beaumanoir. - Substance 
02. Beaumanoir. - Black Uniform 
03. Beaumanoir. - Dissident

Mille Feuilles 2014 - MF015 
contact@millefeuilles.org

www.millefeuilles.org

Dissident

Following recent releases for Parisian institution Ed Banger Records, a huge collaboration with rising vocalist Meleka, and his own Battle Weapons free download series tailored for the dancefloor, the UK’s resident genre-blurring boy wonder, Riton aka Henry Smithson, announces a brand new EP for Nest.

Title track ‘I Am The Whisper’ finds Bad Guy Ri Ri in a darker, deeper mode than previous releases, with vaguely sinister spoken word vocals from London-based singer/songwriter Molly Beanland peppering a propulsive beat and acid stabs. “I’m warning you, once we start we’ll never stop,” she threatens. B-side ‘Dance With Moi’ punches hard from the get go, expertly melding techno, electro and house influences in true Riton style.

Riton Links:
https://soundcloud.com/ritontime
http://www.facebook.com/ritontime
http://twitter.com/henryriton

Free Download

Riton - I Am The Whisper ft. Molly Beanland [NEST036]

It is with great pleasure that we welcome Victor Ruiz to Electric Ballroom.
Victor Ruiz is on the front line of a new generation of Brazilian producers and DJs. His unique, to the point, modern Techno has won him a huge audience in Brazil and across the globe. Draco and Serpents are two superbly crafted cuts of the finest Techno fresh from his studio in Sao Paulo.

Check:
https://www.facebook.com/ElectricBallroomMusic
https://www.facebook.com/victorruizofficial


Draco

Victor Ruiz - Draco

Clint Stewart - Throwing Stones EP
[SECOND STATE: SNDST006]

A: Clint Stewart - Throwing Stones 
B: Clint Stewart - Come Undone

For Clint's second solo effort on Second State he brings us two big room jams. With the Throwing Stones EP he takes the same approach as he did with the previous Warpaint EP by going for two different vibes on either side of the record. 
On the A side we have 'Throwing Stones'; a peak time club tune perfect for dark spaces and strobe lights. With giant rolling sub bass, a heavy kick, crisp hi hats and crunchy hand claps the groove slowly grows into a big break with atmospheric chimes and vocal snippets. Soon you are lost in an ethereal break, but suddenly snapped back into reality as the bass changes and a single looping synth takes center stage creating a driving yet euphoric peak time floor filler. 
With the flip side, Clint goes for a warmer, uplifting tone with 'Come Undone'. Starting with finger snaps and a growing arpeggio, the vibe slowly builds as big toms and dreamy atmospherics introduce a massive sub bass line. As a shaker creeps up and another synth blends with the original arpeggio the beat finally drops. A solid four to the floor groove ensues and culminates into a wash of delayed chimes as the breakdown introduces the lead; an unforgettable brass line that is sure to have all the hands in the air at a sunny open air or a morning at the club. 

VINYL
Decks.de: http://goo.gl/QXWTnx

DIGITAL
Beatport: http://goo.gl/pKDa5s
iTunes: http://goo.gl/VuZDCv

Clint Stewart - Throwing Stones

Get In-Shut Up/Instrumental

Dino Lenny 'Shoot Me To The Sky' -Extended Mix-

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

If you like the track, support the artist and buy it here http://www.beatport.com/track/cowboys-extended-mix/5125077

Dusty Kid - Cowboys

08.06.18 on Beatport.
22.06.18 Worldwide.

Cosmic Boys - Stranger Code (Original Mix) Preview Scander SC030

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

H&T04 Robag Wruhme - Veddel Baav

Skrillex-owned media platform and free-release imprint. More info here -- http://nesthq.com/about/

Riton - I Am The Whisper ft. Molly Beanland [NEST036]

NEST HQ

Recent comments

E Rah 8

E Rah 8

Malevashka

Muddy Beats / gLiTcH / DOINK / COX/ matinuska thun

Related tracks